0:32 → 0:33
SPEAKER_00 I'm.
1:02 → 1:03
SPEAKER_00 I'm sorry.
1:48 → 1:50
SPEAKER_01 You're going too fast for a load like that.
1:50 → 1:50
SPEAKER_08 Load?
1:50 → 1:52
SPEAKER_08 Who do you think we are, melons?
1:52 → 1:53
SPEAKER_01 I'm sorry, miss.
1:53 → 1:54
SPEAKER_01 What's the hurry?
1:54 → 1:58
SPEAKER_01 I'm Rick Daniels, press agent for Cole King's Varieties.
1:58 → 2:00
SPEAKER_01 This is Mr. Cole King himself.
2:00 → 2:02
SPEAKER_08 We have taken the Rutherford Mansion, Sergeant.
2:02 → 2:04
SPEAKER_08 Could you direct us?
2:04 → 2:05
SPEAKER_01 There's no way to miss it.
2:05 → 2:07
SPEAKER_01 Look, Sarge, I'll take it easy.
2:07 → 2:08
SPEAKER_01 There's no need in handing us a ticket.
2:08 → 2:10
SPEAKER_01 These girls have worked hard on the show all winter.
2:10 → 2:12
SPEAKER_01 We're on our way to the beach for a month.
2:12 → 2:12
SPEAKER_01 If you want,
2:13 → 2:16
SPEAKER_01 I'll call your lieutenant and... That's enough, Daniels.
2:16 → 2:17
SPEAKER_01 The sergeant understands.
2:17 → 2:20
SPEAKER_01 You'll see the Rutherford place down the road to your left.
2:20 → 2:21
SPEAKER_01 Go a little slower.
2:21 → 2:23
SPEAKER_01 You've got a valuable load.
2:23 → 2:26
SPEAKER_02 Oh, sergeant.
2:26 → 2:27
SPEAKER_02 Well, well, I fixed that.
2:59 → 3:14
SPEAKER_08 You're Mrs. Weebles, the housekeeper?
3:14 → 3:14
SPEAKER_03 Yes.
3:14 → 3:17
SPEAKER_03 The broker told you to expect this, of course.
3:17 → 3:21
SPEAKER_03 Yes.
3:21 → 3:23
SPEAKER_03 I'm Mrs. Thorne, wardrobe mistress of the company.
3:23 → 3:24
SPEAKER_03 Come in.
3:29 → 3:30
SPEAKER_03 Your baggage has arrived.
3:30 → 3:31
SPEAKER_03 It's upstairs in your rooms.
3:31 → 3:37
SPEAKER_03 Thank you.
3:37 → 3:38
SPEAKER_03 Upstairs, girls.
3:38 → 3:42
SPEAKER_03 May we take a look at the rest of the house?
3:42 → 3:42
SPEAKER_01 Certainly.
3:42 → 3:43
SPEAKER_01 Ah, this would be Mrs. Pebbles, huh?
3:43 → 3:44
SPEAKER_03 Mrs. Weebles.
3:44 → 3:45
SPEAKER_01 No batter, Daniels.
3:45 → 3:46
SPEAKER_01 Well, cheer up.
3:46 → 3:48
SPEAKER_01 Youth and beauty have arrived in brilliant wit.
3:48 → 3:52
SPEAKER_01 The old house will re-echo to music and laughter.
3:52 → 3:52
SPEAKER_01 Sure.
4:01 → 4:04
SPEAKER_03 This place needs a little air.
4:04 → 4:06
SPEAKER_04 Yes, and a little dusting wouldn't hurt either.
4:06 → 4:08
SPEAKER_07 I should say not.
4:08 → 4:11
SPEAKER_07 Oh, what a beautiful view.
4:11 → 4:13
SPEAKER_07 But the ocean always makes me sad.
4:13 → 4:14
SPEAKER_08 Ghosts are here.
4:14 → 4:16
SPEAKER_08 Ghosts of gayer days.
4:16 → 4:18
SPEAKER_07 I once lost a dear friend by drowning.
4:18 → 4:21
SPEAKER_08 Where's that caretaker?
4:21 → 4:22
SPEAKER_08 Yes?
4:22 → 4:25
SPEAKER_03 Oh, we wanted to use this for rehearsals in a general setting room.
4:25 → 4:28
SPEAKER_03 Yes, ma'am, I'll get some dusters.
4:28 → 4:29
SPEAKER_03 Drink is the root of all evil.
4:31 → 4:32
SPEAKER_03 Uh-oh.
4:32 → 4:33
SPEAKER_07 One of them.
4:33 → 4:36
SPEAKER_07 Probably a very sincere, kind woman.
4:36 → 4:40
SPEAKER_07 I'll be back to help as soon as I see if the girls are all right upstairs.
4:40 → 4:43
SPEAKER_08 And Marsha gets a whole suite to herself.
4:43 → 4:44
SPEAKER_08 That's your choice by right, Winifred.
4:44 → 4:45
SPEAKER_08 Oh, no, Ruby.
4:45 → 4:46
SPEAKER_08 Marsha's our lead for the next season.
4:46 → 4:49
SPEAKER_08 This room's been cleaned.
4:49 → 4:49
SPEAKER_08 It's really nice.
4:49 → 4:51
SPEAKER_08 I think we should bring more beds.
4:51 → 4:53
SPEAKER_08 All the rest of us sleep in one room.
4:53 → 4:54
SPEAKER_08 It'd be safer.
4:54 → 4:56
SPEAKER_08 What are you feeling unsafe about now?
4:56 → 4:58
SPEAKER_08 In this big house, anything.
4:58 → 5:00
SPEAKER_08 Just anything could happen.
5:01 → 5:06
SPEAKER_07 Oh, Winifred, Adelaide... I think it would be better if you girls shared
the rooms with Marcia.
5:06 → 5:08
SPEAKER_08 Well, this I call a grand plaisir.
5:08 → 5:10
SPEAKER_08 We can manage you very well, Mrs. Doyle.
5:10 → 5:11
SPEAKER_08 Go on, you goose.
5:11 → 5:13
SPEAKER_08 We'll help you take over.
5:13 → 5:15
SPEAKER_08 This I call a swell break.
5:15 → 5:17
SPEAKER_08 Oh, girls, no horseplay.
5:17 → 5:18
SPEAKER_08 Where's Santoy?
5:18 → 5:22
SPEAKER_08 Maiden waiting to the sole great star, Marcia.
5:22 → 5:24
SPEAKER_08 Come on, Lois.
5:24 → 5:26
SPEAKER_08 And, Clem, this we gotta see.
5:26 → 5:27
SPEAKER_08 Oh, I think I'll just stay here.
5:30 → 5:31
SPEAKER_08 Marsha isn't going to like this.
5:31 → 5:34
SPEAKER_08 I hope.
5:34 → 5:38
SPEAKER_07 Well, Marsha, the other room in this suite is for Winifred and Adelaide.
5:38 → 5:40
SPEAKER_03 I was going to put Santoy in the other room.
5:40 → 5:41
SPEAKER_03 I'm sorry, Marsha.
5:41 → 5:43
SPEAKER_08 Santoy isn't a maid.
5:43 → 5:44
SPEAKER_08 She'll stay with the other girls.
5:44 → 5:45
SPEAKER_08 Oh, clumsy dolt.
5:45 → 5:46
SPEAKER_03 What a cruel thing.
5:46 → 5:48
SPEAKER_03 I could put that down.
5:48 → 5:49
SPEAKER_03 Girls, please.
5:49 → 5:51
SPEAKER_08 I'd talk with you.
5:51 → 5:52
SPEAKER_08 Leave me.
5:52 → 5:53
SPEAKER_08 I want to talk with her.
5:53 → 5:54
SPEAKER_08 There's no need for us to use the room.
5:54 → 5:56
SPEAKER_08 The arrangements have already been made.
5:56 → 5:57
SPEAKER_08 Come, girls.
5:57 → 5:58
SPEAKER_08 I'll have no quarreling.
5:58 → 5:59
SPEAKER_08 Sicker, Adelaide.
5:59 → 5:59
SPEAKER_08 Sicker.
6:01 → 6:04
SPEAKER_08 I knew something dreadful was going to happen when we came here.
6:04 → 6:05
SPEAKER_08 Oh, now, dear, come along.
6:05 → 6:06
SPEAKER_07 Maestro expects us all interested.
6:06 → 6:07
SPEAKER_07 Wait before you...
6:11 → 6:15
SPEAKER_08 Again you make trouble with your bad temper and your so grand manners.
6:15 → 6:17
SPEAKER_03 I might suggest you mind your affairs.
6:17 → 6:20
SPEAKER_03 In Switzerland, in France, always the same thing.
6:20 → 6:22
SPEAKER_03 You flirt with rich men and ****, trouble.
6:22 → 6:25
SPEAKER_03 I would advise you to mind your own business.
6:25 → 6:28
SPEAKER_03 You make the fool of Cold King, same as the others.
6:28 → 6:29
SPEAKER_08 You will ruin this show.
6:29 → 6:31
SPEAKER_03 I will own this show.
6:31 → 6:33
SPEAKER_03 And listen, you know the maestro's rules.
6:33 → 6:36
SPEAKER_03 What if he were to find out that Doc Brandt is your husband?
6:36 → 6:39
SPEAKER_08 There is other work in this country.
6:39 → 6:40
SPEAKER_08 Women like you, someone should...
6:41 → 6:43
SPEAKER_03 Like that.
6:43 → 6:49
SPEAKER_03 Furthermore, the maestro and a lot of other people might like to know who
Doc Brant really is.
6:49 → 6:53
SPEAKER_03 Bad as you are, you would not do a thing like that.
6:53 → 6:54
SPEAKER_03 But we're all going swimming before dark, dear.
7:16 → 7:19
SPEAKER_03 Well, where have you been?
7:19 → 7:21
SPEAKER_03 Pick those things up.
7:21 → 7:23
SPEAKER_03 No, wait a minute.
7:23 → 7:26
SPEAKER_03 We're going swimming, but I'll get you excused.
7:26 → 7:28
SPEAKER_03 I want you to go to Adelaide's trunk for me.
7:28 → 7:30
SPEAKER_03 Oh, please, don't make me steal.
7:30 → 7:31
SPEAKER_03 Steal?
7:31 → 7:33
SPEAKER_03 Who do you think I am, Fagin?
7:33 → 7:36
SPEAKER_03 Look, in Adelaide's trunk, there's a small metal box.
7:36 → 7:38
SPEAKER_03 There are some letters in it.
7:38 → 7:39
SPEAKER_03 No, Marsha.
7:40 → 7:41
SPEAKER_03 Oh, please, I can't.
7:41 → 7:44
SPEAKER_03 Do you want the maestro to know that you're under 18?
7:44 → 7:46
SPEAKER_08 Oh, I can't lose this job, Marsha.
7:46 → 7:46
SPEAKER_08 I can't.
7:46 → 7:50
SPEAKER_08 It's my chance, and, well, I need the money.
7:50 → 7:51
SPEAKER_03 Exactly.
7:51 → 7:53
SPEAKER_03 Bring me three or four letters.
7:53 → 8:01
SPEAKER_03 Three or four will do.
8:01 → 8:02
SPEAKER_04 Hi, Richard.
8:02 → 8:02
SPEAKER_04 Follow them.
8:02 → 8:03
SPEAKER_04 Come on.
8:03 → 8:03
SPEAKER_04 Hi, Max.
8:07 → 8:10
SPEAKER_07 Mr. King will be down soon, girls.
8:10 → 8:11
SPEAKER_08 Then we can swim.
8:11 → 8:12
SPEAKER_08 Oh, maestro, making an entrance, eh?
8:12 → 8:13
SPEAKER_08 I'd just as soon not go in.
8:13 → 8:15
SPEAKER_08 Of course you'll swim, dear.
8:15 → 8:18
SPEAKER_07 Sun, sea air, exercise, that's the tonic.
8:18 → 8:19
SPEAKER_08 Say, where's Lois?
8:19 → 8:20
SPEAKER_08 She has a headache.
8:20 → 8:23
SPEAKER_08 I don't think I'll go in either, Mrs. Thorne.
8:23 → 8:27
SPEAKER_08 Well, that'll be all right, Santoy.
8:27 → 8:30
SPEAKER_01 Come on, girls.
8:30 → 8:30
SPEAKER_01 Come on, Rick.
8:30 → 8:31
SPEAKER_01 Perfect.
8:31 → 8:31
SPEAKER_01 Perfect, Daniels.
8:31 → 8:32
SPEAKER_01 We should have pictures.
8:32 → 8:34
SPEAKER_01 We're posing a set for the magazines tomorrow.
8:34 → 8:35
SPEAKER_01 Good.
8:35 → 8:36
SPEAKER_01 Then today, we swim.
8:38 → 8:44
SPEAKER_08 Come on, sweetheart.
8:44 → 8:45
SPEAKER_05 Come on.
8:45 → 8:49
SPEAKER_00 Come on, sweetheart.
8:49 → 8:50
SPEAKER_00 Come on.
8:50 → 8:50
SPEAKER_01 Wait a minute.
8:50 → 8:50
SPEAKER_01 Wait a minute.
8:50 → 8:51
SPEAKER_01 Wait a minute.
9:19 → 9:20
SPEAKER_08 Where's Marcia?
9:20 → 9:23
SPEAKER_08 Her robe was gone when I came out.
9:23 → 9:24
SPEAKER_08 Maybe she's ill or something.
9:24 → 9:25
SPEAKER_08 I hope it's serious.
9:25 → 9:28
SPEAKER_08 This woman, she's sick all the time, inside.
9:28 → 9:30
SPEAKER_08 Shh, chief.
9:30 → 9:32
SPEAKER_01 Has anyone seen Marcia?
9:32 → 9:39
SPEAKER_08 I think she went up to the house, Maestro.
9:39 → 9:41
SPEAKER_08 I wonder if Marcia and Maestro quarreled.
9:41 → 9:42
SPEAKER_08 You can't quarrel with a lapdog.
10:23 → 10:24
SPEAKER_00 Ah!
10:52 → 10:53
SPEAKER_03 The root of evil.
10:53 → 10:54
SPEAKER_03 You said it.
10:54 → 10:56
SPEAKER_03 Lots of evil has come out of the sea.
10:56 → 10:57
SPEAKER_03 The world, for instance.
10:57 → 10:59
SPEAKER_03 Liquor is the root.
10:59 → 11:01
SPEAKER_03 Crime the stem and branches.
11:01 → 11:01
SPEAKER_03 And what's the fruit?
11:34 → 11:37
SPEAKER_08 You look like if you have seen the ghost.
11:37 → 11:40
SPEAKER_04 It's kind of chilly.
11:40 → 11:43
SPEAKER_08 Did you see Santore or Lois?
11:43 → 11:44
SPEAKER_04 No, I was just in the cabana.
11:44 → 11:54
SPEAKER_08 Lois, you in there?
12:08 → 12:15
SPEAKER_00 She's dead.
12:15 → 12:24
SPEAKER_00 Quiet, girls, please.
12:24 → 12:27
SPEAKER_07 I think you better leave the room.
12:27 → 12:27
SPEAKER_01 Look, maestro.
12:28 → 12:30
SPEAKER_01 For the good of the show, Lois is dead.
12:30 → 12:32
SPEAKER_01 She'll not mind if it looks like an accident.
12:32 → 12:33
SPEAKER_01 You couldn't move the body?
12:33 → 12:34
SPEAKER_01 Why, sure.
12:34 → 12:34
SPEAKER_01 To the beach.
12:34 → 12:35
SPEAKER_01 It'll look like a drowning.
12:35 → 12:37
SPEAKER_01 We'll work it out when the fuss dies down.
12:37 → 12:39
SPEAKER_01 It'll be easier on Lois's mother, too.
12:39 → 12:42
SPEAKER_01 You press agents are all calloused.
12:43 → 12:46
SPEAKER_01 Take the edge off the fresh news breaks and we can handle it quietly, I
tell you.
12:46 → 12:47
SPEAKER_01 I forbid it.
12:47 → 12:48
SPEAKER_04 She was guarded.
12:48 → 12:48
SPEAKER_04 A cord around her neck.
12:48 → 12:51
SPEAKER_01 What kind of a cord is that?
12:51 → 12:52
SPEAKER_01 A silk cord.
12:52 → 12:52
SPEAKER_01 Silk, huh?
12:54 → 12:56
SPEAKER_01 That's an old Chinese custom.
12:56 → 12:59
SPEAKER_03 Now, Clem, this is no time for hysterics.
12:59 → 13:00
SPEAKER_03 Come on.
13:00 → 13:00
SPEAKER_03 Come on, girl.
13:00 → 13:02
SPEAKER_07 Clem, we'd better leave her now.
13:06 → 13:13
SPEAKER_08 Oh, for heaven's sake, Clem, let up.
13:13 → 13:15
SPEAKER_08 Don't let her come near me.
13:15 → 13:16
SPEAKER_08 Clementine, control yourself.
13:16 → 13:17
SPEAKER_08 It's a Chinese drink of silken cord.
13:17 → 13:19
SPEAKER_05 She was in the house with poor Lois all the time.
13:19 → 13:21
SPEAKER_03 Oh, I wish Doc were here.
13:21 → 13:22
SPEAKER_03 What she needs is a pill.
13:22 → 13:24
SPEAKER_08 You'll have to humor him.
13:24 → 13:25
SPEAKER_08 Oh, sure, Clem.
13:25 → 13:28
SPEAKER_08 The Chinese garrote people all the time.
13:28 → 13:28
SPEAKER_08 Sure.
13:29 → 13:30
SPEAKER_08 You're accusing me?
13:30 → 13:31
SPEAKER_08 J'accuse, j'accuse.
13:31 → 13:32
SPEAKER_08 This is very bad.
13:32 → 13:34
SPEAKER_08 The garrote is an old French apache custom, too.
13:34 → 13:35
SPEAKER_08 That's right.
13:35 → 13:38
SPEAKER_08 And if it was Marsha up there, you'd have some tall explaining to do.
13:38 → 13:41
SPEAKER_08 I'm going to see if you men have found any trace of Marsha.
13:41 → 13:42
SPEAKER_08 No, Winifred.
13:42 → 13:45
SPEAKER_07 They asked us to stay here until the police come.
13:45 → 13:46
SPEAKER_07 Girls, please try to be calm.
13:46 → 13:49
SPEAKER_08 Yes, until Marsha's found, we won't know anything.
13:49 → 13:51
SPEAKER_08 All Marsha's clothes are still upstairs.
13:51 → 13:53
SPEAKER_08 If she went away, she went in a bathing suit.
13:54 → 13:57
SPEAKER_07 But don't stare at me like that!
13:57 → 13:58
SPEAKER_07 Santoy, dear, no one accuses you.
13:58 → 14:00
SPEAKER_07 It was a silk cord!
14:00 → 14:03
SPEAKER_08 I've read about the Chinese!
14:03 → 14:04
SPEAKER_08 I'll put an end to this.
14:04 → 14:06
SPEAKER_08 I met a detective, the world's greatest detective.
14:06 → 14:10
SPEAKER_08 His name is Jimmy Chan, great Chinese detective.
14:10 → 14:12
SPEAKER_08 He'll protect his countrywoman.
14:12 → 14:14
SPEAKER_08 Santoy, where are you going?
14:37 → 14:39
SPEAKER_00 Mr. Chan!
14:39 → 14:39
SPEAKER_00 Jimmy!
14:39 → 14:40
SPEAKER_00 Jimmy!
14:40 → 14:41
SPEAKER_00 Murder!
14:41 → 14:42
SPEAKER_00 It's murder!
14:47 → 14:48
SPEAKER_01 But this is Mr. Chan's residence.
14:48 → 14:48
SPEAKER_01 Mr. Chan!
14:48 → 14:48
SPEAKER_01 Jimmy!
14:48 → 14:48
SPEAKER_01 Jimmy!
14:48 → 14:49
SPEAKER_08 Murder!
14:49 → 14:49
SPEAKER_08 It's murder!
14:49 → 14:50
SPEAKER_08 If that gets those detectives, it's all they understand!
14:50 → 14:52
SPEAKER_08 Don't let her tell them she's burning something!
14:52 → 14:53
SPEAKER_08 We'll all be murdered!
14:53 → 14:53
SPEAKER_08 Mr. Chan!
14:53 → 14:54
SPEAKER_08 Jimmy!
14:54 → 14:55
SPEAKER_08 This is **** at the beach.
14:55 → 14:57
SPEAKER_08 Tell them it's murder!
14:57 → 15:02
SPEAKER_08 Jimmy!
15:02 → 15:06
SPEAKER_05 Jimmy!
15:08 → 15:10
SPEAKER_08 Yes, murder, murder.
15:10 → 15:12
SPEAKER_05 Jimmy, Jimmy, he's murdered.
15:12 → 15:12
SPEAKER_05 Hold on now.
15:12 → 15:13
SPEAKER_05 Be calm.
15:13 → 15:14
SPEAKER_05 Don't get excited.
15:14 → 15:14
SPEAKER_05 Be calm, everybody.
15:14 → 15:15
SPEAKER_05 Now, I want you... Wait a minute.
15:15 → 15:16
SPEAKER_05 Be calm.
15:16 → 15:17
SPEAKER_05 Now, wait a minute.
15:17 → 15:17
SPEAKER_05 Now, wait.
15:17 → 15:18
SPEAKER_05 Wait a minute.
15:18 → 15:18
SPEAKER_05 Say that word.
15:18 → 15:20
SPEAKER_02 Good gracious of me.
15:20 → 15:21
SPEAKER_02 Who?
15:21 → 15:21
SPEAKER_02 Who?
15:21 → 15:21
SPEAKER_02 Where?
15:21 → 15:22
SPEAKER_01 Wait a minute.
15:22 → 15:23
SPEAKER_01 Where's the pad?
15:23 → 15:25
SPEAKER_01 What's the number you said it was?
15:25 → 15:26
SPEAKER_02 26 Malibu Drive?
15:26 → 15:27
SPEAKER_02 Malibu Drive?
15:27 → 15:27
SPEAKER_02 Oh, good grace.
15:27 → 15:29
SPEAKER_02 That's all right.
15:29 → 15:29
SPEAKER_02 Hold it now.
15:29 → 15:29
SPEAKER_02 Hold it.
15:29 → 15:30
SPEAKER_02 Don't get excited.
15:30 → 15:30
SPEAKER_05 Now...
15:31 → 15:32
SPEAKER_05 Who?
15:32 → 15:33
SPEAKER_05 Mr. Chan!
15:33 → 15:34
SPEAKER_01 Good gracious me!
15:34 → 15:34
SPEAKER_01 Mr. Chan!
15:34 → 15:37
SPEAKER_01 Wait a minute, Mr. Chan!
15:37 → 15:38
SPEAKER_04 Mr. Chan!
15:38 → 15:39
SPEAKER_05 Mr. Chan!
15:39 → 15:40
SPEAKER_05 Mr. Chan!
15:40 → 15:42
SPEAKER_05 Good evening.
15:42 → 15:43
SPEAKER_02 Oh, good gracious, Mr. Chan.
15:43 → 15:44
SPEAKER_02 Jimmy's just gotten murdered.
15:44 → 15:46
SPEAKER_02 I just got it over the telephone.
15:46 → 15:46
SPEAKER_02 What?
15:46 → 15:47
SPEAKER_02 Where?
15:47 → 15:48
SPEAKER_02 Where call come from?
15:48 → 15:49
SPEAKER_04 Uh, 26 Malibu Drive.
15:49 → 15:52
SPEAKER_02 There's a whole lot of girls there, and they said he just got murdered.
15:52 → 15:53
SPEAKER_02 Malibu Beach?
15:53 → 15:55
SPEAKER_02 How long since you seen Jimmy?
15:55 → 15:55
SPEAKER_02 Oh, this afternoon.
15:55 → 15:57
SPEAKER_02 He must have had a date.
15:57 → 15:58
SPEAKER_02 But them girls said he just got murdered.
15:59 → 16:00
SPEAKER_02 I can understand the girl part of it.
16:00 → 16:02
SPEAKER_02 The rest of it, no.
16:02 → 16:03
SPEAKER_02 We go.
16:03 → 16:04
SPEAKER_02 I'll get car.
16:04 → 16:05
SPEAKER_02 You get your clothes on.
16:05 → 16:05
SPEAKER_02 Yes, sir.
16:05 → 16:06
SPEAKER_02 Good gracious of me.
16:06 → 16:12
SPEAKER_02 Ain't this something?
16:12 → 16:15
SPEAKER_02 You are sure you have correct address?
16:15 → 16:16
SPEAKER_02 Yes, sir, Mr. Chan.
16:16 → 16:17
SPEAKER_02 I heard it playing.
16:17 → 16:21
SPEAKER_02 A whole lot of girls screaming and hollering about Jimmy.
16:21 → 16:23
SPEAKER_02 Please, you will drive carefully in the city.
16:23 → 16:26
SPEAKER_02 We make up time on Coast Highway.
16:26 → 16:26
SPEAKER_02 Yes, sir.
16:29 → 16:45
SPEAKER_02 Birmingham.
16:45 → 16:46
SPEAKER_02 26 Malibu Drive.
16:58 → 17:00
SPEAKER_08 Santoy found her.
17:00 → 17:01
SPEAKER_08 You must find Marsha, Sergeant.
17:01 → 17:02
SPEAKER_08 Now, let the Sergeant talk.
17:02 → 17:03
SPEAKER_08 What's he know about it?
17:03 → 17:05
SPEAKER_02 I'll have to take your statements separately.
17:05 → 17:08
SPEAKER_02 Have they moved?
17:08 → 17:09
SPEAKER_02 Yes, the coroner took over.
17:09 → 17:10
SPEAKER_02 Now, who is Marsha?
17:10 → 17:12
SPEAKER_02 The murderess.
17:12 → 17:13
SPEAKER_08 Oh, now, Madge, we don't know.
17:13 → 17:16
SPEAKER_07 There's very little the girls can tell you, Sergeant.
17:16 → 17:19
SPEAKER_07 If you'll wait until the men come back, they may have news of Marsha.
17:19 → 17:20
SPEAKER_02 And where are the men?
17:20 → 17:21
SPEAKER_07 They're out looking for her.
17:21 → 17:23
SPEAKER_03 Someone send for a detective.
17:24 → 17:28
SPEAKER_08 Oh, thank heavens.
17:28 → 17:31
SPEAKER_02 I'm here looking for number two son Jimmy.
17:31 → 17:33
SPEAKER_08 But he's not here, Mr. Chan.
17:33 → 17:33
SPEAKER_02 Understood.
17:33 → 17:35
SPEAKER_02 Jimmy was here and in trouble.
17:35 → 17:37
SPEAKER_07 Oh, that must be a mistake, sir.
17:37 → 17:41
SPEAKER_02 Oh, mistakes sometimes bring most fortunate relief.
17:41 → 17:44
SPEAKER_02 I see all other troubles are in most capable hands.
17:45 → 17:46
SPEAKER_02 Good evening, sergeant.
17:46 → 17:48
SPEAKER_08 A very serious thing has happened, Mr. Chan.
17:48 → 17:50
SPEAKER_08 This is the sergeant's big break.
17:50 → 17:52
SPEAKER_08 Give him a chance.
17:52 → 17:54
SPEAKER_01 I'm Reynolds of the state police, Mr. Chan.
17:54 → 17:59
SPEAKER_01 This is out of city jurisdiction, but now that you're here, I'd be glad if
you'd kind of look things over.
17:59 → 18:02
SPEAKER_02 Little Chinese girl tells me many persons are wrongfully accused.
18:03 → 18:07
SPEAKER_02 Was a dead girl so very badly hated?
18:07 → 18:08
SPEAKER_02 Oh, no, Mr. Chan.
18:08 → 18:10
SPEAKER_07 Lois was a sweet, harmless child.
18:10 → 18:11
SPEAKER_08 The murder of Lois, that is a mystery.
18:11 → 18:14
SPEAKER_08 But the missing one, Marcia, we all hate her.
18:14 → 18:15
SPEAKER_08 I kill her myself.
18:15 → 18:16
SPEAKER_08 ****.
18:16 → 18:17
SPEAKER_08 Correct.
18:17 → 18:18
SPEAKER_08 Lois was strangled.
18:18 → 18:19
SPEAKER_08 Adelaide's right.
18:19 → 18:21
SPEAKER_08 We all hated Marcia.
18:21 → 18:22
SPEAKER_08 Not hate, Madge.
18:22 → 18:23
SPEAKER_08 That's a bitter word.
18:23 → 18:24
SPEAKER_08 Marcia, bah.
18:24 → 18:25
SPEAKER_08 She will not be found.
18:25 → 18:26
SPEAKER_08 I hope not.
18:26 → 18:26
SPEAKER_08 Bah.
18:27 → 18:29
SPEAKER_08 Question the men.
18:29 → 18:31
SPEAKER_03 Ask them.
18:31 → 18:32
SPEAKER_03 Girls, please.
18:32 → 18:34
SPEAKER_03 Mr. Chan, would you care to talk to us separately?
18:34 → 18:36
SPEAKER_02 We'd like a few moments alone with Sergeant, if you please.
18:36 → 18:36
SPEAKER_02 Come, girls.
18:36 → 18:36
SPEAKER_02 Upstairs.
18:36 → 18:37
SPEAKER_02 No, no, not up there!
18:37 → 18:41
SPEAKER_07 No need to go to that room.
18:41 → 18:44
SPEAKER_07 We can make a general dormitory where you can all be together.
18:44 → 18:44
SPEAKER_07 Come on.
18:44 → 18:45
SPEAKER_07 Don't worry.
18:45 → 18:50
SPEAKER_08 Mr. Chan will clear things up.
18:50 → 18:52
SPEAKER_08 The Sergeant looked capable to me.
18:52 → 18:54
SPEAKER_08 Oui, but as a detective?
19:00 → 19:04
SPEAKER_02 Well, that looks like an ordinary bathrobe cord to me, sir.
19:04 → 19:09
SPEAKER_02 I was more concerned about the presence of my number two son, Jimmy, in
this house.
19:09 → 19:14
SPEAKER_01 Well, I haven't seen him, sir, but I'd appreciate any time you can give
the case, sir.
19:14 → 19:15
SPEAKER_01 Oh, Mr. Chan.
19:15 → 19:17
SPEAKER_01 I met you when you were on the March case.
19:17 → 19:19
SPEAKER_01 I was handling publicity for the March flour mills.
19:19 → 19:21
SPEAKER_02 My name is Rick Daniels.
19:21 → 19:22
SPEAKER_02 I'm delighted.
19:22 → 19:25
SPEAKER_02 Being press agent, you will have factual eye for details.
19:26 → 19:29
SPEAKER_02 Mr. Chan, am I glad to see you.
19:29 → 19:31
SPEAKER_02 Mr. Cole King, I believe?
19:31 → 19:31
SPEAKER_02 Yes, sir.
19:31 → 19:34
SPEAKER_02 Your presence here is a great relief to us.
19:34 → 19:37
SPEAKER_02 One moment.
19:37 → 19:40
SPEAKER_02 What is your position in Mr. King's show?
19:40 → 19:44
SPEAKER_01 Physiotherapist in charge of diet, general physical culture.
19:44 → 19:45
SPEAKER_01 George Brandt, Mr. Chan.
19:45 → 19:46
SPEAKER_01 An honor, sir.
19:46 → 19:48
SPEAKER_01 Any sign of the missing girl?
19:48 → 19:49
SPEAKER_01 No, we searched every room and every cabana.
19:49 → 19:52
SPEAKER_01 We can't find her anywhere.
19:52 → 19:56
SPEAKER_02 Now, gentlemen, I will ask you for careful statements and details,
please.
19:57 → 19:59
SPEAKER_07 I'll be in my cabana, girls.
19:59 → 19:59
SPEAKER_07 Madge will take care of you.
19:59 → 20:00
SPEAKER_07 Good night.
20:00 → 20:01
SPEAKER_07 Good night.
20:01 → 20:02
SPEAKER_08 Good night.
20:02 → 20:04
SPEAKER_08 Clam, hold it.
20:04 → 20:06
SPEAKER_08 I saw it, too.
20:06 → 20:09
SPEAKER_08 Somebody out on the porch.
20:09 → 20:09
SPEAKER_08 A man.
20:09 → 20:15
SPEAKER_08 He went into the next room through the window.
20:15 → 20:16
SPEAKER_02 Birmingham, guard in.
20:21 → 20:23
SPEAKER_08 Come on, let's get the sergeant.
20:23 → 20:24
SPEAKER_08 Come on, Clem.
20:24 → 20:25
SPEAKER_08 Oh!
20:25 → 20:26
SPEAKER_08 Someone's gonna get killed!
20:26 → 20:26
SPEAKER_02 Oh, I'm scared!
20:26 → 20:27
SPEAKER_02 Oh!
20:27 → 20:27
SPEAKER_02 What is trouble, please?
20:27 → 20:29
SPEAKER_08 Someone went in here from the porch.
20:29 → 20:29
SPEAKER_08 The man.
20:29 → 20:49
SPEAKER_02 I saw him jump through the window.
20:49 → 20:49
SPEAKER_02 So...
20:50 → 20:54
SPEAKER_02 You will explain your behavior with speed.
20:54 → 20:55
SPEAKER_02 Well, Pop, you see, it was this way.
20:55 → 20:57
SPEAKER_02 Also intelligence.
20:57 → 20:59
SPEAKER_02 Well, I found the address on the telephone pad.
20:59 → 21:02
SPEAKER_02 I figured you were on the case and that you might need some help.
21:02 → 21:05
SPEAKER_02 And when I saw the state cops up on the highway, I knew that they had just
stopped.
21:05 → 21:06
SPEAKER_02 So I just climbed up.
21:08 → 21:09
SPEAKER_02 Hello, Jimmy.
21:09 → 21:10
SPEAKER_02 Unorthodox, though not unusual.
21:10 → 21:11
SPEAKER_02 One moment, please.
21:11 → 21:13
SPEAKER_02 You and Birmingham will take up positions in rear.
21:13 → 21:15
SPEAKER_02 No one is to leave premises.
21:15 → 21:15
SPEAKER_02 Okay, Pop.
21:15 → 21:17
SPEAKER_02 Our quarters are in a cabana, Mr. Tan.
21:17 → 21:18
SPEAKER_02 Kindly remain in the house.
21:18 → 21:20
SPEAKER_02 Ladies, return to your rooms.
21:20 → 21:21
SPEAKER_02 Sounds official.
21:21 → 21:23
SPEAKER_02 I still think the sergeant could handle it.
21:39 → 21:40
SPEAKER_02 Position up, buddy.
21:40 → 21:41
SPEAKER_02 Yes, sir.
21:41 → 21:41
SPEAKER_02 Trunk.
21:41 → 21:54
SPEAKER_02 All right, sir.
21:54 → 21:56
SPEAKER_02 Jimmy, ain't nobody gonna try to leave the house tonight.
21:56 → 21:58
SPEAKER_02 Come on, let's find a place to stretch out.
21:58 → 21:58
SPEAKER_02 Pipe down.
21:58 → 22:00
SPEAKER_02 I'm already in touch with Pop.
22:00 → 22:01
SPEAKER_02 Yeah, but I'm plum exhausted.
22:01 → 22:02
SPEAKER_02 I wanna go to sleep.
22:02 → 22:03
SPEAKER_02 Sleep?
22:03 → 22:05
SPEAKER_02 Why don't you try sleeping on your feet for a change?
22:05 → 22:06
SPEAKER_02 Hmm, that ain't a bad idea.
22:11 → 22:11
SPEAKER_05 There's somebody now.
22:11 → 22:23
SPEAKER_00 He went into the cellar.
22:23 → 22:24
SPEAKER_01 What are you worrying about?
22:24 → 22:25
SPEAKER_01 He ain't leaving the house.
22:33 → 22:34
SPEAKER_02 Now, now wait a minute.
22:34 → 22:35
SPEAKER_02 Now where are you going?
22:35 → 22:37
SPEAKER_02 Come on, this will square us with Pop.
22:37 → 22:38
SPEAKER_02 I'm already square with your Pop.
22:38 → 22:39
SPEAKER_02 Well, you stay here.
22:39 → 22:40
SPEAKER_02 I'm going in.
22:40 → 22:41
SPEAKER_02 That's just what I'm... Whoa, gangway!
22:41 → 22:42
SPEAKER_02 I changed my mind.
23:03 → 23:12
SPEAKER_00 Jimmy!
23:12 → 23:14
SPEAKER_02 Oh, Jimmy!
23:14 → 23:15
SPEAKER_02 Wonder where did that boy go?
24:22 → 24:29
SPEAKER_00 That's me.
24:53 → 25:03
SPEAKER_00 Good gracious!
25:03 → 25:03
SPEAKER_05 Mr. Chan!
25:03 → 25:05
SPEAKER_05 Come out, somebody!
25:05 → 25:06
SPEAKER_05 Jimmy, hold on!
25:06 → 25:07
SPEAKER_05 Captain found you!
25:07 → 25:08
SPEAKER_05 I got you!
25:08 → 25:08
SPEAKER_05 Hold on!
25:08 → 25:09
SPEAKER_05 Mr. Chan!
25:09 → 25:09
SPEAKER_05 Jimmy!
25:09 → 25:10
SPEAKER_05 Good gracious!
25:10 → 25:11
SPEAKER_05 Come on, all of you!
25:11 → 25:13
SPEAKER_05 You got me surrounded!
25:13 → 25:14
SPEAKER_05 I got you!
25:14 → 25:15
SPEAKER_05 Come on!
25:15 → 25:16
SPEAKER_05 Good gracious!
25:16 → 25:16
SPEAKER_05 Jimmy!
25:16 → 25:17
SPEAKER_05 Mr. Chan!
25:17 → 25:17
SPEAKER_05 Come here!
25:21 → 25:24
SPEAKER_05 Jimmy!
25:24 → 25:26
SPEAKER_05 Good gracious, come here.
25:26 → 25:27
SPEAKER_02 Jimmy!
25:27 → 25:28
SPEAKER_02 They tried to kill me.
25:28 → 25:29
SPEAKER_02 Everybody tried to kill me.
25:29 → 25:30
SPEAKER_02 They hit me across the head, Jimmy.
25:30 → 25:30
SPEAKER_02 They conked me.
25:30 → 25:31
SPEAKER_02 Look at everything falling on me.
25:32 → 25:32
SPEAKER_02 I saw him run.
25:32 → 25:33
SPEAKER_02 He had a bundle in his hands.
25:33 → 25:36
SPEAKER_02 Yeah, he might have had a bundle in one hand, but he sure had a club in the
other one.
25:36 → 25:36
SPEAKER_05 Where's my hat?
25:36 → 25:39
SPEAKER_01 Jimmy, let's get out of here.
25:39 → 25:40
SPEAKER_01 Chief, you get this thing off of you.
25:40 → 25:40
SPEAKER_01 Come on, let's go.
25:40 → 25:41
SPEAKER_01 Here, take this with you.
25:44 → 25:46
SPEAKER_02 Oh, gee, Pop, you scared me.
25:46 → 25:48
SPEAKER_02 You observe something in cellar?
25:48 → 25:51
SPEAKER_02 Yeah, somebody went down there and tried to stuff a bundle in the
furnace.
25:51 → 25:53
SPEAKER_02 Person make exit?
25:53 → 25:54
SPEAKER_02 Carrying bundle away in hands?
25:54 → 25:55
SPEAKER_02 Only in one hand, Mr. Chan.
25:55 → 25:57
SPEAKER_02 Yeah, he clipped Birmingham.
25:57 → 25:58
SPEAKER_02 Resume vigilance.
25:58 → 25:59
SPEAKER_02 Person with bundle.
25:59 → 26:00
SPEAKER_02 Most important.
26:00 → 26:02
SPEAKER_02 Now, the way I figured that thing, Jim...
26:22 → 26:36
SPEAKER_00 Quiet, girls.
26:36 → 26:36
SPEAKER_02 It's Santoy.
26:36 → 26:36
SPEAKER_02 Jimmy.
26:36 → 26:40
SPEAKER_02 I am so glad to learn you are not cause of this latest disturbance.
26:40 → 26:42
SPEAKER_02 Remain where you are, please.
26:56 → 26:59
SPEAKER_05 I can smell it here, too.
26:59 → 27:01
SPEAKER_01 Ruby, don't go out there.
27:01 → 27:02
SPEAKER_01 Don't.
27:02 → 27:04
SPEAKER_01 I can smell it down here.
27:04 → 27:04
SPEAKER_05 No.
27:04 → 27:06
SPEAKER_05 It's ether.
27:06 → 27:07
SPEAKER_05 Impossible.
27:07 → 27:09
SPEAKER_05 There's a plot against all of us.
27:09 → 27:09
SPEAKER_05 Quiet.
27:09 → 27:09
SPEAKER_05 Quiet.
27:12 → 27:13
SPEAKER_02 Do I smell ether, doctor?
27:13 → 27:14
SPEAKER_02 Yes, sir.
27:14 → 27:17
SPEAKER_02 Her cloth must have been saturated with it, Mr. Ferrandi.
27:17 → 27:18
SPEAKER_02 It's fantastic.
27:18 → 27:18
SPEAKER_02 It's madness.
27:18 → 27:20
SPEAKER_02 This house is haunted.
27:20 → 27:20
SPEAKER_02 All cleaned dry now.
27:20 → 27:24
SPEAKER_02 Ladies, please, young ladies, I would suggest you all go quietly to your
rooms.
27:24 → 27:28
SPEAKER_02 The little Chinese girl is evidently the center of general mystery
here.
27:28 → 27:30
SPEAKER_02 Well, why don't you search the place?
27:30 → 27:37
SPEAKER_02 By now, attacker have ample opportunity to escape or to join us here.
27:48 → 27:50
SPEAKER_08 What a horrible night.
27:50 → 27:51
SPEAKER_08 I didn't sleep a wink.
27:51 → 27:52
SPEAKER_08 Poor Clam.
27:52 → 27:55
SPEAKER_08 She was nervous before we ever came here.
27:55 → 27:58
SPEAKER_08 Feel better this morning, dear?
27:58 → 27:59
SPEAKER_08 I slept a little.
27:59 → 28:02
SPEAKER_08 I'm inside the poor kid till she arrives.
28:03 → 28:04
SPEAKER_08 You're so funny.
28:04 → 28:06
SPEAKER_08 Look, Ryan, his old song.
28:06 → 28:07
SPEAKER_08 Just carrying around my own protection.
28:07 → 28:09
SPEAKER_08 What is the great Mr. Chan doing?
28:09 → 28:10
SPEAKER_08 He has the situation well in hand.
28:10 → 28:12
SPEAKER_01 Oh, Mr. Chan is working it out.
28:12 → 28:14
SPEAKER_01 You've got to admire him.
28:14 → 28:15
SPEAKER_01 He's quiet, intelligent, and persistent.
28:15 → 28:16
SPEAKER_01 Persistent.
28:16 → 28:18
SPEAKER_08 An admirable quality.
28:18 → 28:27
SPEAKER_08 Oh.
28:27 → 28:29
SPEAKER_02 Good gracious of life, Mr. Chan.
28:29 → 28:31
SPEAKER_02 I knowed it was going to happen sometime.
28:31 → 28:32
SPEAKER_02 No, no, no, Jimmy.
28:32 → 28:32
SPEAKER_02 Get up.
28:33 → 28:35
SPEAKER_02 Could not possibly happen that way.
28:35 → 28:36
SPEAKER_02 Come in, Birmingham.
28:36 → 28:37
SPEAKER_02 Could not... Birmingham, come here.
28:37 → 28:41
SPEAKER_02 Yes, sir.
28:41 → 28:43
SPEAKER_02 I want you to stand right here.
28:43 → 28:45
SPEAKER_02 Bend over and simulate pilfering of trunk.
28:45 → 28:47
SPEAKER_02 Oh, yes, sir.
28:47 → 28:49
SPEAKER_02 Imagine you are stealing something from the trunk.
28:49 → 28:50
SPEAKER_02 Bend over.
28:50 → 28:54
SPEAKER_02 Now, you are familiar with technique of the garrote?
28:54 → 28:57
SPEAKER_02 They didn't teach that in my school, Pop.
28:57 → 28:59
SPEAKER_02 Observe.
28:59 → 29:01
SPEAKER_02 When held in this manner, garrote,
29:02 → 29:07
SPEAKER_02 cannot possibly be caught if victims should suddenly grasp the cord.
29:07 → 29:08
SPEAKER_02 Gee, Pop, where'd you learn that?
29:08 → 29:10
SPEAKER_02 In the school of hard experience.
29:10 → 29:14
SPEAKER_02 Uh, simulate, uh, pilfering.
29:14 → 29:17
SPEAKER_02 Now, I am Garota.
29:17 → 29:20
SPEAKER_02 I enter from this door.
29:20 → 29:25
SPEAKER_02 I approach the victim stealthily.
29:25 → 29:26
SPEAKER_02 Not now, Mr. Chan, not now.
29:26 → 29:28
SPEAKER_02 You see, Jimmy, that is what I mean.
29:28 → 29:37
SPEAKER_02 It was utterly impossible for Garota to approach victim from behind
while victim is kneeling in that position at the trunk.
29:37 → 29:37
SPEAKER_02 I get it, Pop.
29:37 → 29:39
SPEAKER_02 That Lois girl wasn't at the trunk.
29:39 → 29:40
SPEAKER_02 Uh-huh.
29:40 → 29:41
SPEAKER_02 Well, deduce further.
29:41 → 29:45
SPEAKER_02 Remember, the body was lying here where these marks are placed upon the
floor.
29:45 → 29:48
SPEAKER_02 She whirled away from the trunk and saw the killer.
29:48 → 29:48
SPEAKER_02 Uh-huh.
29:48 → 29:49
SPEAKER_02 Deduce further.
29:49 → 29:51
SPEAKER_02 You're reaching the point.
29:51 → 29:52
SPEAKER_02 She recognized the killer.
29:52 → 29:55
SPEAKER_01 She couldn't believe what she saw with her eyes or she would have gotten
further away.
29:56 → 29:57
SPEAKER_02 Maybe Klenoy.
29:57 → 29:58
SPEAKER_02 Indicating what?
29:58 → 29:59
SPEAKER_02 That the killer was a friend.
29:59 → 30:00
SPEAKER_02 Exactly.
30:00 → 30:02
SPEAKER_02 What I am trying to demonstrate.
30:02 → 30:05
SPEAKER_02 The killer, Jimmy, was a friend.
30:05 → 30:07
SPEAKER_02 Oh, Mr. Chan, maybe that girl didn't see the killer at all.
30:07 → 30:09
SPEAKER_02 Maybe the killer was transparent.
30:09 → 30:11
SPEAKER_02 Oh.
30:11 → 30:12
SPEAKER_02 No further deductions.
30:21 → 30:22
SPEAKER_08 All this in action.
30:22 → 30:23
SPEAKER_08 If only we could go swimming.
30:23 → 30:26
SPEAKER_08 A good idea, but forbidden.
30:26 → 30:27
SPEAKER_08 Sergeant's orders.
30:27 → 30:28
SPEAKER_08 Stay here or in the house.
30:28 → 30:30
SPEAKER_08 Look out the orders for Miss Chan.
30:30 → 30:30
SPEAKER_08 Detractor.
30:30 → 30:32
SPEAKER_08 The sergeant's a great criminologist.
30:32 → 30:33
SPEAKER_08 He told me so himself.
30:33 → 30:34
SPEAKER_08 Crimes and criminals.
30:34 → 30:36
SPEAKER_08 It all seems like a nightmare.
30:38 → 30:42
SPEAKER_08 Oh, Mr. Chan, is it, how you say, permissible to go swimming?
30:42 → 30:45
SPEAKER_02 I think a nice swim would be very refreshing for everyone.
30:45 → 30:45
SPEAKER_02 Let's go.
30:45 → 30:45
SPEAKER_02 Thank you.
30:45 → 30:45
SPEAKER_02 Sure.
30:45 → 30:46
SPEAKER_02 Come on.
30:46 → 30:47
SPEAKER_02 Come on.
30:47 → 31:06
SPEAKER_08 I'll go that way.
31:06 → 31:07
SPEAKER_03 Toting your own laundry, Rick.
31:07 → 31:10
SPEAKER_03 I'd be glad to do any washing, sir.
31:10 → 31:10
SPEAKER_01 Uh, no, thank you.
31:10 → 31:15
SPEAKER_01 It's just something I had for the maestro.
31:15 → 31:16
SPEAKER_08 Jimmy.
31:16 → 31:16
SPEAKER_08 Jimmy.
31:16 → 31:17
SPEAKER_08 Fine Birmingham.
31:17 → 31:24
SPEAKER_02 You will both follow movements of Mr. Daniels very closely.
31:24 → 31:28
SPEAKER_02 Oh, but Pop, Santoy and I were going to go for a swim.
31:28 → 31:28
SPEAKER_02 Swim later.
31:38 → 31:45
SPEAKER_00 Oh, Clementine, look what I found!
31:45 → 31:46
SPEAKER_08 It moved!
31:46 → 31:49
SPEAKER_08 Don't touch it, Ruby, don't!
31:49 → 31:52
SPEAKER_08 Afraid of a crab?
31:52 → 31:53
SPEAKER_08 Fine.
31:53 → 31:59
SPEAKER_08 Clementine, get it before it goes in the water!
31:59 → 32:01
SPEAKER_00 Where are you going?
32:10 → 32:25
SPEAKER_00 The tide washed her up, eh?
32:25 → 32:27
SPEAKER_02 Remove cord.
32:27 → 32:31
SPEAKER_02 You will also examine knot very closely.
32:31 → 32:32
SPEAKER_01 Got it.
32:32 → 32:33
SPEAKER_01 Another one.
32:33 → 32:34
SPEAKER_08 Strangled.
32:34 → 32:36
SPEAKER_08 Good gosh.
32:36 → 32:38
SPEAKER_08 Another cord.
32:38 → 32:40
SPEAKER_02 Everyone will please return to the house.
32:40 → 32:42
SPEAKER_02 except the sergeant.
32:42 → 32:54
SPEAKER_02 You remain here and instruct the coroner.
32:54 → 32:57
SPEAKER_01 It's obviously a suicide, Mr. Chan.
32:57 → 33:01
SPEAKER_08 She kill Lois and then go out and drown herself, Nespa?
33:01 → 33:04
SPEAKER_02 You observe not?
33:04 → 33:06
SPEAKER_02 It was a granny knot, sir.
33:06 → 33:08
SPEAKER_02 You also possibly examine victim's throat?
33:08 → 33:10
SPEAKER_02 Yes, the trachea was flattened.
33:11 → 33:15
SPEAKER_02 What would you say regarding possible period of immersion?
33:15 → 33:15
SPEAKER_02 10 or 12 hours.
33:15 → 33:18
SPEAKER_07 He is only guessing, Mr. Chan.
33:18 → 33:21
SPEAKER_04 Well, I have only a superficial knowledge of such things, Mr. Chan.
33:21 → 33:25
SPEAKER_02 I am certain the coroner will agree with your every statement.
33:25 → 33:26
SPEAKER_02 Excellent.
33:26 → 33:29
SPEAKER_02 Doctor?
33:29 → 33:31
SPEAKER_08 It can't be a suicide, Mr. Chan.
33:31 → 33:32
SPEAKER_08 She was a good swimmer.
33:32 → 33:34
SPEAKER_08 She'd have to tie the cord on herself.
33:34 → 33:36
SPEAKER_02 Not with the kind women tie.
33:36 → 33:37
SPEAKER_02 Also many men.
33:38 → 33:40
SPEAKER_02 Yes?
33:40 → 33:41
SPEAKER_02 He's going off the beach with that package.
33:41 → 33:42
SPEAKER_02 Birmingham's watching him.
33:42 → 33:43
SPEAKER_02 I will take care of it.
33:43 → 33:46
SPEAKER_02 I must ask you all not to leave this room.
33:46 → 33:49
SPEAKER_02 I have much to discuss with you later.
34:13 → 34:32
SPEAKER_00 So, you will open it, please.
34:32 → 34:33
SPEAKER_02 I can explain, Mr. Chen.
34:33 → 34:38
SPEAKER_02 I will listen to your explanation at the house in the presence of your
friends.
34:38 → 34:42
SPEAKER_02 Yeah.
34:44 → 34:46
SPEAKER_04 Yeah.
34:46 → 34:50
SPEAKER_04 Right.
34:50 → 34:52
SPEAKER_02 Well, the coroner says she couldn't have died by drowning.
34:52 → 34:52
SPEAKER_08 I thought not.
34:52 → 34:56
SPEAKER_08 She wasn't the kind.
34:56 → 34:59
SPEAKER_08 Better we leave this place while the excitement is still on.
34:59 → 35:00
SPEAKER_04 You don't know America, honey.
35:00 → 35:02
SPEAKER_04 They'd hound us and never let up.
35:02 → 35:07
SPEAKER_08 I'll live with you in caves, even in tree trunks, only to run away from
this.
35:07 → 35:09
SPEAKER_04 I've been running away for years.
35:09 → 35:10
SPEAKER_04 The time has come now to face it.
35:11 → 35:13
SPEAKER_08 That detective, he knows everything.
35:13 → 35:15
SPEAKER_04 Already he called you doctor.
35:15 → 35:20
SPEAKER_01 Yes, I caught that.
35:20 → 35:23
SPEAKER_01 Look, before we go in, I was trying to keep somebody from being framed.
35:23 → 35:25
SPEAKER_02 This robe was planted on him.
35:25 → 35:26
SPEAKER_02 The maestro?
35:26 → 35:28
SPEAKER_02 That's right, and you can check on that.
35:28 → 35:30
SPEAKER_02 He found it in his clothes closet.
35:30 → 35:34
SPEAKER_02 I prefer to listen to your explanation in presence of the other
suspects.
35:34 → 35:36
SPEAKER_01 Listen, Mr. Chan, I know crime.
35:36 → 35:39
SPEAKER_01 There isn't anybody in this house that could have killed Lois except
Marcia herself.
35:40 → 35:42
SPEAKER_02 Then Marsha took the water route.
35:42 → 35:47
SPEAKER_02 Suicides do not garrote themselves by tying granny knot at back of neck.
35:47 → 35:49
SPEAKER_01 I've seen a lot of crime.
35:49 → 35:56
SPEAKER_02 Repetition of your merit only go to prove your fear of fault, Mr. Press
Agent.
35:56 → 35:57
SPEAKER_02 Continue inside, please.
35:57 → 36:08
SPEAKER_08 It's Marsha's robe!
36:08 → 36:09
SPEAKER_08 Where was it, Rick?
36:09 → 36:10
SPEAKER_01 I had it.
36:10 → 36:12
SPEAKER_05 It's Rick.
36:12 → 36:14
SPEAKER_02 Rick killed her!
36:14 → 36:16
SPEAKER_02 Please, please.
36:16 → 36:18
SPEAKER_02 For the benefit of everyone, I wish to inform you it's my opinion.
36:18 → 36:20
SPEAKER_02 Marcia did not kill Miss Loyce.
36:20 → 36:24
SPEAKER_08 Mr. Chan, several of us saw Marcia going into the house while we were
swimming.
36:24 → 36:26
SPEAKER_08 The sergeant has a theory on that.
36:26 → 36:30
SPEAKER_08 He thinks somebody wore the robe and then went into the house.
36:30 → 36:32
SPEAKER_02 Excellent deduction, but lacks point of fact.
36:32 → 36:35
SPEAKER_08 And Santoy had every opportunity.
36:35 → 36:38
SPEAKER_08 Santoy is a petite doll, and she herself was attacked, no?
36:38 → 36:39
SPEAKER_08 You sound repressed.
36:39 → 36:44
SPEAKER_08 And that ether business could have been phony.
36:44 → 36:55
SPEAKER_08 If anyone wanted to cover up... Mr. Chan, it's plain you suspect all of us
of the actual... For the actual murder of trying to shield someone.
36:55 → 36:58
SPEAKER_02 Daniels, don't stare that way.
36:58 → 36:59
SPEAKER_02 You look like a vulture.
36:59 → 37:00
SPEAKER_02 Mr. King.
37:04 → 37:07
SPEAKER_02 You are familiar with these cords?
37:07 → 37:10
SPEAKER_02 This one possibly from black gown?
37:10 → 37:16
SPEAKER_08 There is no black gown in the wardrobe, Mr. Chan.
37:16 → 37:17
SPEAKER_02 Excuse, please.
37:17 → 37:21
SPEAKER_02 Chinese girl who is familiar with wardrobe tell different story.
37:21 → 37:25
SPEAKER_02 This cord which kill Miss Lois is from your black beach robe.
37:26 → 37:31
SPEAKER_02 And this one with silver thread is from Marsha's gown.
37:31 → 37:32
SPEAKER_02 All right.
37:32 → 37:32
SPEAKER_02 So that is correct.
37:32 → 37:37
SPEAKER_02 How do you expect to get cooperation from one you so obviously and
wrongly accused?
37:37 → 37:37
SPEAKER_02 Spill it, you dope.
37:37 → 37:38
SPEAKER_01 You're the guilty one.
37:38 → 37:41
SPEAKER_01 Let's get him out of here where we can give him the third degree.
37:41 → 37:42
SPEAKER_01 Wait a minute, Daniels.
37:42 → 37:42
SPEAKER_01 Don't you see?
37:42 → 37:44
SPEAKER_01 There's a trick of chance.
37:44 → 37:47
SPEAKER_02 It's an old oriental custom trying to get us to accuse each other.
37:47 → 37:48
SPEAKER_02 You're gonna talk.
37:48 → 37:50
SPEAKER_02 Don't ever lay a hand on me again.
37:50 → 37:51
SPEAKER_01 You killed them both.
37:51 → 37:51
SPEAKER_01 Why don't you spill it?
37:51 → 37:55
SPEAKER_01 Daniels, this police court stuff, I'll have you arrested.
37:55 → 37:57
SPEAKER_03 Rick, stop it.
37:57 → 38:00
SPEAKER_01 Look, I was loyal to you and your show, but enough's plenty.
38:00 → 38:04
SPEAKER_01 I took that robe out and tried to bury it because I thought somebody was
trying to frame you.
38:04 → 38:06
SPEAKER_02 Then Chan caught me, and the finger's on me.
38:06 → 38:08
SPEAKER_02 Daniels, you took that robe to Chan.
38:08 → 38:10
SPEAKER_01 Oh, skip that.
38:10 → 38:12
SPEAKER_01 But Doc here's got something in his past that stinks.
38:12 → 38:13
SPEAKER_01 And the finger's on him, too.
38:13 → 38:15
SPEAKER_02 The girls are accusing each other.
38:15 → 38:17
SPEAKER_01 You're ruining lives, Cold King.
38:17 → 38:19
SPEAKER_01 When you're the guilty one, why don't you spill it?
38:19 → 38:20
SPEAKER_01 Stop it, Rick.
38:20 → 38:22
SPEAKER_01 Get yourself more evidence.
38:22 → 38:22
SPEAKER_01 I got evidence enough.
38:23 → 38:25
SPEAKER_01 He let the same Marsha make a fool out of him.
38:25 → 38:29
SPEAKER_02 Then he got tired of her, and he garroted her with a cord from his own
bathrobe.
38:29 → 38:30
SPEAKER_02 Now stop him, Mr. Chan.
38:30 → 38:32
SPEAKER_02 No, no, please continue.
38:32 → 38:34
SPEAKER_02 This kid Lois was a chiseler.
38:34 → 38:37
SPEAKER_01 She shook Adelaide's trunk for the tin box to put the bee on you, Doc.
38:37 → 38:38
SPEAKER_01 Blackmail.
38:38 → 38:39
SPEAKER_01 And that's where you came in.
38:39 → 38:42
SPEAKER_01 She was swiping the box when she saw you fix Marsha.
38:42 → 38:45
SPEAKER_01 You had her killed, Lois, with a cord from Marsha's gown.
38:45 → 38:47
SPEAKER_01 I don't know anything about it.
38:47 → 38:47
SPEAKER_01 You're crazy.
38:47 → 38:50
SPEAKER_01 Oh.
38:50 → 38:52
SPEAKER_02 Now I see it, Daniels.
38:52 → 38:54
SPEAKER_02 You're the murderer.
38:54 → 38:56
SPEAKER_02 You killed Marcia.
38:56 → 38:57
SPEAKER_02 Marcia took Winifred's job in the show.
38:57 → 39:00
SPEAKER_02 And ever since then, you've been moody and ugly.
39:00 → 39:03
SPEAKER_02 You killed Marcia and then later took her body out to sea.
39:03 → 39:05
SPEAKER_01 Oh, that won't get you anywhere.
39:05 → 39:05
SPEAKER_01 Hey, wait a minute.
39:05 → 39:07
SPEAKER_01 You killed Marcia.
39:07 → 39:10
SPEAKER_01 Daniels, you're calloused.
39:10 → 39:12
SPEAKER_01 You tried to make Lois's death look like suicide.
39:12 → 39:15
SPEAKER_02 Obstructing justice is very serious crime, Mr. Daniels.
39:16 → 39:20
SPEAKER_02 Sergeant, you will make investigations and bring proper charges.
39:20 → 39:21
SPEAKER_02 Shall I handcuff him, sir?
39:21 → 39:24
SPEAKER_02 Oh, not necessary now.
39:24 → 39:25
SPEAKER_02 Listen, all of you.
39:25 → 39:29
SPEAKER_02 When I shall have dismissed you, the men will all go to their cabanias.
39:29 → 39:33
SPEAKER_02 The ladies will remain here and in this house.
39:33 → 39:36
SPEAKER_08 Oh, Mr. Chan, you won't make us put in another night in this house.
39:36 → 39:39
SPEAKER_02 Impossible to speed up investigation now.
39:39 → 39:44
SPEAKER_02 You two, in a few moments, will meet me in my headquarters, first room on
the right, the top of the stairs.
39:44 → 39:46
SPEAKER_08 Talkin' Adelaide.
39:46 → 39:47
SPEAKER_08 Why, they're no more guilty than I am.
39:47 → 39:50
SPEAKER_02 That is very interesting comment, young lady.
39:50 → 39:53
SPEAKER_02 Perhaps I will be able to question you later on.
39:53 → 39:53
SPEAKER_05 Santoy!
39:53 → 39:58
SPEAKER_05 He won't question Santoy!
39:58 → 40:00
SPEAKER_02 Sergeant, you will please join my two assistants.
40:00 → 40:00
SPEAKER_02 Right, sir.
40:00 → 40:02
SPEAKER_02 No one is to leave house or cabanas.
40:02 → 40:03
SPEAKER_02 Is each party okay, sir?
40:03 → 40:05
SPEAKER_02 If carefully guarded.
40:05 → 40:07
SPEAKER_02 This is routine precaution.
40:07 → 40:11
SPEAKER_02 I am convinced the murderer is in this room.
40:36 → 40:38
SPEAKER_01 It's a dame, Sarge.
40:38 → 40:38
SPEAKER_01 I'll get her.
40:38 → 40:39
SPEAKER_01 You stay here.
40:39 → 40:40
SPEAKER_01 See that none of the others try it.
41:06 → 41:08
SPEAKER_01 Oh, so it's you.
41:08 → 41:08
SPEAKER_01 Where were you going?
41:08 → 41:10
SPEAKER_08 To mail a letter.
41:10 → 41:12
SPEAKER_01 Wisecracks won't help, honey.
41:12 → 41:13
SPEAKER_01 You sure fooled me.
41:13 → 41:13
SPEAKER_01 Move over.
41:13 → 41:16
SPEAKER_08 I'll drive back like a good girl, Sergeant.
41:16 → 41:17
SPEAKER_01 Oh, no, you don't.
41:17 → 41:18
SPEAKER_01 I'll send for the bike later.
41:18 → 41:28
SPEAKER_01 Move over.
41:28 → 41:30
SPEAKER_02 State Board of Medical Examiners.
41:30 → 41:31
SPEAKER_01 What's this?
41:31 → 41:32
SPEAKER_08 I'm not talking.
41:52 → 41:54
SPEAKER_02 You wish I should open this letter, Doctor?
41:54 → 41:56
SPEAKER_02 Of course, it's my application for the State Board.
41:56 → 41:59
SPEAKER_08 I gave it to Ruby to post because she had a better opportunity to escape.
41:59 → 42:02
SPEAKER_04 Tomorrow's the last day for filing.
42:02 → 42:03
SPEAKER_04 I'd decided to drop it.
42:03 → 42:08
SPEAKER_02 Best laid plans of mice and men sometimes go a little bit haywire, huh?
42:08 → 42:11
SPEAKER_02 Very well, I accept explanation.
42:11 → 42:14
SPEAKER_02 I think perhaps, Sergeant, you had better mail letter.
42:14 → 42:17
SPEAKER_02 You may open it first, if you wish.
42:17 → 42:18
SPEAKER_02 I guess I'll mail it, Mr. Champ.
42:18 → 42:20
SPEAKER_08 Good work, Sergeant.
42:20 → 42:21
SPEAKER_02 Sit down, please.
42:23 → 42:27
SPEAKER_02 I suggest now we all talk together freely.
42:27 → 42:29
SPEAKER_04 Well, it seems obvious to me, Mr. Chan.
42:29 → 42:33
SPEAKER_04 Marshal killed Lois, contrived to tie a similar cord around her own
neck, since she was so good a swimmer.
42:33 → 42:34
SPEAKER_02 One moment, please.
42:34 → 42:36
SPEAKER_02 One moment.
42:36 → 42:44
SPEAKER_02 If either garrote had been tied with square knot, a surgeon's knot, case
would now be closed with you arrested.
42:44 → 42:47
SPEAKER_02 Sit down, please.
42:47 → 42:51
SPEAKER_02 Today I confirmed a suspicion which began to germinate when I first see
you.
42:52 → 42:58
SPEAKER_02 Six years ago, in New York City, a very young and promising doctor was
accused of wife murder.
42:58 → 43:00
SPEAKER_02 Massonge!
43:00 → 43:01
SPEAKER_02 They're lies, lies, lies!
43:01 → 43:03
SPEAKER_02 Lies, lies, yes, perhaps.
43:03 → 43:07
SPEAKER_02 Young doctor was exonerated, but the whole affair ruined his life.
43:07 → 43:09
SPEAKER_02 All right.
43:09 → 43:09
SPEAKER_08 He went to war.
43:09 → 43:12
SPEAKER_08 There he met a girl and married her.
43:12 → 43:13
SPEAKER_08 Me.
43:13 → 43:15
SPEAKER_08 Now you know everything, Monsieur Chen.
43:15 → 43:16
SPEAKER_02 Thank you so much.
43:16 → 43:21
SPEAKER_02 When you were both in Paris, you knew this girl, Marcia, very well?
43:21 → 43:22
SPEAKER_02 Oh, zut.
43:22 → 43:23
SPEAKER_07 We know her too well.
43:23 → 43:24
SPEAKER_07 No, no.
43:24 → 43:26
SPEAKER_04 Let it drop, Adelaide.
43:26 → 43:27
SPEAKER_04 I'm suspect again.
43:27 → 43:30
SPEAKER_02 You refuse to talk about yourselves?
43:30 → 43:31
SPEAKER_04 What is there to say?
43:31 → 43:33
SPEAKER_04 The medical association disowned me.
43:33 → 43:36
SPEAKER_04 I couldn't resume practice when I came back.
43:36 → 43:38
SPEAKER_04 Marcia got Adelaide a job with this show, and there was a job for me.
43:39 → 43:40
SPEAKER_04 It's as simple as that.
43:40 → 43:44
SPEAKER_02 I have no wish to reopen old wounds.
43:44 → 43:47
SPEAKER_04 Adelaide knows I was completely innocent of that charge, Mr. Chan.
43:47 → 43:56
SPEAKER_02 Then yes, perhaps, but now, by simple process of elimination, doctor, I
have arrived at a most important conclusion in this present case.
43:57 → 44:03
SPEAKER_02 I am very sorry, but I am under the painful necessity of accusing you of a
most serious crime.
44:03 → 44:04
SPEAKER_02 Accuse me, Mr. Chan?
44:04 → 44:07
SPEAKER_07 No, no, this is all wrong.
44:07 → 44:08
SPEAKER_04 I killed Marcia.
44:08 → 44:08
SPEAKER_04 No, Adelaide, Adelaide.
44:08 → 44:09
SPEAKER_04 Mr. Chan doesn't want dramatics.
44:09 → 44:11
SPEAKER_02 Excuse, please.
44:11 → 44:14
SPEAKER_02 On contrary, dramatics highly valuable just now.
44:14 → 44:18
SPEAKER_02 I am convinced, doctor, you tell only partial truths.
44:18 → 44:21
SPEAKER_02 I am convinced you find dead girl's body in this room.
44:22 → 44:27
SPEAKER_02 I am also firmly convinced you removed from this room certain articles
which Lois steal from trunk.
44:27 → 44:28
SPEAKER_02 No, no.
44:28 → 44:31
SPEAKER_05 He was with me everywhere.
44:31 → 44:33
SPEAKER_04 In the water, on the beach, everywhere.
44:33 → 44:34
SPEAKER_04 It's no use, Adelaide.
44:34 → 44:34
SPEAKER_04 I found Lois.
44:34 → 44:37
SPEAKER_04 That metal box of yours was on the floor beside her.
44:37 → 44:38
SPEAKER_04 I took it away.
44:38 → 44:40
SPEAKER_02 You did find her then.
44:40 → 44:42
SPEAKER_02 Continue.
44:42 → 44:43
SPEAKER_04 But she was dead, Mr. Chan.
44:43 → 44:45
SPEAKER_04 I tried artificial respiration.
44:45 → 44:46
SPEAKER_04 It was no good.
44:46 → 44:48
SPEAKER_04 I knew what a bad situation I was in.
44:48 → 44:53
SPEAKER_04 That metal box contained personal letters referring to that affair in
New York.
44:53 → 44:57
SPEAKER_04 I saw the whole thing being bungled by the local police to ruin us.
44:57 → 44:59
SPEAKER_04 To destroy everything Adelaide and I have together.
44:59 → 45:01
SPEAKER_02 Our entire future.
45:01 → 45:04
SPEAKER_02 This box contained other articles besides letters?
45:04 → 45:05
SPEAKER_02 Lots of things.
45:05 → 45:06
SPEAKER_02 Everyone has something in it.
45:06 → 45:08
SPEAKER_04 It was only a fireproof container of the girl's head, sir.
45:08 → 45:12
SPEAKER_03 Ruby has some letters, Winnie, Fred, Santoy, some Jane, Mrs. Thornt.
45:12 → 45:13
SPEAKER_02 You can produce this box?
45:13 → 45:15
SPEAKER_02 It's in my cabana, sir.
45:15 → 45:15
SPEAKER_02 Good.
45:15 → 45:17
SPEAKER_02 We will go at once to cabana.
45:17 → 45:17
SPEAKER_02 Go ahead.
45:23 → 45:26
SPEAKER_02 Contents of box may reveal new clues, Doctor.
45:26 → 45:28
SPEAKER_08 Doc never did this to Lois.
45:28 → 45:31
SPEAKER_08 We care if she steal box, sure, but we not care that much.
45:31 → 45:37
SPEAKER_02 Evidence so far quite convincing, but puzzle always deepest near the
center.
45:37 → 45:39
SPEAKER_02 Mr. Chan, it's gone.
45:39 → 45:43
SPEAKER_04 Gone?
45:43 → 45:46
SPEAKER_02 You'll excuse me, Doctor, if I seem slightly suspicious.
45:46 → 45:47
SPEAKER_02 But it was here.
45:49 → 45:50
SPEAKER_04 Look, it's been cut open.
45:50 → 45:52
SPEAKER_02 I had no chance to slip this bag.
45:52 → 45:54
SPEAKER_02 Until boxes found can offer very little comfort.
45:54 → 45:55
SPEAKER_02 Oh, no, no, please.
45:55 → 45:58
SPEAKER_05 We tell the truth, all the truth.
45:58 → 46:00
SPEAKER_04 Isn't there anything we can do to convince you, Mr. Chan?
46:00 → 46:10
SPEAKER_02 I will bend every effort to find the box, but in the meantime, doctor, I
must assure you, your position is extremely delicate.
46:10 → 46:14
SPEAKER_04 Well, here goes my chance for the state medical examination here.
46:14 → 46:16
SPEAKER_03 They can't ruin people like this.
46:16 → 46:17
SPEAKER_08 They just can't.
46:18 → 46:23
SPEAKER_04 If Chan arrests me, the publicity, everything will come out.
46:23 → 46:24
SPEAKER_08 Oh, it does not matter.
46:24 → 46:25
SPEAKER_08 We have lived through so much.
46:25 → 46:26
SPEAKER_08 We overcome this.
46:26 → 46:29
SPEAKER_08 I live with you in jail, in hovels.
46:29 → 46:32
SPEAKER_08 I even live with you in pork pies.
46:32 → 46:32
SPEAKER_04 It's pigsties, honey.
46:32 → 46:33
SPEAKER_08 Oh, what's the difference?
46:42 → 46:44
SPEAKER_02 Hiya, Pop.
46:44 → 46:45
SPEAKER_02 Santoy needed some air.
46:45 → 46:45
SPEAKER_02 Okay.
46:45 → 46:47
SPEAKER_02 Can it be arranged?
46:47 → 46:48
SPEAKER_02 Well, that's fine.
46:48 → 46:51
SPEAKER_02 She's kind of scared with all those other dames... I mean, girls around.
46:51 → 46:52
SPEAKER_02 They've been picking on her.
46:52 → 46:54
SPEAKER_08 Oh, it isn't that bad, Jimmy.
46:54 → 46:56
SPEAKER_08 Everyone's nervous and jumpy.
46:56 → 46:58
SPEAKER_02 Couldn't she go back to the city with us tomorrow, Pop?
46:58 → 46:59
SPEAKER_02 I'm afraid too soon.
46:59 → 47:03
SPEAKER_02 You have made tall talk of prowess as detective.
47:03 → 47:05
SPEAKER_02 Honor of Chan family now at stake.
47:05 → 47:08
SPEAKER_02 Well, Santoy got it all wrong.
47:08 → 47:11
SPEAKER_02 I'm afraid too short time to bring this to conclusion.
47:11 → 47:12
SPEAKER_02 Can't you speed it up, Pop?
47:13 → 47:18
SPEAKER_02 Leisurely hunter have time to stalk prey, but hunter in haste must set
trap.
47:18 → 47:19
SPEAKER_02 A trap?
47:19 → 47:20
SPEAKER_02 Shrewdly baited.
47:20 → 47:21
SPEAKER_02 Pop's concentrating.
47:21 → 47:23
SPEAKER_02 He'll settle it fast now.
47:23 → 47:28
SPEAKER_02 Jimmy, you will find other assistant and take a post of observation of
last night.
47:28 → 47:30
SPEAKER_02 Oh, but Pop, Santoy wanted to take a walk.
47:30 → 47:32
SPEAKER_02 So she shall.
47:32 → 47:33
SPEAKER_02 So she shall.
47:33 → 47:37
SPEAKER_02 Nice walk with intelligent conversation.
47:37 → 47:37
SPEAKER_02 With me.
47:42 → 47:45
SPEAKER_08 They can't keep us caged in here another night.
47:45 → 47:47
SPEAKER_01 Jan wants us all to get some rest.
47:47 → 47:48
SPEAKER_08 What's happened to the maestro?
47:48 → 47:49
SPEAKER_01 His nerves are shot.
47:49 → 47:51
SPEAKER_01 He's hysterical.
47:51 → 47:53
SPEAKER_01 Doc's got him in his cabana trying to calm him down now.
47:53 → 47:54
SPEAKER_08 Come on, Clem.
47:54 → 47:56
SPEAKER_03 No, no, not upstairs.
47:56 → 47:57
SPEAKER_03 That'll be best, Clementine.
47:57 → 47:59
SPEAKER_03 Match can give you a rubdown.
47:59 → 48:00
SPEAKER_03 And sleep?
48:00 → 48:03
SPEAKER_03 Why, I never sleep until this thing is all settled.
48:03 → 48:03
SPEAKER_08 In the wall.
48:03 → 48:06
SPEAKER_08 Noises in the wall like someone whispering.
48:06 → 48:07
SPEAKER_01 Oh, it's just probably some rats.
48:08 → 48:11
SPEAKER_01 If you want, we can bring in some bedding and you can sleep down here.
48:11 → 48:11
SPEAKER_08 Good.
48:11 → 48:13
SPEAKER_08 I'm not hankering for upstairs.
48:13 → 48:14
SPEAKER_08 I'll help with the bedding.
48:14 → 48:15
SPEAKER_08 That's a sound idea.
48:15 → 48:17
SPEAKER_07 I think I'll go to my cabana, girls.
48:17 → 48:19
SPEAKER_07 I'm terribly tired.
48:19 → 48:20
SPEAKER_07 Madge can take care of you.
48:20 → 48:21
SPEAKER_05 Oh!
48:21 → 48:23
SPEAKER_05 I tell you, there's something in that wall!
48:23 → 48:24
SPEAKER_07 Someone call?
48:24 → 48:25
SPEAKER_07 Oh, it's nothing, Mrs. Weebles.
48:25 → 48:28
SPEAKER_07 One of the girls heard noises in the wall.
48:28 → 48:28
SPEAKER_03 Mice.
48:28 → 48:30
SPEAKER_03 We're overrun with them.
48:30 → 48:32
SPEAKER_03 Would you help bring some bedding for the girls?
48:32 → 48:33
SPEAKER_03 They're going to stay downstairs tonight.
48:33 → 48:33
SPEAKER_03 Certainly.
48:47 → 48:52
SPEAKER_00 Earthquake!
48:53 → 48:55
SPEAKER_05 Run for cover, everybody.
48:55 → 48:56
SPEAKER_05 Run for cover.
48:56 → 48:57
SPEAKER_05 Quiet, quiet.
48:57 → 48:58
SPEAKER_05 You're supposed to be on guard.
48:58 → 49:01
SPEAKER_05 What is you up to?
49:01 → 49:03
SPEAKER_05 What do you mean throwing people around like this?
49:03 → 49:04
SPEAKER_01 Hey, listen, I just talked to Pop.
49:04 → 49:06
SPEAKER_02 Yeah, but he told me to stay here by myself.
49:06 → 49:07
SPEAKER_02 It's about a box.
49:07 → 49:09
SPEAKER_02 If we find the box, everything's OK.
49:09 → 49:12
SPEAKER_02 Oh, is it a long box about six feet tall and got flowers piled up on it?
49:12 → 49:13
SPEAKER_02 No, no, no.
49:13 → 49:15
SPEAKER_01 It's a little tin box with some papers in it.
49:15 → 49:17
SPEAKER_01 And I've got a hunch where we can find it.
49:17 → 49:17
SPEAKER_01 Where?
49:17 → 49:18
SPEAKER_01 In the maestro's room.
49:18 → 49:20
SPEAKER_01 He's with the doc.
49:20 → 49:21
SPEAKER_01 And I figure the maestro's guilty.
49:21 → 49:22
SPEAKER_02 Yeah, but I ain't figuring.
49:24 → 49:25
SPEAKER_01 You stay here.
49:25 → 49:30
SPEAKER_01 If anything happens, I'll hear you yell.
49:30 → 49:32
SPEAKER_03 You ain't kidding.
49:32 → 49:32
SPEAKER_03 Whoa!
49:32 → 49:38
SPEAKER_03 Oh, boy.
49:38 → 49:39
SPEAKER_02 Oh, boy.
49:39 → 49:40
SPEAKER_02 Not now.
49:40 → 49:42
SPEAKER_02 I'll tell you when.
49:42 → 49:43
SPEAKER_02 I'll tell you when.
49:43 → 49:44
SPEAKER_02 I'll tell you when.
49:44 → 49:45
SPEAKER_02 Not now.
50:02 → 50:02
SPEAKER_02 Be brave, Nees.
50:02 → 50:09
SPEAKER_02 That ain't nobody but the housekeeper, Miss Weebles, or Miss Wobbles,
or... Wonder what she going in that door for?
50:09 → 50:13
SPEAKER_02 Where you going?
50:13 → 50:13
SPEAKER_02 Oh.
50:13 → 50:15
SPEAKER_02 A policeman.
50:15 → 50:20
SPEAKER_02 Now, well, you see, one time, there's somebody went down in there, and I
followed him, see?
50:20 → 50:23
SPEAKER_02 So after they went second, I went first, and I come out first after I...
So?
50:23 → 50:29
SPEAKER_02 So, well, what it was, I went down in there second, and when I followed
them, they come out first, and what I was trying... Don't you get it?
50:30 → 50:31
SPEAKER_02 I'm no good at geometry.
50:31 → 50:32
SPEAKER_02 Did you see anybody go by here?
50:32 → 50:33
SPEAKER_02 Oh, the housekeeper.
50:33 → 50:35
SPEAKER_02 She went over there in that door.
50:35 → 50:35
SPEAKER_02 Keep your post.
51:24 → 51:24
SPEAKER_00 A.
51:53 → 51:54
SPEAKER_00 You.
53:09 → 53:10
SPEAKER_08 Oh, this is a relief.
53:10 → 53:12
SPEAKER_08 You'd rather have Doc doing it, wouldn't you?
53:12 → 53:14
SPEAKER_03 That would be a luxury.
53:14 → 53:17
SPEAKER_03 Et comment?
53:17 → 53:18
SPEAKER_08 Poor Clem.
53:18 → 53:19
SPEAKER_08 You relaxed her, Madge.
53:19 → 53:21
SPEAKER_08 But I don't suppose any of us will get any rest tonight.
53:21 → 53:24
SPEAKER_08 I've got one eye glued open myself.
53:24 → 53:25
SPEAKER_08 There.
53:25 → 53:26
SPEAKER_08 That should ease you a bit.
53:26 → 53:27
SPEAKER_08 I wonder where Santoy is.
53:27 → 53:28
SPEAKER_08 Snooping around.
53:28 → 53:29
SPEAKER_08 An old Chinese custom.
53:29 → 53:31
SPEAKER_08 Well, come on.
53:31 → 53:31
SPEAKER_08 Let's get some rest.
53:49 → 53:52
SPEAKER_08 It's in the wall!
53:52 → 53:54
SPEAKER_08 Only cats with spring walls again.
53:54 → 53:55
SPEAKER_08 Oh, Clem, it's all right.
53:55 → 53:57
SPEAKER_08 We're all here.
53:57 → 53:58
SPEAKER_08 In the wall!
53:58 → 54:00
SPEAKER_08 It's in the wall!
54:00 → 54:00
SPEAKER_02 She can't see.
54:00 → 54:01
SPEAKER_08 She heard it before.
54:01 → 54:02
SPEAKER_08 What has happened?
54:02 → 54:03
SPEAKER_08 Clem had a bad dream, Mr. Chan.
54:03 → 54:07
SPEAKER_08 She's a Shakespearean addict, Mr. Chan.
54:07 → 54:09
SPEAKER_03 Dramatic.
54:09 → 54:10
SPEAKER_02 This is huevos.
54:10 → 54:12
SPEAKER_03 Fine trick to play on a lady.
54:12 → 54:14
SPEAKER_03 Somebody slid it back from upstairs.
54:14 → 54:16
SPEAKER_02 You write longhand or shorthand?
54:16 → 54:17
SPEAKER_08 Drink is the root.
54:17 → 54:19
SPEAKER_02 You are spying, making notes.
54:19 → 54:21
SPEAKER_02 What are you, amateur detective?
54:21 → 54:23
SPEAKER_03 I have evidence, plenty evidence.
54:23 → 54:26
SPEAKER_02 Ladies, no need to be alarmed.
54:26 → 54:28
SPEAKER_02 Sliding panel is merely relic of old prohibition days.
54:28 → 54:30
SPEAKER_02 Right, Mrs. Weebles?
54:30 → 54:35
SPEAKER_08 Next time, try the front door.
54:35 → 54:38
SPEAKER_01 I was following somebody.
54:38 → 54:39
SPEAKER_07 You.
54:39 → 54:41
SPEAKER_07 Fickle, eh?
54:41 → 54:42
SPEAKER_07 Ruby, it's no joking matter.
54:42 → 54:45
SPEAKER_02 Ladies, levity is a great cure-all.
54:45 → 54:49
SPEAKER_02 You will please all return to your chambers.
54:49 → 54:53
SPEAKER_08 Mr. Chan, you promised me I wouldn't have to stay here.
54:53 → 54:54
SPEAKER_08 No, child.
54:54 → 54:55
SPEAKER_08 Mr. Chan's afraid for you.
54:55 → 54:58
SPEAKER_03 Why don't you come out with me to my cabana?
54:58 → 55:03
SPEAKER_03 You'll be able to sleep there, all right?
55:03 → 55:09
SPEAKER_02 Sergeant.
55:09 → 55:11
SPEAKER_02 Where are our other three men?
55:11 → 55:12
SPEAKER_02 In Doc's cabana, I think.
55:13 → 55:18
SPEAKER_02 The noise of the high surf must have prevented them from hearing recent
alarms.
55:18 → 55:23
SPEAKER_02 Sergeant, tonight you will keep a watch between the cabanas and the
house.
55:23 → 55:25
SPEAKER_02 That's right, Mr. Chan.
55:25 → 55:26
SPEAKER_02 What about Mrs. Weebles?
55:26 → 55:33
SPEAKER_02 She may have overheard something important, but I will question her
later.
55:33 → 55:37
SPEAKER_02 But tonight, keep a watchful eye.
55:37 → 55:41
SPEAKER_02 No one must cross between the cabanas and the house.
55:41 → 55:42
SPEAKER_02 You will also check on three men,
55:43 → 55:51
SPEAKER_02 Do not disturb.
55:51 → 55:54
SPEAKER_06 Right, Mr. Channing.
55:54 → 55:56
SPEAKER_06 Oh, doctor.
55:56 → 55:57
SPEAKER_06 Doctor.
55:57 → 55:58
SPEAKER_06 Help me.
55:58 → 55:59
SPEAKER_06 Help me, doctor.
55:59 → 56:00
SPEAKER_04 What are you giving him?
56:00 → 56:01
SPEAKER_04 Just a mild sedative.
56:01 → 56:03
SPEAKER_04 Poor devil, he needs it.
56:03 → 56:05
SPEAKER_01 What he needs is a good shot of truth serum.
56:05 → 56:06
SPEAKER_06 I heard that.
56:06 → 56:08
SPEAKER_06 Now, get out of here.
56:08 → 56:08
SPEAKER_06 Doctor.
56:09 → 56:10
SPEAKER_06 Throw him out.
56:10 → 56:13
SPEAKER_02 He's giving you a shot of truth serum.
56:13 → 56:15
SPEAKER_02 We'll **** the truth out of you when you don't know it.
56:15 → 56:17
SPEAKER_06 Take him away.
56:17 → 56:18
SPEAKER_04 Take him away.
56:18 → 56:18
SPEAKER_04 Maestro.
56:18 → 56:19
SPEAKER_04 Maestro.
56:19 → 56:21
SPEAKER_02 This will calm your nerves.
56:21 → 56:22
SPEAKER_02 Bring sleep.
56:22 → 56:23
SPEAKER_02 Doctor, I've got to confess.
56:23 → 56:24
SPEAKER_02 Talk.
56:24 → 56:25
SPEAKER_02 Talk, killer.
56:25 → 56:27
SPEAKER_02 Throw a light on him.
56:27 → 56:28
SPEAKER_02 Keep him going.
56:28 → 56:29
SPEAKER_02 He's cracking.
56:29 → 56:30
SPEAKER_02 Get out, for heaven's sakes, and leave the man alone.
56:30 → 56:33
SPEAKER_02 Well, they all **** when they're like this.
56:33 → 56:35
SPEAKER_05 I took that box.
56:35 → 56:36
SPEAKER_05 I took it out of your bag.
56:36 → 56:36
SPEAKER_05 Why?
56:36 → 56:37
SPEAKER_05 Why?
56:37 → 56:37
SPEAKER_05 Get out.
56:38 → 56:41
SPEAKER_05 It's in my room.
56:41 → 56:42
SPEAKER_05 In my trunk.
56:42 → 56:43
SPEAKER_05 What's in it?
56:43 → 56:46
SPEAKER_06 What were you hiding?
56:46 → 56:47
SPEAKER_06 Papers.
56:47 → 56:48
SPEAKER_06 Her papers.
56:48 → 56:49
SPEAKER_06 She'll expose me.
56:49 → 56:51
SPEAKER_06 She'll ruin me.
56:51 → 57:02
SPEAKER_00 Get out, Daniels, or I won't be responsible.
57:02 → 57:04
SPEAKER_01 So you're coming from.
57:04 → 57:05
SPEAKER_01 The box was in your bag.
57:06 → 57:07
SPEAKER_01 It's beginning to get clear now.
57:07 → 57:08
SPEAKER_01 You're wild.
57:08 → 57:09
SPEAKER_01 Get out.
57:09 → 57:11
SPEAKER_02 You needn't have given him that shot.
57:11 → 57:13
SPEAKER_04 It was the merciful thing.
57:13 → 57:15
SPEAKER_04 The only merciful thing.
57:15 → 57:16
SPEAKER_02 Maybe so.
57:16 → 57:18
SPEAKER_02 But I'm getting to a phone.
57:18 → 57:20
SPEAKER_02 I'll bring some law in here that'll make Chan look like a monkey.
57:36 → 57:46
SPEAKER_00 Stop!
57:46 → 57:53
SPEAKER_02 I know it's you, Daniels.
57:53 → 57:55
SPEAKER_02 Come up with your hands up or I'll shoot.
57:55 → 57:56
SPEAKER_02 You wouldn't dare.
57:56 → 57:58
SPEAKER_02 Listen, I'll make you a deal.
57:58 → 57:59
SPEAKER_01 Come up with your hands up.
58:00 → 58:03
SPEAKER_01 Look, Sarge, I got this thing cracked.
58:03 → 58:04
SPEAKER_01 Let's get to a telephone.
58:04 → 58:05
SPEAKER_02 Chan's orders.
58:05 → 58:06
SPEAKER_02 No one leaves premises.
58:06 → 58:08
SPEAKER_01 But I tell you I got this thing cracked.
58:08 → 58:09
SPEAKER_01 Let's get to your headquarters.
58:09 → 58:12
SPEAKER_01 There's a promotion in this, and I can see that you get the breaks.
58:12 → 58:13
SPEAKER_01 Chan's orders.
58:13 → 58:17
SPEAKER_01 Whither I go, so goest thou.
58:17 → 58:18
SPEAKER_01 I'll break you for this.
58:18 → 58:19
SPEAKER_01 I got influence.
58:19 → 58:22
SPEAKER_01 Not as much as I've got right now.
59:17 → 59:26
SPEAKER_00 Oh, that's them **** mice again.
59:26 → 59:29
SPEAKER_02 Birmingham.
59:29 → 59:32
SPEAKER_05 Birmingham.
59:32 → 59:34
SPEAKER_05 Jimmy, is that you?
59:34 → 59:37
SPEAKER_02 Birmingham, come help me.
59:37 → 59:37
SPEAKER_02 I'm stuck.
59:37 → 59:38
SPEAKER_02 You're stuck?
59:38 → 59:40
SPEAKER_02 Where are you stuck?
59:40 → 59:42
SPEAKER_05 Come on, help me.
59:42 → 59:43
SPEAKER_05 Birmingham.
59:43 → 59:44
SPEAKER_05 Yeah, I know.
59:44 → 59:45
SPEAKER_05 Yeah, where's you at?
59:45 → 59:45
SPEAKER_05 Come on.
59:46 → 59:54
SPEAKER_04 Oh, my goodness, he's stuck.
59:54 → 59:55
SPEAKER_02 Say something so I can find you now.
59:55 → 59:57
SPEAKER_02 Is you talking from this side?
59:57 → 59:58
SPEAKER_02 What do you mean this side?
59:58 → 59:58
SPEAKER_02 I'm slipping.
59:58 → 59:59
SPEAKER_02 Give me a hand.
59:59 → 1:00:13
SPEAKER_02 I just want to know if you're talking on this side of the world or the other
side.
1:00:13 → 1:00:14
SPEAKER_05 Jimmy, Jimmy.
1:00:16 → 1:00:17
SPEAKER_05 What's the matter with you?
1:00:17 → 1:00:18
SPEAKER_05 I got it.
1:00:18 → 1:00:18
SPEAKER_05 I got it.
1:00:18 → 1:00:21
SPEAKER_05 It's in the furnace.
1:00:21 → 1:00:21
SPEAKER_05 Yeah?
1:00:21 → 1:00:23
SPEAKER_05 You ain't going back in there, is you?
1:00:23 → 1:00:26
SPEAKER_05 I tell you, I got it.
1:00:26 → 1:00:27
SPEAKER_05 You sure have.
1:00:27 → 1:00:28
SPEAKER_02 You got it all over your face.
1:00:28 → 1:00:28
SPEAKER_02 Hey, what's in there?
1:00:28 → 1:00:29
SPEAKER_02 It's very important.
1:00:29 → 1:00:30
SPEAKER_02 We gotta get it to pop.
1:00:30 → 1:00:32
SPEAKER_02 Yeah, but you gonna wash your face first, ain't you?
1:00:32 → 1:00:33
SPEAKER_02 Having time for that now.
1:00:33 → 1:00:36
SPEAKER_02 Yeah, but suppose I beat that little Chinese number.
1:00:36 → 1:00:36
SPEAKER_02 Yeah, maybe you're right.
1:00:36 → 1:00:43
SPEAKER_02 Come on.
1:00:55 → 1:00:57
SPEAKER_02 Pop must be around these cabanas somewhere.
1:00:57 → 1:00:58
SPEAKER_02 Can we wait till morning to tell him?
1:00:58 → 1:01:00
SPEAKER_02 Oh no, he's got to know tonight.
1:01:00 → 1:01:01
SPEAKER_02 He might arrest an innocent person.
1:01:01 → 1:01:04
SPEAKER_02 And besides, we've got to watch these cabanas anyhow.
1:01:04 → 1:01:04
SPEAKER_02 You ain't fooling me.
1:01:04 → 1:01:07
SPEAKER_01 I know how come you ain't interested in these cabanas.
1:01:07 → 1:01:10
SPEAKER_01 It's that little Chinese girl.
1:01:10 → 1:01:10
SPEAKER_00 Hey look! ♪
1:01:25 → 1:01:29
SPEAKER_02 I found it, Pop.
1:01:29 → 1:01:42
SPEAKER_01 I have trap all set, and you put big foot in it.
1:02:04 → 1:02:05
SPEAKER_02 70, 75.
1:02:05 → 1:02:07
SPEAKER_02 I've got to slow it down, Mr. Chan.
1:02:07 → 1:02:08
SPEAKER_02 Too bad.
1:02:08 → 1:02:10
SPEAKER_02 I was in hope soon to overtake her in the car.
1:02:52 → 1:03:11
SPEAKER_00 It's Mrs. Thorne.
1:03:11 → 1:03:14
SPEAKER_07 You're too late, Mr. Chand.
1:03:14 → 1:03:15
SPEAKER_07 I wanted to ruin him.
1:03:15 → 1:03:21
SPEAKER_07 I wanted to make him suffer as badly as I have.
1:03:22 → 1:03:23
SPEAKER_02 Call Cain.
1:03:23 → 1:03:24
SPEAKER_02 The maestro.
1:03:24 → 1:03:27
SPEAKER_08 I was his wife.
1:03:27 → 1:03:37
SPEAKER_07 I ran away from him, but... when I tried to come back, he wouldn't even
recognize me.
1:03:37 → 1:03:40
SPEAKER_07 He gave me a job.
1:03:40 → 1:03:44
SPEAKER_08 Wardrobe mistress.
1:03:44 → 1:03:45
SPEAKER_08 I was humiliated.
1:03:45 → 1:03:50
SPEAKER_08 Cast aside like... like something unclean.
1:03:52 → 1:03:55
SPEAKER_02 You can understand about Marcia and Lois, Mrs. Thorne.
1:03:55 → 1:03:58
SPEAKER_02 But why Santoy?
1:03:58 → 1:03:59
SPEAKER_07 Santoy knew.
1:03:59 → 1:04:02
SPEAKER_07 She stole my papers.
1:04:02 → 1:04:04
SPEAKER_02 My papers in the box.
1:04:04 → 1:04:04
SPEAKER_02 No.
1:04:04 → 1:04:12
SPEAKER_02 No, papers stolen by others.
1:04:12 → 1:04:17
SPEAKER_08 I hope he suffers.
1:04:26 → 1:04:30
SPEAKER_02 Highway Patrol, Jimmy, direct it here.
1:04:30 → 1:04:33
SPEAKER_01 She deserted me years ago, ran away with a dancer.
1:04:33 → 1:04:35
SPEAKER_01 I have some of her letters here in the box.
1:04:35 → 1:04:43
SPEAKER_04 She put the bathrobe in Maestro's closet, hoping the local police would
make the obvious arrest, then quenched the evidence with the cords.
1:04:43 → 1:04:44
SPEAKER_04 Is that the way it was, Mr. Chan?
1:04:44 → 1:04:46
SPEAKER_02 Exactly.
1:04:46 → 1:04:52
SPEAKER_02 Happy solution of case will permit you, Doctor, once again to resume
medical practice.
1:04:52 → 1:04:54
SPEAKER_02 Will you excuse, please, I'm in very great hurry.
1:04:55 → 1:05:00
SPEAKER_08 But Mr. Chan, Marsha went up the beach while we were in swimming.
1:05:00 → 1:05:08
SPEAKER_08 Mrs. Thorne went up the beach in Marsha's robe, silly, making it seem as
if Marsha was killed in the house and then carried out.
1:05:08 → 1:05:09
SPEAKER_02 Exactly, exactly.
1:05:09 → 1:05:10
SPEAKER_02 Thank you so much.
1:05:10 → 1:05:13
SPEAKER_02 Say, Pop, can I... Yes, you may take that walk now.
1:05:13 → 1:05:13
SPEAKER_02 Goodbye.
1:05:13 → 1:05:17
SPEAKER_08 Mr. Chan, no one has thanked you.
1:05:17 → 1:05:19
SPEAKER_02 Oh, I am sufficiently recompensed now.
1:05:19 → 1:05:20
SPEAKER_02 Thank you so much.
1:05:20 → 1:05:21
SPEAKER_02 Goodbye.
1:05:21 → 1:05:22
SPEAKER_02 Mr Chan.
1:05:22 → 1:05:23
SPEAKER_02 Mr Chan.
1:05:23 → 1:05:24
SPEAKER_02 What's the matter, Birmingham?
1:05:24 → 1:05:25
SPEAKER_02 It was mouses in them walls.
1:05:25 → 1:05:26
SPEAKER_02 Look at that.