Name: The Desert Trail - colorized by alugha
Uploaded: 2022-05-16T15:26:59.775Z
Duration: 54 min 25 s
Channel: alugha classics
Description: Rodeo star John Scott (John Wayne) and his gambler friend Kansas Charlie (Eddy Chandler) are wrongly accused of armed robbery at the Rattlesnake Gulch…

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0:00 → 0:48

[Music]

0:48 → 1:14

[sound of rain and thunder]

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How many?

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Three.

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[sound of rain and thunder]

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Just a minute.

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You're terrible. If you try any of those phony tricks and run us in the ghost, they'll run you out quicker than they did in the last place.

1:31 → 1:35

I didn't get us run out of that last place. It was your fault.

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Now if you hadn't got mixed up with that dance hall girl, we'd have still been there.

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I got mixed up with her? You forget, my boy, that it was you with the young lady when the vigilantes asked us to leave town.

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We ought to stay away from her.

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What, chasing after every good-looking dame you see,

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ain't gonna get you anyplace?

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Time we cut it out and tried to make something of ourselves.

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Well, that's the first sensible thing you ever said.

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Now, the thing for you to do is to ignore them.

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But how can I?

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Ever since I've been able to tip my hat,

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women have had a weakness for me.

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Well, don't tip your hat.

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Don't even talk to them.

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Say, that's an idea.

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It's talks that always get you into trouble with a woman.

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They always think you mean more than you say.

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Why?

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All you gotta do is say good morning,

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and they think you want to get hitched.

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From now on, I'm deaf and dumb to all of you.

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Now you're talking, that's a great idea.

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You'll save me a lot of trouble if you really mean it.

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- Absolutely.

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- Traffic, Rattlesnake Hook.

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You have a passenger and some mail.

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- Oh boy, take a look at that.

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I gotta do something about that.

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- I thought you said you were deaf and dumb to all of them.

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- That's the trouble with you, Kansas.

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You haven't any willpower.

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- What do you mean no willpower?

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When I say a thing, I mean it.

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- But you just said that you were deaf and dumb

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as far as women were concerned.

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- That's right.

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And that still holds good.

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- Good.

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Will you allow me?

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- Certainly, thank you.

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- Hurry up.

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I'm John Scott, pen for the Rodeo with Rattlesnake Gump.

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- Oh, how do you do?

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I am Juanita Ribeiro. My home is there.

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Oh, that's great.

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Maybe I'll be able to see a lot of you while I'm there.

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Are you a rodeo star?

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Well, not exactly, although, uh...

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I did pick up some money at the Cheyenne and Pendleton shows this year.

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Is your friend here? Is he a rodeo star?

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Him? A rodeo star? I should say not.

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That's Kansas Charlie.

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He's my, uh... He's my ward.

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He's a poor, deaf, and dumb guy.

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I just carry him along to take care of my saddles and stuff.

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Oh, that is too bad. How did it happen?

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Why, uh...

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He was scouted by Indians when he was a baby.

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Never regained his power of speech.

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- Wait till he takes his hat off. He's bald as a goat.

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See, the poor fellow's trying to talk, but that's the best he can do.

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- Well, women are no women. I'm not going to sit here and let you insult me like that.

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I am not bald-headed. It's only a high forehead. See?

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- Well, well. It's a positive miracle.

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They always told me that a sudden shock could restore his speech.

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But I didn't think he'd turn out to be half-witted.

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- Now, that's the first forehead I ever saw that ran clear to the back of the neck.

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- Why, you...

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- Oh, Kansas. There's a lady present. You see this? He's practically on nitwit.

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- Nitwit? Say, I got more brains than this fellow'll ever have.

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What you need is a man to protect you.

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Somebody that's going to get ahead in the world.

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Ah, you got too much class with these small town fellas.

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You need a man that's been around.

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Oh, thanks, Kansas, for the buildup.

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I think you're putting it a little strong.

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I'd rather the young lady found out

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a few other things for herself.

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I wasn't talking about you.

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I was referring to myself.

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Modest, isn't he?

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A regular shrinking bottle.

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Ben, if you are all this in, you must be very rich.

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Oh, yes, yes.

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Early rolling in wealth, most of the time.

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Of course, I don't carry it with me while I'm traveling.

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Plenty of money waiting for me at the Rattlesnake Gulf Casino.

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Now, if you want to play a sure thing,

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Stay away from this guy. Make a bet on me.

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- You can wear a diamond. - Oh, that would be very nice.

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I should say it would.

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Oh, this is my house. This is where I get off.

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I will see what's up with you while you are here.

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I'll say you will.

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Go.

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(upbeat music)

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[music]

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(audience laughing)

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(upbeat music)

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(crowd cheering)

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(crowd cheering)

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(crowd cheering)

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[music]

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- John Scott, up deck. - Coming.

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All right, go on. Be a sap.

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When that horse gets to you and you're laying in a hospital bed tonight, I'll be out with Juanita.

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You may be out, Ted, but not with Juanita. I think you'd better stick to your gambling.

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When I come out of here here over this rodeo with all our prize money, you won't stand a chance.

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- Got him too. - I'll call it.

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- I'll see you. - Come here.

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- Hello, boys. - Hello, Ken.

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Hey, what's the matter, boys? Why all the penny ante?

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You'd be playing them close to your chest too.

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You got mixed up in this children's rodeo outfit.

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I had to settle for 25 cents on the dollar, my award money.

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That's right. I got 82.50 for the 350 I had coming.

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And those boys out there in that bulldogging contest

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will be lucky if they get anything.

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Oh, is that so?

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I'll be back in a minute, boys.

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(footsteps)

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(crowd cheering)

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- So they cleaned you out already, huh?

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And you're coming back to me for money?

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- Oh, wait a minute.

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- Oh, well, you don't get it.

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They need all my dough for that date

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when we need it the most.

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- Now, wait a minute.

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This is serious.

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I'm not clean, but you are.

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Some of the boys were telling me

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that they're paying off the prize money

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two bits on the dollar.

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And some of the guys that come in late

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ain't gonna get any.

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- That means you, pal.

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- Oh, is that so?

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Well, we'll just see about that right now.

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(crowd cheering)

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- What's the matter?

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Getting cold feet?

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- You mind the pill? - No, no, Pete. I'm all right.

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Now, wait till he come out.

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I got $900 in prize money coming for him, George.

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And I'll collect it right now.

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I ain't denying the money's due you, Scott,

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but this show is breaking money tough for us.

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It ain't paying out like we expected,

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so we're giving the boys 25 cents on the dollar.

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Not me, you aren't.

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You'll make it 100%.

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$900? I should say no.

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I'll give you $250 and not a cent more.

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It's $900 for him, George, no less.

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Now, don't try to get tough with me, Scott.

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I'm sketching it to even give you $250.

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You'd better take it or you'll have to go without a cent.

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It's still $900.

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Kansas, tell $900 to put that money in the safe and we'll get out of here.

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Don't come out until you hear our horses leave.

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Get away from that pole. Get behind the counter and shell out those receipts.

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Come on, give me that money.

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That sounded like it was an early day office. Come on, fellas.

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(footsteps)

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(audience laughing)

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- Sheriff!

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You keep your mouth shut, let me do the talking.

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(audience laughing)

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What, the safe's open?

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- Yeah.

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- Harnsworth!

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(audience chattering)

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- What happened?

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- What happened?

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- Feliz, I asked those cops,

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Kansas Charlie the gambler,

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coming out of the office right after the shots were fired.

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- They must be the ones who did it.

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- Yeah.

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You take a look over at the gambling casino,

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and I'll have the boys get mounted.

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- Come on, boys.

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(footsteps)

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- What are you getting all flicked up for?

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- I got a date with Juanita.

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- Too bad you ain't gonna be able to keep it.

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- Yeah, who says I ain't?

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- I do.

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- Yeah, you think you'd have anything to do

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with a sheepherder like you?

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With a man of the world like me to be had?

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- Just the same, you aren't gonna keep that date.

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- Hey, who's gonna stop me?

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- I am.

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- Why, you won't.

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(thud)

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(thud)

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(yelps)

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- Stayin' over at the casino, Sheriff.

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Let's go down to Shack.

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As I said before, it's too bad you can't keep that date tonight.

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Why you...

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But I'll give her a little chubby for you, Kansas.

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- Where? - Here's one of them already tied up for it.

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But I tell you, Sheriff, I didn't do it.

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Well, I'd make mine too easy at the gambling table

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without going in for murder.

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Yeah, that's what you say.

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Maybe we can try him this afternoon and hang him right away and save the county the expense of feeding him.

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Sheriff, you can do one thing for me, will you?

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What's that?

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Take my bankroll and my watch and give them to Juanita.

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Well, I reckon we can do that, all right.

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21 Hawks, boys.

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Just a minute, Sheriff.

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Drop those guns.

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Now throw down that roll and watch.

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I'll just start out and keep going.

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I'm getting out of here for Poker City tonight.

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Confirmed.

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Don't think I'd tell the sheriff that you were the one that done the shooting.

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We're pals. We got to stick together, kid, huh?

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Fact is, I'm going right along with you when you go to Poker City tonight.

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Well, listen, Peter, I'm only going over there to lay low for a while at my sister's place.

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Huh? Well, I'm going right along.

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Don't think I know that some of the richest shipments of gold go out on that Poker City stage.

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I'm not interested in that.

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Well, you're going to be.

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You want me to keep my mouth shut?

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Well, I'll meet you at my shack tonight.

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Allow me to pay check tonight.

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Gotta say goodbye to my lady friend.

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You know Pete, I think you are the sweetest man in all the world.

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Yeah?

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He will not let you find your here.

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Get in the closet.

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(speaking in foreign language)

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(knocking)

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(speaking in foreign language)

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- Hello Anita.

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Whose horse is that out there?

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- Oh, it is mine.

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A friend just gave him to me.

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- Oh, well I got something better than that for you baby.

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Just feast your eyes on this.

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- Oh, it is beautiful.

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It's wonderful.

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But I cannot take it.

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- No? - No.

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- All right, I'll keep it then.

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- John, why haven't you come out to see me?

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I miss you so much and I'm so lonesome for you.

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Oh, now listen, baby.

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You just get yourself all dolled up and we'll go out and buy you a real present.

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You know, if you cook me a little, then I can taste the wash too.

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John, you know I think you're the sweetest boy in all the world.

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Ah, fine pal you are.

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As soon as my hands are tied, you try to steal my girl.

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What's the matter, Kansas? In the rope next I fit?

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You're a brave guy as long as my hands are tied.

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Oh, yeah?

21:02 → 21:06

Say, what do you mean by breaking in on a lady's privacy like this?

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Privacy?

21:07 → 21:08

Yes.

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Untie his hands, Juanita, and I'll teach him a few lessons in manners.

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Why, you...

21:15 → 21:24

Wait!

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Your watch.

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- Hey, how about my bankroll? - Oh, I almost forgot about it.

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It's a good thing you gave that back to me, I'm gonna knock you cold.

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- Oh, my foot, Pantas, are you hurt? - Hurt? I should say, not.

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Maybe I better count it, too.

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Maybe I better take charge of that roll.

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You boys are not to be trusted with so much money.

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And if either of you have any doubt about who's best man here, ask Juanita.

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Come on, get in the closet. Get moving.

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Now you have the money, you will take Juanita with you to Poker City, no?

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- No, he's right. - What he said?

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- He's heading for Poker City. - Oh, you won't leave Juanita.

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Oh, you sure made a mess of things.

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What do you mean a mess I made of things?

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I was doing all right till you came along.

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Oh, is that so?

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She was only consoling herself with you.

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You notice how she headed straight for me as soon as she found out I was alive?

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That's what you think.

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And if it hadn't been for you, we wouldn't have lost the money.

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Oh, yeah, and if you hadn't come here, he wouldn't have got the money.

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I'd ought to smack you in the jaw for that.

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Well, I'd like to see you try it.

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Thanks. I will.

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I wouldn't want to see you away from them.

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Adios.

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Oh, you big stiff.

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You ruined my clothes.

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Get out, both of you.

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I don't want to see you anymore.

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I don't want neither.

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No, go to public seating with fear.

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I hate you all. Get out.

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Mr. Sheriff, let's get out of here.

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(fire crackling)

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[Sounds of fire burning]

24:38 → 24:56

[Sound of fire burning]

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(footsteps)

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- Wait a minute, boys!

25:08 → 25:11

Looks like they've given us the slip.

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- Nah.

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- No use failing any further.

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Let's go back to Juanita's and question her.

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Come on.

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(footsteps)

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Phew.

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Well, I sure got us out of that scrape, didn't I, boy?

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- I'll tell you, you did.

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And now that you got us out of it,

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I think we better split up.

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I'm going to Poker City and get that guy Pete

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in my bankroll.

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- There's no use you heading for Poker City.

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I'll take care of Pete myself.

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I'll travel in style on the page.

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- Oh, you're sappy I'll get you for sure.

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- Who, me?

25:53 → 25:56

Not the Reverend Smith, my boy.

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They will never question a doctor of divinity.

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[laughs]

26:00 → 26:04

Well, so long, Moses, and I hope you get out of the wilderness.

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Ah, noble defender of the law.

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Oh, it's a nice enterprising little city you have here, Sheriff.

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Yes, it is.

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I don't believe I got your name.

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Oh, pardon me, Sheriff.

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I'm the Reverend Harry Smith from Rattlesnake Grove.

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Oh, I'm pleased to meet you, Parson Smith.

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Plan on staying here long?

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Well, yes, uh, glad you took the climate degrees with me.

26:56 → 27:00

You see, Sheriff, I, uh, I had a recent throat trouble.

27:00 → 27:02

I have to be real careful of my health.

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Yes, I reckon the change of climate is healthy now and then.

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What do you plan to do here, Parson?

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Well, uh, I kind of thought that maybe I'd, uh,

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well, well, one of my old congregation.

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You remember me, don't you, Jim?

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I'm the Reverend Smith.

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Yes, how are you, Parson?

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Oh, I'm always glad to see one of my old friends.

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My boy?

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Ah, looks like we're gonna have a new parson, boys.

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Yeah.

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Name's Dane.

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Huh? Oh, yeah.

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Anne, I want you to meet our preacher

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from Rattlesnake Gulch.

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- How do you do? - I'm pleased to meet you, Dr. Smith.

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I'm so glad to know that Jim associated with good companions during his stay in Rattlesnake Gulch.

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Oh, yes, yes. Jim was a regular member of my congregation.

28:02 → 28:05

As a matter of fact, he was one of my greatest contributors.

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Oh, it's so nice to know that.

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You see, Jim and I are orphans, and he's all the family I have.

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I'll keep an eye on him, Miss Anne.

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The fact is, I was hoping to get some of the boys together for a little prayer meeting tonight.

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And I would like to have Jim attend some of the, uh, sessions.

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- How about it, Jim? - Thanks, Parson.

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I don't plan on trying to help the stage this morning.

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That's the fourth time this month. We've got to do something about it.

28:45 → 28:48

- What does he look like? - I didn't get a good look at him.

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There's too many strangers around these parts.

28:50 → 28:54

It's time we started investigating some of them.

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There's one of them now.

29:02 → 29:05

- Hey, you! - Me?

29:05 → 29:08

Yes, you.

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- What's your name? - John Jones.

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There's getting to be too many Joneses and Smiths around here to suit me.

29:17 → 29:20

You better come on over to my office. I want to ask you a few questions.

29:20 → 29:23

Oh, now, wait a minute, Sheriff. You can't put me in jail yet.

29:23 → 29:28

- I just got in town. - Now, don't try to be funny.

29:28 → 29:31

Is this the fellow that held up the stage?

29:31 → 29:37

Well, I can't rightly identify him.

29:37 → 29:41

You see, I didn't get a very good look at him.

29:41 → 29:44

Sure, Sheriff. You got the wrong man, but...

29:44 → 29:48

- Hey, son. - Marilyn.

29:48 → 29:52

You remember John Jones, don't you, Jim?

29:52 → 29:56

- Yeah. - Sure. Jim's an old friend of mine.

29:56 → 30:00

- I just came over to pay him a visit. - How are you, Jim?

30:00 → 30:04

Well, good seeing you, Sheriff.

30:04 → 30:10

- It's good to see you again, Jim. - You took me by surprise.

30:10 → 30:14

I didn't expect to see you here. I gotta be going.

30:14 → 30:18

- I'll see you later, Scott. - I won't be home until late.

30:18 → 30:22

- That's all right, Jim. Mr. Smith will see me home. - All right.

30:22 → 30:28

- Thanks a lot, miss, but the name is Jones. - I said Smith.

30:28 → 30:32

And if you'll pardon me, I'm going to lock up Mr. Jones.

30:32 → 30:40

- I'm waiting for Mr. Smith. - In that case, I guess we'll both wait for him.

30:40 → 30:44

- When you're in trouble. - I have nothing else to do.

30:44 → 30:50

- Can't you find another place? - I could, but you wouldn't be there.

30:50 → 30:54

- Is there anything you want? - Sure.

30:54 → 31:00

- What's in those bottles? - Nerve tonic. But you don't need any.

31:00 → 31:06

No, but my horse does. He's all run down. I think I'll take one.

31:06 → 31:23

- Is there anything else? - Let me see now.

31:23 → 31:30

Well, well, well. Just what I've been looking for.

31:30 → 31:33

- You think they'll fit? - I don't know.

31:33 → 31:37

Well, I guess there's only one way to find out.

31:38 → 31:40

I hope that's all.

31:40 → 31:43

I've come to think about it, uh...

31:43 → 31:48

I think I'll take another bottle of that nerve tonic.

31:48 → 31:50

My horse is pretty well run down.

31:50 → 32:10

Shall we dance?

32:10 → 32:20

I'm so glad to see you, Parson Smith.

32:20 → 32:21

Well, I'm right on time.

32:21 → 32:24

You couldn't have come any too soon to suit me.

32:24 → 32:28

Well, if I thought I meant that much to you, I could have been here long before this.

32:28 → 32:30

Well, well, well.

32:30 → 32:32

So this is the Parson Smith.

32:32 → 32:34

Jones is my name, Doctor. How do you do?

32:36 → 32:40

Haven't I seen you someplace before?

32:40 → 32:44

- Who's at a party? - A farewell party.

32:44 → 32:49

- You were going away. - But come now, doctor, what can we do for you?

32:49 → 32:52

I have it.

32:52 → 32:58

- How about a necktie? - It'd look very becoming with that outfit.

32:58 → 33:02

Will you stop this nonsense and we can pick these things up and close this door?

33:02 → 33:07

- Or, we ready to go? - Just where do you think you're going, Mr. Jones?

33:07 → 33:12

- Oh, you can come along, Mr. Smith. - That is, if the young lady doesn't mind.

33:12 → 33:16

I wish I had your nerve, Mr. Jones.

33:16 → 33:20

That's easy.

33:20 → 33:24

- Why, you! - Don't say it!

33:24 → 33:30

Wait a minute. If it's going to cause all this trouble, you both can take me home.

33:30 → 33:33

I'm telling you, Pete, I don't like the looks of things.

33:33 → 33:37

It was bad enough when Kansas Charlie showed up, and now John Scott's here.

33:37 → 33:40

They must know something. We gotta quit this racket.

33:40 → 33:41

So they followed us.

33:41 → 33:44

You forget, they're still wanting for the murder to be found with.

33:44 → 33:46

And if I should tell them that you done it...

33:46 → 33:48

Well, you wouldn't do that, P.

33:48 → 33:52

No, not as long as we're still partners.

33:52 → 33:54

When does that next gold ship go out?

33:54 → 33:58

Saturday. Meet you here Saturday.

33:58 → 34:22

Don't tell me you're back for more nerve, Tommy.

34:22 → 34:25

You were in here five times yesterday and three times the day before,

34:25 → 34:27

and you've just about cleaned me out.

34:27 → 34:30

Perhaps you better try soothing syrup for a change.

34:30 → 34:33

No thanks. I think I'll leave that to Parson Smith.

34:33 → 34:36

As a matter of fact, I came in here looking for it.

34:36 → 34:42

Good morning, Dr. Smith. I was just looking for you.

34:42 → 34:43

Yeah?

34:43 → 34:46

Looks like it. No, this is on the level. I've got to talk to you.

34:46 → 34:48

- You pardon, Sam? - Yeah.

34:48 → 35:02

Listen, I just saw Jim riding out on the desert trail with a man that looked like Pete.

35:02 → 35:07

I figure if we take a ride out that way, we might get our dough back.

35:07 → 35:10

- Hey, is this the straight goods? - Absolutely.

35:10 → 35:11

All right, let's go.

35:11 → 35:24

Now, let's get this straight.

35:24 → 35:26

I'll cover the safe from here.

35:26 → 35:27

You go and clean up the passenger.

35:27 → 35:29

Then you climb up and get the strong box.

35:29 → 35:33

Right

35:33 → 36:04

Get moving

36:04 → 36:09

(guns firing)

36:09 → 36:25

- You take care of them, I'll stop the coach.

36:25 → 36:30

(guns firing)

36:30 → 36:38

- You look good up here, I'll meet you in town.

36:38 → 36:43

(guns firing)

36:43 → 36:50

(helicopter whirring)

36:50 → 37:14

- Well, young man, you sure saved our lives.

37:14 → 37:16

- Did they get anything?

37:16 → 37:18

- Yes, my watch and money.

37:18 → 37:20

- Well, it's too bad.

37:20 → 37:22

I'll drive you on into town.

37:38 → 37:48

(footsteps)

37:48 → 37:50

(door slams)

37:50 → 37:58

(footsteps)

37:58 → 38:00

- Why, Jim!

38:00 → 38:04

I didn't think you'd get mixed up in a thing like this.

38:04 → 38:06

- Pete made me do it, and he made me take the stuff.

38:06 → 38:08

- Oh, Pete, eh?

38:08 → 38:10

So this is his stuff.

38:10 → 38:12

- Please don't tell Ann.

38:12 → 38:14

- Oh, I won't tell her.

38:14 → 38:16

You helped me out of a little jam with the sheriff

38:16 → 38:18

when I landed here.

38:18 → 38:20

Besides, Pete's the man I'm after.

38:20 → 38:24

Maybe this will kind of even things up.

38:24 → 38:28

You tell Pete we'll just call out interest.

38:28 → 38:32

And if you want my advice, you'll stay away from Pete,

38:32 → 38:36

or you'll find yourself dangling on the wrong end of a rope someday.

38:36 → 38:40

- Thank you, Nico. - Don't thank me. Thank your sister.

38:40 → 39:02

- What happened, Springer? - Take care of the driver.

39:02 → 39:08

Sheriff, we certainly owe that young man a motorbike.

39:08 → 39:10

He drove off the bandage.

39:10 → 39:12

I'm sorry. I was wrong about you, Jones.

39:12 → 39:14

That's all right, sir.

39:14 → 39:20

Well, folks, we certainly took care of that situation.

39:20 → 39:22

Wait a minute, Sheriff.

39:22 → 39:26

These men are wanted for murder over Gretel Snake Gulch.

39:26 → 39:32

They killed Farnsworth, hailed up the stage, and now trying to pass themselves off as heroes.

39:32 → 39:34

I don't believe it.

39:34 → 39:38

(audience laughing)

39:38 → 39:40

- Sheriff, my watch and chain.

39:40 → 39:43

- You're under arrest.

39:43 → 39:45

I wasn't so wrong after all.

39:45 → 39:47

Lock 'em up, boys.

39:47 → 39:50

(audience laughing)

39:50 → 39:52

- What do you think of that, huh?

39:52 → 39:53

Will you come out the box?

39:53 → 39:55

- I'll notify the sheriff, rattlesnake gulch.

39:55 → 39:58

- Yeah, I'll notify you, Sheriff.

39:58 → 40:04

(audience chattering)

40:04 → 40:22

- Now look at that jam you got us into.

40:22 → 40:24

- I got us into?

40:24 → 40:26

Where'd you get that watch?

40:26 → 40:27

- I took it off at Jim.

40:27 → 40:29

He and Pete pulled that hold up.

40:29 → 40:31

I turned him loose.

40:31 → 40:33

- Oh, big hearted Charlie.

40:33 → 40:38

- You turned him loose and landed us right in jail. - I landed us in jail?

40:38 → 40:41

Say, smart guy, why did you bring that stage into town?

40:41 → 40:44

But I didn't steal the stage.

40:44 → 40:47

It's just a little matter of property rights that you wouldn't understand.

40:47 → 40:52

Oh, I wouldn't understand.

40:52 → 40:56

Do you mean to insinuate that I'm dumb?

40:56 → 40:58

No.

40:58 → 41:01

- Dumb? - Why, you...

41:01 → 41:04

Oh!

41:04 → 41:19

What's the matter, sis?

41:19 → 41:23

The sheriff arrested John and Kansas today for stage robbery and murder,

41:23 → 41:25

and they're talking about hanging them.

41:25 → 41:27

I don't believe they had anything to do with it.

41:27 → 41:32

I'm sure they didn't, but how are we going to prove it?

41:32 → 41:36

You're mighty fond of one of them, aren't you?

41:36 → 41:42

Oh, don't you worry, sis. You go on home and get some sleep. I'll close the store for you.

41:42 → 41:46

All right, dear.

41:46 → 41:54

I'll be home later.

41:54 → 41:58

All right.

41:58 → 42:03

(footsteps)

42:03 → 42:07

(footsteps)

42:07 → 43:00

Look!

43:00 → 43:04

She sure is a swell girl. I knew she wouldn't let me down.

43:04 → 43:08

I'll have them give me no saw blades. We've got plenty to do before morning.

43:08 → 43:16

- Good morning, Miss Anne. - Good morning, Carol.

43:16 → 43:20

I wonder if it would be all right if I came over a little later to talk to John and Kansas.

43:20 → 43:24

Oh, that would be all right. We were just taking over some breakfast.

43:24 → 43:28

Thanks. I have to go to the store, but I'll be right back.

43:28 → 43:44

There's a couple of horsemen at the other end of the street.

43:44 → 43:48

Now take it easy and they'll never suspect it.

43:54 → 43:58