Name: Arsenic and Old Lace - Colorized by alugha
Uploaded: 2024-09-21T08:09:10.496Z
Duration: 1 h 53 min 13 s
Channel: alugha classics
Description: Arsenic and Old Lace is a 1944 American screwball mystery black comedy film directed by Frank Capra and starring Cary Grant. The screenplay by Julius …

Description Transcript Comments Insights Share

1:17 → 1:19

SPEAKER_01 I'll knock your block off, you big stiff!

1:19 → 1:22

SPEAKER_01 You're out of luck!

1:57 → 1:58

SPEAKER_11 I knew you'd find it.

1:58 → 2:00

SPEAKER_08 Boy, I could sure use a drink.

2:00 → 2:08

SPEAKER_11 I wonder if any big shot's getting married today.

2:08 → 2:10

SPEAKER_11 Looks like the same suckers get married every day.

2:10 → 2:12

SPEAKER_11 Come on.

2:12 → 2:20

SPEAKER_05 Hey, the guy with the cheaters.

2:21 → 2:23

SPEAKER_06 Come in with the crosses.

2:27 → 2:29

SPEAKER_11 Hey, isn't that Mortimer Brewster?

2:29 → 2:33

SPEAKER_11 Mortimer Brewster, the dramatic critic?

2:33 → 2:35

SPEAKER_11 No, it's not him.

2:35 → 2:39

SPEAKER_11 What a scoop would it be if the guy who wrote the bachelor's Bible finally getting hooked himself?

2:39 → 2:40

SPEAKER_11 No, it's too good to be true.

2:40 → 2:43

SPEAKER_08 Come on, let's snap the mayor at his new fire helmet and go home.

2:43 → 2:45

SPEAKER_06 Say, let's stick around and see who the guy is.

2:45 → 2:46

SPEAKER_11 Tuba, tuba, come and go.

2:46 → 2:48

SPEAKER_11 Hip, hip, hi-yay.

2:48 → 2:49

SPEAKER_11 Good morning, children.

2:51 → 2:52

SPEAKER_07 Speak a little louder.

2:52 → 2:54

SPEAKER_07 Elaine Harper.

2:58 → 2:59

SPEAKER_12 Mortimer Brewster.

2:59 → 3:01

SPEAKER_12 How's that?

3:01 → 3:03

SPEAKER_06 Mortimer Brewster.

3:04 → 3:09

SPEAKER_06 There's nothing to be afraid of.

3:09 → 3:12

SPEAKER_07 Look at him.

3:12 → 3:14

SPEAKER_07 I want to keep this under cover.

3:14 → 3:15

SPEAKER_08 Why, of course you love her.

3:15 → 3:17

SPEAKER_08 You're going to marry her, ain't you?

3:18 → 3:19

SPEAKER_08 Come here.

3:19 → 3:21

SPEAKER_08 You see, I don't want this to get out for a while.

3:21 → 3:23

SPEAKER_08 I'm Mortimer Brewster.

3:23 → 3:25

SPEAKER_08 You're who?

3:30 → 3:33

SPEAKER_01 Mr. Brewster Come on

3:49 → 3:51

SPEAKER_08 Don't you understand?

3:51 → 3:53

SPEAKER_08 Me, the symbol of bachelorhood.

3:53 → 3:55

SPEAKER_08 I've sneered at every love scene and every play.

3:55 → 3:57

SPEAKER_05 I've written four million words against marriage.

3:57 → 3:59

SPEAKER_08 Not only hooked, but to a minister's daughter.

3:59 → 4:01

SPEAKER_08 And not only a minister's daughter, but a girl from Brooklyn.

4:02 → 4:03

SPEAKER_08 Look at the way you look.

4:03 → 4:04

SPEAKER_08 What is that infernal contraption you've got there?

4:05 → 4:07

SPEAKER_04 Well, that's a pen I borrowed from your aunts.

4:07 → 4:08

SPEAKER_04 You know what they say, Mortimer.

4:08 → 4:10

SPEAKER_08 Something borrowed and something... Yeah, yeah, I know that, Bromide.

4:10 → 4:11

SPEAKER_08 Something borrowed, something blew.

4:13 → 4:14

SPEAKER_05 Carry over the threshold.

4:15 → 4:16

SPEAKER_05 All the city tribe I've made fun of for years.

4:16 → 4:17

SPEAKER_05 Is this what I've come to?

4:18 → 4:19

SPEAKER_05 I won't marry you and that's that.

4:23 → 4:24

SPEAKER_05 Aren't you insulted?

4:25 → 4:27

SPEAKER_09 No, Mortimer.

4:27 → 4:29

SPEAKER_09 I don't know, Mortimer, me either.

4:29 → 4:30

SPEAKER_05 Don't you see, marriage is a superstition.

4:30 → 4:32

SPEAKER_05 It's old-fashioned.

4:32 → 4:35

SPEAKER_01 It's... I... I... Oh.

5:16 → 5:17

SPEAKER_08 Oh, Harry, don't be a ****.

5:17 → 5:22

SPEAKER_08 You don't seem to realize I'm turning over to you the nicest, the best beat in Brooklyn.

5:22 → 5:25

SPEAKER_08 Now, look at that old church and them old houses.

5:25 → 5:27

SPEAKER_08 Did George Washington ever do any sleeping around here?

5:28 → 5:30

SPEAKER_08 Boy, this whole neighborhood just stinks with atmosphere.

5:30 → 5:32

SPEAKER_08 Now, look at that old house there.

5:32 → 5:34

SPEAKER_06 Yeah, the original owners still living there?

5:34 → 5:37

SPEAKER_11 Now, don't **** wise about the Brewster sisters.

5:37 → 5:41

SPEAKER_08 They're two of the dearest, sweetest, kindest old ladies that ever walked the earth.

5:41 → 5:43

SPEAKER_08 They're out of this world.

5:45 → 5:47

SPEAKER_08 They're like pressed rose leaves.

5:47 → 5:50

SPEAKER_08 Pressed rose leaves?

5:50 → 5:51

SPEAKER_11 Hey, the old girls must be kind of hard up, huh?

5:51 → 5:52

SPEAKER_11 I don't know.

5:52 → 5:55

SPEAKER_11 Their old man left them fixed for life.

5:55 → 5:56

SPEAKER_11 And don't you call them the girls, either.

5:56 → 5:58

SPEAKER_06 Grofey's lieutenant around.

5:58 → 6:00

SPEAKER_06 If they're so well-heeled, what are they renting rooms for?

6:00 → 6:01

SPEAKER_06 They don't rent rooms.

6:01 → 6:07

SPEAKER_06 But you can bet if anybody came around looking for a room, they wouldn't go away without a good meal and probably a couple of bucks in their pocket.

6:07 → 6:10

SPEAKER_08 That's just their way of digging up people to do good to.

6:16 → 6:26

SPEAKER_04 Oh, Reverend Harper, I do hope you don't disapprove of Mortimer, just because he's a dramatic critic and takes your daughter to the theater every night.

6:26 → 6:39

SPEAKER_11 It's not so much that I disapprove of his being a critic, but no man, no man with this published attitude on marriage should take any man's daughter anyplace, at any time.

6:39 → 6:41

SPEAKER_00 I must be catching cold.

6:41 → 6:44

SPEAKER_04 No, dear, it was Reverend Harper who sneezed.

6:46 → 6:48

SPEAKER_04 We mustn't be angry with Mortimer.

6:48 → 6:49

SPEAKER_04 He's so very much in love with her.

6:49 → 6:52

SPEAKER_04 And Sister Martha and I are so happy about it.

6:52 → 6:59

SPEAKER_04 He used to come to see us only occasionally, and now... Now he's in Brooklyn six nights a week.

6:59 → 7:01

SPEAKER_07 Remember now, watch your language.

7:01 → 7:03

SPEAKER_11 But Sergeant, you know I'm not a swearing man.

7:03 → 7:08

SPEAKER_06 You'd be surprised what they'd consider swearing.

7:08 → 7:09

SPEAKER_04 Oh, will you excuse me?

7:09 → 7:11

SPEAKER_04 No, no, Teddy dear, thank you.

7:14 → 7:16

SPEAKER_04 Oh, come right in, Mr. Brophy.

7:16 → 7:18

SPEAKER_08 Miss Abbey, we came for the toys.

7:19 → 7:20

SPEAKER_08 This is Officer O'Hara.

7:20 → 7:21

SPEAKER_08 He's taking over my beat.

7:22 → 7:24

SPEAKER_04 Well, welcome to our neighborhood, Mr. O'Hara.

7:24 → 7:26

SPEAKER_00 Gentlemen, what news have you brought me?

7:26 → 7:28

SPEAKER_00 Colonel, we have nothing to report.

7:28 → 7:31

SPEAKER_06 Huh?

7:32 → 7:34

SPEAKER_06 Absolutely nothing to report.

7:34 → 7:36

SPEAKER_06 Splendid.

7:36 → 7:37

SPEAKER_00 Thank you, gentlemen.

7:39 → 7:42

SPEAKER_04 You know the Reverend Dr. Harper from the church next door?

7:42 → 7:44

SPEAKER_02 Hello, Reverend.

7:44 → 7:46

SPEAKER_02 This is Officer O'Hara, the new man on the beat.

7:46 → 7:51

SPEAKER_11 It's nice to meet you.

7:51 → 7:58

SPEAKER_04 The toys are on the chair up here by the library door.

7:58 → 8:03

SPEAKER_04 Oh, Teddy, will you run upstairs and bring down your army and navy from Aunt Martha's room?

8:06 → 8:11

SPEAKER_11 That's splendid work you men do, fixing up discarded toys for the kids at camp.

8:11 → 8:20

SPEAKER_06 Charge!

8:20 → 8:23

SPEAKER_02 I'll give you something to do while we're sitting around the station.

8:23 → 8:24

SPEAKER_02 You get tired of playing cards.

8:24 → 8:26

SPEAKER_02 Oh, so these are the toys.

8:33 → 8:34

SPEAKER_04 How's Mrs. Brophy?

8:34 → 8:37

SPEAKER_06 Oh, she's better, thank you, but a little weak still.

8:37 → 8:40

SPEAKER_04 Well, I'm going to get some beef broth for you to take to her.

8:40 → 8:41

SPEAKER_06 Oh, Miss Abbey, please don't bother.

8:41 → 8:42

SPEAKER_06 You've done so much already.

8:42 → 8:43

SPEAKER_04 Oh, stuff and nonsense.

8:43 → 8:50

SPEAKER_11 I won't be a minute.

8:50 → 8:57

SPEAKER_11 Gentlemen, if I know what pure kindness and absolute generosity are, it's because I've known the Brewster sisters.

9:03 → 9:05

SPEAKER_08 Now, Teddy, you promised me you wouldn't do that anymore.

9:05 → 9:08

SPEAKER_00 But I have to call a cabinet meeting to get the release of those supplies.

9:08 → 9:15

SPEAKER_00 Now, don't do that again, do you hear me?

9:15 → 9:18

SPEAKER_06 He used to do that in the middle of the night when the neighbors raised Cain with me.

9:18 → 9:19

SPEAKER_06 They're a little afraid of him anyway.

9:19 → 9:24

SPEAKER_06 Look, Sergeant, I promise you I wouldn't swear, but what the... What's going on here anyway?

9:25 → 9:26

SPEAKER_06 He thinks he's Teddy Roosevelt.

9:27 → 9:28

SPEAKER_06 There's a lot of worse guys he could think he was.

9:32 → 9:33

SPEAKER_06 That's right.

9:34 → 9:36

SPEAKER_06 He's a very interesting character.

9:36 → 9:38

SPEAKER_06 Isn't it a shame, Father?

9:38 → 9:43

SPEAKER_06 Isn't it a shame, Reverend, that a nice family like this should be hatching a cuckoo?

9:43 → 9:46

SPEAKER_04 Oh, well, now, isn't this nice?

9:46 → 9:47

SPEAKER_08 Good afternoon, Miss Brewster.

9:47 → 9:49

SPEAKER_04 How do you do, Mr. Brophy?

9:50 → 9:51

SPEAKER_04 Reverend Harper, how do you do?

9:51 → 9:53

SPEAKER_08 Miss Martha, this is Officer O'Hara.

9:53 → 9:54

SPEAKER_08 He's taken over my duties.

9:55 → 9:57

SPEAKER_04 Well, I'm very glad to know you.

9:59 → 10:00

SPEAKER_04 Oh, Martin, you're back.

10:00 → 10:02

SPEAKER_04 Here's the broth for Mrs. Brophy.

10:02 → 10:03

SPEAKER_04 Be sure it's good and hot.

10:03 → 10:05

SPEAKER_07 You bet I will, and thank you very much.

10:06 → 10:08

SPEAKER_07 The army and navy are ready for action.

10:08 → 10:09

SPEAKER_07 Oh, Colonel, this is grand.

10:09 → 10:11

SPEAKER_08 It'll make a lot of kids happy.

10:11 → 10:12

SPEAKER_00 What's this?

10:13 → 10:15

SPEAKER_00 Oh, Teddy, dear, put it back.

10:15 → 10:17

SPEAKER_00 But the Oregon goes to Australia.

10:18 → 10:20

SPEAKER_00 No, it goes to Australia.

10:21 → 10:22

SPEAKER_00 Thank you very much.

10:28 → 10:31

SPEAKER_08 So long, Colonel.

10:31 → 10:33

SPEAKER_00 Hey, Sarge.

10:33 → 10:36

SPEAKER_00 Oh, yes?

10:36 → 10:38

SPEAKER_00 Dismissed.

10:39 → 10:40

SPEAKER_11 Goodbye.

10:40 → 10:42

SPEAKER_02 Careful of the stiff there now with the toys.

10:42 → 10:47

SPEAKER_02 Good night.

10:47 → 10:49

SPEAKER_07 Young man, let that be a lesson to you.

10:59 → 11:00

SPEAKER_11 Where I must be going.

11:00 → 11:03

SPEAKER_01 Charge!

11:03 → 11:11

SPEAKER_01 Charge the blockhouse!

11:12 → 11:15

SPEAKER_04 Oh, the stairs are always San Juan Hill.

11:18 → 11:20

SPEAKER_11 Have you ever tried to persuade him that he wasn't Teddy Roosevelt?

11:21 → 11:24

SPEAKER_04 Oh, he's so happy being Teddy Roosevelt.

11:24 → 11:33

SPEAKER_04 Oh, do you remember, Martha, once a long time ago, we thought if he'd be George Washington, it might be a change for him, and we suggested it.

11:34 → 11:39

SPEAKER_04 He just stayed under his bed for days and wouldn't be anybody.

11:39 → 11:40

SPEAKER_11 Well, if he's happy.

11:40 → 11:42

SPEAKER_11 And what's more important, you're happy.

11:42 → 11:45

SPEAKER_04 Our only worry for Teddy is after we're gone.

11:46 → 11:47

SPEAKER_11 That is quite a problem.

11:47 → 11:53

SPEAKER_04 But Mortimer's made all the arrangements for Teddy to go to Happydale Sanitarium after we pass on.

11:53 → 11:54

SPEAKER_11 Blended idea.

11:55 → 11:56

SPEAKER_04 Yes.

11:56 → 12:02

SPEAKER_04 Dear, sweet, reverend Harper.

12:04 → 12:08

SPEAKER_04 You know, Martha, I really do believe he's beginning to see the light.

12:08 → 12:10

SPEAKER_04 Sure, we needn't worry about him.

12:10 → 12:14

SPEAKER_04 He won't interfere with our plans for Mortimer and Inez.

12:14 → 12:16

SPEAKER_04 Oh, did you just have tea?

12:16 → 12:18

SPEAKER_04 Yes.

12:18 → 12:21

SPEAKER_04 And dinner's going to be late, too.

12:21 → 12:22

SPEAKER_04 So, why?

12:22 → 12:25

SPEAKER_04 Teddy?

12:25 → 12:28

SPEAKER_04 Oh, Teddy, good news for you.

12:28 → 12:32

SPEAKER_04 You're going to Panama and dig another lock for the canal.

12:32 → 12:34

SPEAKER_00 Delighted.

12:34 → 12:37

SPEAKER_00 That's bully, just bully.

12:37 → 12:41

SPEAKER_00 I shall prepare at once for the journey.

12:45 → 12:50

SPEAKER_04 Happy, while I was out.

12:50 → 12:51

SPEAKER_04 Yes, dear.

12:51 → 12:53

SPEAKER_04 I just couldn't wait for you.

12:53 → 12:56

SPEAKER_04 I didn't know when you'd be back and Reverend Harper was coming.

12:56 → 12:57

SPEAKER_04 Oh, but all by yourself.

12:57 → 12:59

SPEAKER_04 Oh, I got along fine.

12:59 → 13:01

SPEAKER_04 I'll run right downstairs and see.

13:01 → 13:02

SPEAKER_04 No, no, dear.

13:03 → 13:05

SPEAKER_04 And I was all alone.

13:05 → 13:24

SPEAKER_04 Well... Martha... Just look in the window seat.

13:26 → 13:27

SPEAKER_01 You darling!

13:27 → 13:32

SPEAKER_01 What do you mean?

13:33 → 13:40

SPEAKER_04 You don't suppose they've gone and... Elaine!

13:40 → 13:41

SPEAKER_08 Listen, buddy.

13:41 → 13:46

SPEAKER_08 This old cab has seen osculation, but... If you ain't seen anything yet, you're gonna drive us to the station.

13:46 → 13:47

SPEAKER_05 You better take her hat.

13:47 → 13:49

SPEAKER_08 Wait a minute, wait a minute.

13:49 → 13:51

SPEAKER_08 If you find any hairpins, you can keep them.

13:51 → 13:55

SPEAKER_01 Hold on to that, will you?

13:55 → 13:58

SPEAKER_01 Yeah.

14:02 → 14:03

SPEAKER_08 I don't like that look in your eyes.

14:03 → 14:04

SPEAKER_08 Why, what's the matter with it, hmm?

14:04 → 14:06

SPEAKER_08 Well, the priest has sermoned about it only last Sunday.

14:06 → 14:08

SPEAKER_08 He did?

14:10 → 14:11

SPEAKER_08 He was against it.

14:11 → 14:13

SPEAKER_08 Oh, but that was only Sunday.

14:13 → 14:15

SPEAKER_08 Please!

14:15 → 14:18

SPEAKER_04 For heaven's sake.

14:18 → 14:20

SPEAKER_04 But Mortimer, right out here in the open with everyone looking?

14:20 → 14:23

SPEAKER_05 He's right out here in the open with everyone looking?

14:23 → 14:25

SPEAKER_05 Let everyone in Brooklyn over 16 look.

14:35 → 14:38

SPEAKER_08 But Mortimer, you're going to love me for my mind, too.

14:38 → 14:40

SPEAKER_08 One thing at a time.

14:40 → 14:41

SPEAKER_09 Oh, there's that look again.

14:41 → 14:45

SPEAKER_05 There's that look again, Mortimer.

14:45 → 14:47

SPEAKER_05 You better get used to that look.

14:47 → 14:51

SPEAKER_05 It goes just before this.

14:52 → 14:53

SPEAKER_05 We're wasting time.

14:53 → 14:55

SPEAKER_05 Look, I'll go and tell my aunts and you tell your uncle.

14:55 → 14:57

SPEAKER_05 No, you better not tell your father just yet.

14:57 → 14:59

SPEAKER_05 You'll run that cold of his into a pneumonia.

15:00 → 15:01

SPEAKER_04 He's a dear.

15:01 → 15:04

SPEAKER_05 Look, uh, why don't we wire him from Niagara Falls?

15:04 → 15:05

SPEAKER_04 Niagara Falls?

15:05 → 15:08

SPEAKER_04 So that's why you stopped at your office.

15:08 → 15:09

SPEAKER_04 Yes.

15:10 → 15:11

SPEAKER_05 We're going to get a whole hog.

15:11 → 15:13

SPEAKER_05 Everybody ought to go to Niagara Falls.

15:13 → 15:16

SPEAKER_05 You should have seen my secretary's face when I made the reservation.

15:16 → 15:18

SPEAKER_05 We've got a drawing room on the train, the bridal suite in the hotel.

15:18 → 15:21

SPEAKER_05 Tomorrow morning, we go over the falls in a barrel.

15:23 → 15:24

SPEAKER_05 Hurry and pack.

15:25 → 15:27

SPEAKER_08 Start unpacking the day after I met you.

15:28 → 15:29

SPEAKER_05 You see?

15:30 → 15:36

SPEAKER_05 That's what I hate about women.

15:36 → 15:37

SPEAKER_07 I wonder what Mary's doing now.

15:44 → 15:45

SPEAKER_08 There'll be a few minutes before I'm ready.

15:45 → 15:47

SPEAKER_08 Father may want to pray over me a little.

15:47 → 15:48

SPEAKER_05 Well, whistle when you're ready.

15:49 → 15:51

SPEAKER_05 When you whistle, open the front door fast.

15:51 → 15:53

SPEAKER_05 If you see a tall, dark streak of light going... Shh!

15:53 → 15:56

SPEAKER_09 It's me.

15:56 → 16:00

SPEAKER_01 Oh, no!

16:00 → 16:03

SPEAKER_04 No, no, no!

16:03 → 16:05

SPEAKER_04 Luke's surprised when he tells us.

16:08 → 16:10

SPEAKER_08 Hold on to your bustles.

16:11 → 16:13

SPEAKER_04 You're married.

16:14 → 16:15

SPEAKER_04 Oh, Mother, isn't it wonderful?

16:16 → 16:19

SPEAKER_05 Don't pretend to be so surprised, either, you two old frauds.

16:19 → 16:21

SPEAKER_04 Can I use the telephone, darling?

16:22 → 16:28

SPEAKER_04 Oh, isn't it too, too wonderful, darling, to think that it happened right there in this room?

16:28 → 16:29

SPEAKER_01 Oh, now, hear, hear, hear that.

16:31 → 16:32

SPEAKER_05 This is Mortimer Brewster.

16:32 → 16:35

SPEAKER_05 Did you send those roses to Mrs. Brewster at the Parsonage?

16:36 → 16:39

SPEAKER_05 I'll send four dozen more to Drawing Room A, Canadian Limited, Grand Central Station.

16:39 → 16:41

SPEAKER_05 Oh, and throw in a flock of orange blossoms.

16:41 → 16:44

SPEAKER_04 Oh, before you go, we can have our celebration.

16:44 → 16:49

SPEAKER_04 I'll open a bottle of wine, and we'll sing, and we'll invite a few of the neighbors in.

16:49 → 16:50

SPEAKER_04 And, of course, a wedding cake.

16:50 → 16:52

SPEAKER_08 Oh, darling, you won't have time to bake a cake.

16:52 → 16:53

SPEAKER_08 We're going to Niagara Falls.

16:54 → 16:55

SPEAKER_08 Oh, it's all ready.

16:55 → 16:58

SPEAKER_05 It's been ready since... Yes, I bet it's been ready since the day I first met Elaine.

17:00 → 17:02

SPEAKER_05 Did everybody in Brooklyn know I was gonna get married except me?

17:02 → 17:05

SPEAKER_04 Oh, we knew you'd find out about it in time.

17:05 → 17:06

SPEAKER_05 Come here.

17:06 → 17:08

SPEAKER_05 I've got the two nicest aunts in the world.

17:08 → 17:12

SPEAKER_05 Of course, you've got the nicest nephew in the world, too.

17:12 → 17:13

SPEAKER_04 Well, I'll run along.

17:15 → 17:18

SPEAKER_08 Dear, I do hope the Reverend isn't too angry.

17:18 → 17:20

SPEAKER_08 You know how your books upset him.

17:20 → 17:21

SPEAKER_05 Well, I'm going to burn all my books.

17:21 → 17:23

SPEAKER_05 I'm going to let the Reverend Harper light the first match.

17:23 → 17:26

SPEAKER_08 Oh, by the way, did I leave some notes here for my new book?

17:26 → 17:28

SPEAKER_04 You mean mind over matrimony?

17:29 → 17:31

SPEAKER_04 Well, I hid them someplace.

17:32 → 17:33

SPEAKER_05 I have no doubt you'll behave.

17:33 → 17:40

SPEAKER_05 Let's find them before Elaine sees them.

17:40 → 17:42

SPEAKER_08 Hello, Mortimer.

17:45 → 17:47

SPEAKER_00 Just bully.

17:47 → 17:48

SPEAKER_08 What news have you brought me?

17:49 → 17:50

SPEAKER_08 The country is squarely behind you.

17:51 → 17:53

SPEAKER_08 Isn't it wonderful?

17:53 → 17:54

SPEAKER_00 Well, goodbye.

17:54 → 17:56

SPEAKER_00 I'm off to Panama.

17:56 → 17:58

SPEAKER_00 Goodbye, Mr. President.

17:58 → 17:59

SPEAKER_00 A new lot for the canal, you know.

17:59 → 18:04

SPEAKER_09 Oh, never run loose to motherhood.

18:06 → 18:09

SPEAKER_04 Here's a baby picture of your brother Jonathan.

18:10 → 18:13

SPEAKER_05 You ought to put that in the fire with my books.

18:13 → 18:14

SPEAKER_05 My, my, what a face.

18:14 → 18:17

SPEAKER_05 I remember now, he used to scare grown-ups with it.

18:17 → 18:19

SPEAKER_04 Just the thought of Jonathan frightens me.

18:19 → 18:24

SPEAKER_04 Do you remember how he used to cut worms in two with his teeth?

18:24 → 18:28

SPEAKER_05 Oh, he's probably in prison or hanged or something by now.

18:28 → 18:29

SPEAKER_05 I saw a play last week.

18:30 → 18:31

SPEAKER_05 Reminded me of Jonathan.

18:33 → 18:34

SPEAKER_05 Oh, Honey of a Lunatic.

18:34 → 18:37

SPEAKER_05 One of those whodunits called Murder Will Out.

18:37 → 18:38

SPEAKER_05 Oh, dear.

18:41 → 18:44

SPEAKER_05 When the curtain goes up, the first thing you see is a dead body.

18:44 → 18:47

SPEAKER_05 The next thing... Hey, mister?

19:29 → 19:30

SPEAKER_04 Happy bridegroom!

19:30 → 19:34

SPEAKER_04 Congratulations, darling!

19:35 → 19:39

SPEAKER_05 Now, listen, darlings.

19:39 → 19:44

SPEAKER_08 Aunt Abby, Aunt Martha, you know how we've always planned to send Teddy to that sanitarium, Happydale?

19:44 → 19:46

SPEAKER_04 That's after we're gone.

19:46 → 19:49

SPEAKER_04 Yes, we talked with Reverend Harper about it.

19:50 → 19:53

SPEAKER_09 Teddy's got to go to Happydale now, at once.

19:54 → 19:56

SPEAKER_04 Well, there's no such hurry as that.

19:57 → 20:02

SPEAKER_04 When Teddy's working on the canal, you can't get his mind on anything else.

20:02 → 20:03

SPEAKER_05 Well, look, darlings.

20:03 → 20:07

SPEAKER_08 Look, I'm frightfully sorry, but I've got an awful shock for you.

20:07 → 20:10

SPEAKER_08 Teddy's killed a man, darlings.

20:10 → 20:11

SPEAKER_09 Nonsense.

20:11 → 20:13

SPEAKER_09 But there's a body in the window seat.

20:13 → 20:14

SPEAKER_08 Yes, dear.

20:19 → 20:20

SPEAKER_04 Of course.

20:20 → 20:24

SPEAKER_04 Yes, but it has nothing to do with Teddy.

20:24 → 20:27

SPEAKER_08 But the thing... Now, Mortimer, you just forget about it.

20:27 → 20:29

SPEAKER_08 Forget you ever saw the gentleman.

20:29 → 20:30

SPEAKER_08 Forget?

20:30 → 20:33

SPEAKER_08 We never dreamed you'd peek.

20:33 → 20:37

SPEAKER_04 What the... Who is he?

20:37 → 20:39

SPEAKER_04 He's Mr. Hoskins.

20:39 → 20:40

SPEAKER_04 Adam Hoskins.

20:40 → 20:44

SPEAKER_04 That's really all I know about him, except that he's a Methodist.

20:44 → 20:45

SPEAKER_04 Oh, he's a Methodist.

20:45 → 20:46

SPEAKER_04 Oh, isn't that nice.

20:49 → 20:51

SPEAKER_08 He died.

20:51 → 20:54

SPEAKER_08 Look, Aunt Martha, men just don't get into window seats and die.

20:54 → 20:56

SPEAKER_08 Oh, no, dear.

20:56 → 20:57

SPEAKER_08 He died first.

20:57 → 20:58

SPEAKER_08 Oh, wait a minute.

20:59 → 21:02

SPEAKER_09 Now, look, darling, how did he die?

21:02 → 21:06

SPEAKER_04 Oh, Mortimer, don't be so inquisitive.

21:06 → 21:10

SPEAKER_04 The gentleman died because he drank some wine with poison in it.

21:12 → 21:14

SPEAKER_04 Well, how did the poison get in the wine?

21:14 → 21:17

SPEAKER_04 Well, we put it in wine because it's less noticeable.

21:17 → 21:21

SPEAKER_04 When it's in tea, it has a distinct odor.

21:21 → 21:24

SPEAKER_09 You mean you... You put it in the wine?

21:24 → 21:25

SPEAKER_04 Yes.

21:25 → 21:31

SPEAKER_04 And I put Mr. Hoskins in the window seat because Reverend Harper was coming.

21:31 → 21:33

SPEAKER_04 Oh.

21:33 → 21:35

SPEAKER_09 Oh, look at me, darling.

21:37 → 21:40

SPEAKER_09 You mean you knew what you'd done and you didn't want the Reverend Harper to see the body?

21:40 → 21:45

SPEAKER_08 Well, not a T. That wouldn't have been very nice.

21:45 → 21:46

SPEAKER_12 Oh.

21:46 → 21:47

SPEAKER_12 It's first degree.

21:47 → 21:51

SPEAKER_04 Now, Mortimer, you know all about it and just forget about it.

21:51 → 21:58

SPEAKER_08 I do think that Martha and I have the right to our own little secrets.

22:00 → 22:01

SPEAKER_04 When I was out, I dropped in on Mrs. Schultz.

22:01 → 22:05

SPEAKER_04 She's much better, but she would like us to take Junior to the movies again.

22:05 → 22:07

SPEAKER_04 Well, we must do that tomorrow or next day.

22:07 → 22:10

SPEAKER_04 Yes, but this time we'll go where we want to go.

22:10 → 22:14

SPEAKER_08 Junior's not going to drag me into another one of those scary pictures.

22:14 → 22:18

SPEAKER_04 No, they ought not to be allowed to make such pictures, just to frighten people.

22:38 → 22:41

SPEAKER_05 Operator, can you hear my voice?

22:41 → 22:43

SPEAKER_05 You can?

22:43 → 22:44

SPEAKER_05 You sure?

22:44 → 22:47

SPEAKER_05 Then I must be here.

22:47 → 22:53

SPEAKER_05 Here.

23:06 → 23:07

SPEAKER_01 Why are you laughing?

23:14 → 23:17

SPEAKER_04 Oh, my dear, is this paladin a wonderful time for them?

23:18 → 23:21

SPEAKER_04 They have so much fun.

23:21 → 23:24

SPEAKER_04 Now, Mortimer, don't be so impatient.

23:24 → 23:25

SPEAKER_04 We'll let you lick the bowl after a while.

23:26 → 23:27

SPEAKER_09 I don't want to lick the bowl.

23:27 → 23:28

SPEAKER_09 I want to know what we're going to do.

23:28 → 23:30

SPEAKER_04 Well, we're going to celebrate, dear.

23:31 → 23:33

SPEAKER_04 But look, Aunt Martha, there's a body in the window seat.

23:33 → 23:35

SPEAKER_04 Yes, dear, Mr. Hoskins.

23:37 → 23:39

SPEAKER_04 I just want to know what we're going to do.

23:39 → 23:40

SPEAKER_04 Can't turn you over to the police.

23:40 → 23:42

SPEAKER_04 Now, for pity's sake, stop worrying about it.

23:42 → 23:44

SPEAKER_04 We told you to forget about the whole thing.

23:45 → 23:48

SPEAKER_08 Look, my dear Aunt Martha, can't I make you realize that something has to be done?

23:48 → 23:50

SPEAKER_08 Now, Mortimer, you behave.

23:50 → 23:54

SPEAKER_08 You're too old to be flying off the handle like this.

23:54 → 23:55

SPEAKER_04 But... but Mr. Hodgkins!

23:55 → 23:56

SPEAKER_04 Hodgkins, dear.

23:56 → 23:58

SPEAKER_09 Well, whatever his name is, he's dead, and you can't leave him in there.

23:58 → 24:00

SPEAKER_09 Well, we don't intend to, dear.

24:00 → 24:03

SPEAKER_04 No, Ted is down in the cellar now, digging the lock.

24:09 → 24:11

SPEAKER_08 You mean you're going to bury Mr. Hotchkiss in the cellar?

24:11 → 24:13

SPEAKER_04 Oh, yes, dear.

24:13 → 24:14

SPEAKER_04 That's what we did with the others.

24:14 → 24:19

SPEAKER_04 Look here, Aunt Martha, you can't be... Others?

24:19 → 24:20

SPEAKER_04 The other gentlemen.

24:20 → 24:22

SPEAKER_04 Oh.

24:22 → 24:25

SPEAKER_09 When you say others, do you mean others?

24:25 → 24:27

SPEAKER_04 More than one others?

24:27 → 24:28

SPEAKER_04 Oh, yes, dear.

24:28 → 24:29

SPEAKER_04 Let me see now.

24:29 → 24:31

SPEAKER_04 This is 11, isn't it, Abby?

24:33 → 24:36

SPEAKER_04 Oh, Abby, dear, I think you're wrong.

24:36 → 24:37

SPEAKER_04 This one is only 11.

24:37 → 24:46

SPEAKER_04 No, dear, because I remember when Mr. Hoskins first came in, it occurred to me that he'd make just an even dozen.

24:46 → 24:50

SPEAKER_04 But, Abby, dear, I really don't think you should count the first one.

24:50 → 24:53

SPEAKER_04 Oh, I was counting the first one, and that makes it 12.

24:54 → 24:56

SPEAKER_04 Mm-hmm.

24:56 → 24:58

SPEAKER_04 Well, she's probably right.

24:58 → 24:59

SPEAKER_04 Abby usually is.

24:59 → 25:01

SPEAKER_04 I get them mixed up sometimes.

25:03 → 25:12

SPEAKER_04 Well... Hello?

25:12 → 25:14

SPEAKER_04 Oh.

25:14 → 25:16

SPEAKER_04 Whatever is the matter with Mortimer today?

25:16 → 25:19

SPEAKER_04 Why, Abby, what do you think happened to him?

25:19 → 25:25

SPEAKER_04 Hello?

25:25 → 25:26

SPEAKER_09 Oh.

25:28 → 25:30

SPEAKER_09 For heaven's sake, keep your shirt on.

25:30 → 25:32

SPEAKER_09 Oh.

25:37 → 25:39

SPEAKER_05 Where were we?

25:39 → 25:41

SPEAKER_04 Twelve?

25:41 → 25:42

SPEAKER_04 Yes, dear.

25:42 → 25:44

SPEAKER_04 Abby thinks that we should count the first one.

25:44 → 25:45

SPEAKER_05 Never mind about that.

25:45 → 25:47

SPEAKER_05 Just sit down.

25:47 → 25:49

SPEAKER_05 Now tell me, who was the first one?

25:49 → 25:50

SPEAKER_04 Mr. Mitzley.

25:50 → 25:51

SPEAKER_04 He was a Baptist.

25:51 → 25:54

SPEAKER_04 He was such a lonely old gentleman, Mr. Mitzley was.

25:54 → 25:56

SPEAKER_04 All his kith and kin were dead.

25:56 → 25:59

SPEAKER_04 We felt so sorry for him.

26:00 → 26:08

SPEAKER_04 when his heart attack came, and he sat there, dead, in that chair, looking so peaceful.

26:08 → 26:10

SPEAKER_04 Remember, Martha?

26:10 → 26:19

SPEAKER_04 We made up our minds then and there that if we could help other lonely old men to find that same peace, we would.

26:19 → 26:23

SPEAKER_05 Oh, you poor... You mean he dropped dead right in this chair?

26:27 → 26:34

SPEAKER_08 And then, you see, Teddy came up from digging in Panama... and he thought Mr. Midgeley was a yellow fever victim.

26:34 → 26:36

SPEAKER_04 And that meant that he had to be buried immediately.

26:36 → 26:37

SPEAKER_04 So?

26:37 → 26:45

SPEAKER_04 So we all took him down to Panama and put him in the lock... and gave him a decent Christian burial.

26:45 → 26:52

SPEAKER_04 Now, you see, that's why we told you not to bother about it... because we know exactly what's to be done.

26:55 → 26:56

SPEAKER_08 Come here, darling.

26:57 → 26:59

SPEAKER_08 What about the others?

26:59 → 27:01

SPEAKER_08 All 12 of them just didn't walk in here and drop dead?

27:01 → 27:02

SPEAKER_08 Oh, no, dear.

27:04 → 27:13

SPEAKER_05 Mortimer.

27:14 → 27:19

SPEAKER_04 Do you remember those jars of poison that have been on the shelves in Grandfather's laboratory all these years?

27:19 → 27:22

SPEAKER_04 You know you're Aunt Martha's knack for mixing things.

27:22 → 27:24

SPEAKER_04 You've eaten enough of her pick-a-lily.

27:26 → 27:38

SPEAKER_04 For a gallon of elderberry wine, I take one teaspoonful of arsenic, then add half a teaspoonful of strychnine, and then just a pinch of cyanide.

27:41 → 27:42

SPEAKER_04 Yes.

27:42 → 27:46

SPEAKER_04 As a matter of fact, one of our gentlemen found time to say how delicious.

27:47 → 27:49

SPEAKER_04 Well, wasn't that nice of him?

27:49 → 27:52

SPEAKER_04 Abby, we mustn't be standing here gossiping all night.

27:52 → 27:54

SPEAKER_04 While you must get that cake for us, of course.

27:54 → 27:55

SPEAKER_05 Oh, no, darling, don't worry about the cake.

27:55 → 27:57

SPEAKER_05 I couldn't eat a thing.

27:57 → 27:58

SPEAKER_08 Oh, you mewly wits.

27:58 → 28:00

SPEAKER_08 A sip of wine will give you an appetite.

28:00 → 28:04

SPEAKER_05 Yeah, that'll be nice, darling, a sip of... a sip of wine.

28:30 → 28:33

SPEAKER_05 Happy as a lark, singing away, digging a locksmith.

28:33 → 28:34

SPEAKER_05 And I'm hoping that a yellow fever picked that.

28:34 → 28:36

SPEAKER_05 Oh, it's the end.

28:36 → 28:38

SPEAKER_05 Oh, I can see the headlines now.

28:38 → 28:42

SPEAKER_05 Murder Incorporated rides again, right across the front page.

28:42 → 28:43

SPEAKER_01 Let me see.

28:43 → 28:45

SPEAKER_05 Teddy, of course.

28:45 → 28:47

SPEAKER_05 Everybody knows he's crazy.

28:52 → 28:54

SPEAKER_08 Oh, Judge Coleman.

28:54 → 28:57

SPEAKER_02 What if I got his number?

28:57 → 28:59

SPEAKER_08 What am I doing with tickets?

28:59 → 29:05

SPEAKER_05 Information.

29:06 → 29:07

SPEAKER_05 Information.

29:07 → 29:10

SPEAKER_05 Get me the number of Judge Coleman on North Shore Road, Brooklyn.

29:11 → 29:19

SPEAKER_05 Oh, it would be marvelous if he wasn't there.

29:21 → 29:24

SPEAKER_04 I thought you were a tall, dark streak of light.

29:24 → 29:26

SPEAKER_04 What are you doing here?

29:26 → 29:27

SPEAKER_04 What am I doing here?

29:27 → 29:28

SPEAKER_04 Didn't you hear me whistle?

29:29 → 29:30

SPEAKER_04 Oh, yes.

29:30 → 29:32

SPEAKER_05 Yes, I heard you whistle.

29:35 → 29:36

SPEAKER_08 I'll call you up tomorrow.

29:36 → 29:39

SPEAKER_08 You know, I always call you up every day or two.

29:39 → 29:40

SPEAKER_04 Oh, you and your gags.

29:44 → 29:46

SPEAKER_08 Oh, Elaine, I'm so sorry, but something happened.

29:46 → 29:48

SPEAKER_08 What'd you do, lose your nerve?

29:48 → 29:49

SPEAKER_08 Hey, where's that look I was gonna see so often?

29:53 → 29:54

SPEAKER_05 Don't whistle in my ear, please.

29:56 → 29:57

SPEAKER_09 Oh, my goodness, what color is it?

29:57 → 29:59

SPEAKER_04 Quick, is it turning?

29:59 → 30:01

SPEAKER_04 Oh, darling, what's a man?

30:03 → 30:04

SPEAKER_09 Oh, Elaine.

30:04 → 30:05

SPEAKER_05 Those flowers are so beautiful.

30:05 → 30:06

SPEAKER_05 Oh, how can I tell you?

30:06 → 30:09

SPEAKER_05 Oh, you smell so nice.

30:09 → 30:11

SPEAKER_09 Oh, you better go home.

30:11 → 30:12

SPEAKER_09 Darling, we were married today.

30:13 → 30:14

SPEAKER_09 Get some rest.

30:18 → 30:19

SPEAKER_05 Oh, Judge Coleman?

30:19 → 30:21

SPEAKER_05 Oh, this is Mortimer Brewster.

30:21 → 30:23

SPEAKER_05 Look, Judge, I'll tell you why I called you.

30:24 → 30:26

SPEAKER_05 I've got to come over and see you right away.

30:26 → 30:28

SPEAKER_09 Well, I'm afraid it won't wait until tomorrow, Judge.

30:28 → 30:29

SPEAKER_09 Yes, you see, it's very, very important.

30:29 → 30:31

SPEAKER_09 We've got to do something about Teddy immediately.

30:31 → 30:33

SPEAKER_09 Well, it's practically a matter of life and... Elaine!

30:35 → 30:36

SPEAKER_08 Will you get out of here?

30:36 → 30:38

SPEAKER_08 Mortimer, what in the world is going on around here?

30:38 → 30:39

SPEAKER_08 I want to know where I stand.

30:39 → 30:40

SPEAKER_08 Oh, anywhere, but don't stand there.

30:40 → 30:42

SPEAKER_08 But darling, Niagara Falls.

30:43 → 30:44

SPEAKER_08 Now, wait a minute.

30:44 → 30:47

SPEAKER_08 Listen, you can't marry me one minute and throw me out of the house the next.

30:47 → 30:48

SPEAKER_08 Oh, darling, I'm not throwing you out of the house.

30:50 → 30:54

SPEAKER_05 Mortimer!

30:54 → 30:57

SPEAKER_05 Oh, I'm sorry, Judge, but a thing happened.

30:57 → 31:00

SPEAKER_05 Look, Judge, about Teddy, you see... Mortimer!

31:00 → 31:02

SPEAKER_05 You see, Judge, it is bugle blowing.

31:02 → 31:05

SPEAKER_09 Yes, the neighbors have been complaining and the police are all set to throw him into a state institution.

31:06 → 31:08

SPEAKER_04 How do you like that?

31:08 → 31:10

SPEAKER_08 I read in that here about a room, Clarence.

31:10 → 31:17

SPEAKER_04 Oh, shut up!

31:17 → 31:21

SPEAKER_09 Well, I thought if you could sign the papers and I can get Teddy to commit himself, we can get him into Happydale.

31:21 → 31:23

SPEAKER_05 Yes, it's a wonderful place, Judge.

31:24 → 31:29

SPEAKER_05 I'll be right over to see you as soon as I've made another call.

31:29 → 31:30

SPEAKER_04 Your bell's ringing, dear.

31:37 → 31:39

SPEAKER_11 I understand you've got a room to rent.

31:39 → 31:41

SPEAKER_04 Yes, do step in.

31:41 → 31:43

SPEAKER_11 Why, are you the lady of the house?

31:43 → 31:45

SPEAKER_09 Yes, I'm Miss Brewster.

31:46 → 31:47

SPEAKER_09 Give me long distance, please.

31:47 → 31:50

SPEAKER_04 And this is my sister, another Miss Brewster.

31:50 → 31:51

SPEAKER_11 My name's Gibbs.

31:51 → 31:53

SPEAKER_04 Well, do sit down.

31:53 → 31:56

SPEAKER_04 I'm sorry, we're just setting the table for dinner.

31:56 → 32:00

SPEAKER_04 Now, this will be a nice, comfortable chair.

32:00 → 32:01

SPEAKER_09 Oh, hello.

32:01 → 32:02

SPEAKER_09 Long distance?

32:02 → 32:05

SPEAKER_09 I want the Happydale Sanitarium, Happydale, New York.

32:05 → 32:07

SPEAKER_04 Is Brooklyn your home?

32:08 → 32:10

SPEAKER_04 I don't like it.

32:10 → 32:12

SPEAKER_04 Are your family Brooklyn people?

32:12 → 32:14

SPEAKER_11 I haven't got any family.

32:14 → 32:17

SPEAKER_04 All alone in the world?

32:17 → 32:21

SPEAKER_04 Well, Martha... Happy Dale, yes.

32:21 → 32:24

SPEAKER_04 Well, you've come to just the right house.

32:25 → 32:26

SPEAKER_04 Dale.

32:26 → 32:28

SPEAKER_09 D like in D. You know, when you dig a lock.

32:29 → 32:30

SPEAKER_09 And A like in arsenic.

32:31 → 32:32

SPEAKER_12 Is there always this much noise?

32:33 → 32:39

SPEAKER_12 He doesn't live with us.

32:39 → 32:40

SPEAKER_11 I'd really like to see the room.

32:40 → 32:42

SPEAKER_11 I don't think I'll like it.

32:42 → 32:43

SPEAKER_04 The room's upstairs.

32:43 → 32:47

SPEAKER_04 Won't you try a glass of our wine before we start up?

32:47 → 32:48

SPEAKER_04 Never touch it.

32:48 → 32:51

SPEAKER_04 We make this ourselves.

32:51 → 32:54

SPEAKER_04 It's elderberry wine.

32:57 → 33:00

SPEAKER_11 I haven't tasted elderberry wine since I was a boy.

33:00 → 33:01

SPEAKER_11 Thank you.

33:01 → 33:03

SPEAKER_09 Look, I don't want the Happydale Laundry.

33:03 → 33:05

SPEAKER_09 I want the Happydale Sanitarium.

33:05 → 33:07

SPEAKER_09 Sanitarium, sanitarium, sanitarium.

33:07 → 33:08

SPEAKER_08 Yes, like a broken record.

33:08 → 33:10

SPEAKER_11 Have you your own elderberry bushes?

33:10 → 33:13

SPEAKER_04 No, but the cemetery's full of them.

33:13 → 33:14

SPEAKER_11 Oh.

33:14 → 33:16

SPEAKER_08 Well, scold.

33:16 → 33:17

SPEAKER_09 Hello, operator.

33:17 → 33:19

SPEAKER_09 Look, operator, what's taking you so long?

33:19 → 33:21

SPEAKER_09 I can swim it faster.

33:21 → 33:23

SPEAKER_09 Yes.

33:23 → 33:25

SPEAKER_09 Hello?

33:28 → 33:30

SPEAKER_09 Look, they're busy and you're dizzy.

33:30 → 33:32

SPEAKER_09 No, I'm not drunk, madam, but you give me an idea.

33:36 → 33:42

SPEAKER_08 Darling, don't... I'm nervous now.

33:43 → 33:44

SPEAKER_04 Mortimer, not that.

33:54 → 33:55

SPEAKER_09 Get out of here.

33:56 → 33:57

SPEAKER_09 Do you want to be murdered?

33:57 → 34:02

SPEAKER_01 Do you want to be killed?

34:02 → 34:04

SPEAKER_06 They're nuts.

34:04 → 34:13

SPEAKER_06 You're telling me.

34:13 → 34:15

SPEAKER_05 Look, you can't do things like that.

34:22 → 34:33

SPEAKER_08 Now, I don't know how I can explain this to you, but it's not only against the law, it's wrong.

34:33 → 34:35

SPEAKER_08 It's not a nice thing to do.

34:35 → 34:37

SPEAKER_08 People wouldn't understand.

34:37 → 34:41

SPEAKER_08 He wouldn't understand.

34:41 → 34:51

SPEAKER_09 What I mean is, well, this is developing into a very bad habit.

34:55 → 34:57

SPEAKER_05 Oh, Happydale Sanitarium?

34:57 → 34:58

SPEAKER_05 Oh, that's amazing, operator.

34:59 → 35:00

SPEAKER_05 Happydale?

35:00 → 35:02

SPEAKER_05 Let me talk to Mr. Witherspoon, please.

35:02 → 35:04

SPEAKER_06 Mr. Witherspoon speaking.

35:04 → 35:06

SPEAKER_06 Oh, how do you do, Mr. Brewster?

35:06 → 35:07

SPEAKER_06 How are you?

35:07 → 35:10

SPEAKER_09 Uh, well, Mr. Witherspoon, do you... Oh, I'm fine, thanks.

35:11 → 35:15

SPEAKER_09 Mr. Witherspoon, do you remember that conversation we had about committing my brother Teddy to Happydale?

35:15 → 35:16

SPEAKER_09 You do?

35:16 → 35:18

SPEAKER_09 Well, we want to commit him there immediately.

35:18 → 35:20

SPEAKER_06 Oh, dear.

35:22 → 35:25

SPEAKER_06 Well, I'd hoped we wouldn't have him for some time yet.

35:25 → 35:30

SPEAKER_06 Well, you see, Mr. Brewster, we have several Theodore Roosevelts at the moment, and it would lead to trouble.

35:30 → 35:31

SPEAKER_06 Oh, trouble.

35:31 → 35:32

SPEAKER_06 Oh.

35:32 → 35:38

SPEAKER_06 Now, if he thought that, uh... Well, Mr. Brewster, we're a bit short of Napoleons at present.

35:38 → 35:39

SPEAKER_06 The Bonaparte.

35:39 → 35:42

SPEAKER_06 And, uh, if... Oh.

35:43 → 35:44

SPEAKER_06 Of course.

35:44 → 35:46

SPEAKER_06 Well, your mind is made up.

35:47 → 35:49

SPEAKER_06 Have you had the papers drawn up?

35:49 → 35:50

SPEAKER_09 No, but I'm going to attend to that right now.

35:50 → 35:51

SPEAKER_09 I'll call you back as soon as I have them.

35:52 → 35:53

SPEAKER_09 Thank you, Mr... What?

35:55 → 35:57

SPEAKER_05 Thank you, Mr. Witherspoon.

35:57 → 35:59

SPEAKER_06 Another Roosevelt.

35:59 → 36:00

SPEAKER_05 Oh, dear, dear.

36:00 → 36:01

SPEAKER_05 Now, listen, Hollings.

36:01 → 36:03

SPEAKER_05 I've got to run over to Judge Coleman's.

36:03 → 36:04

SPEAKER_05 But before I go, I want you to promise me something.

36:04 → 36:07

SPEAKER_04 Well, we'd have to know what it was first.

36:07 → 36:09

SPEAKER_05 Well, I love you both very much.

36:09 → 36:12

SPEAKER_05 And you know I'd do anything in the world for you, don't you?

36:13 → 36:15

SPEAKER_05 Then I want you to do one little thing for me, like good girls.

36:15 → 36:17

SPEAKER_04 What do you want us to do?

36:17 → 36:18

SPEAKER_08 Don't do anything.

36:18 → 36:20

SPEAKER_08 I mean, don't do anything.

36:21 → 36:22

SPEAKER_08 Don't let anyone in the house and leave Mr. Hoose.

36:23 → 36:24

SPEAKER_05 Oh, get off that thing.

36:24 → 36:26

SPEAKER_05 I can't talk to you like... I can't concentrate.

36:26 → 36:30

SPEAKER_05 Oh, now, look, darlings, I wouldn't want anything in the world to happen to either of you.

36:30 → 36:33

SPEAKER_04 Well, what on earth could happen to us?

36:33 → 36:37

SPEAKER_05 Well, darling... Anyway, you'll do that little thing for me, won't you?

36:38 → 36:39

SPEAKER_08 Oh, there it is.

36:39 → 36:41

SPEAKER_04 But, Mortimer... What, darling, what?

36:41 → 36:44

SPEAKER_04 We were planning to hold services before dinner.

36:44 → 36:46

SPEAKER_05 Well, look, sweet, couldn't that wait until I get back?

36:46 → 36:48

SPEAKER_04 Then you could join us in the hymns.

36:48 → 36:50

SPEAKER_09 Yes, darling, I could join you in the hymn.

36:50 → 36:55

SPEAKER_09 I'll sing with you, I'll dance with you, I'll do anything, but... Now, remember, don't let anybody in the house until I get back.

36:55 → 36:57

SPEAKER_05 You promise?

36:57 → 36:59

SPEAKER_05 Good.

37:00 → 37:03

SPEAKER_05 What?

37:04 → 37:07

SPEAKER_04 Mr. Hoskins' hat.

37:12 → 37:13

SPEAKER_09 You still want me to wait for you?

37:13 → 37:15

SPEAKER_09 Yes, call me in a cab.

37:19 → 37:20

SPEAKER_08 I can go faster that way.

37:21 → 37:22

SPEAKER_08 Wait a minute.

37:22 → 37:24

SPEAKER_08 What am I doing?

37:24 → 37:26

SPEAKER_08 Hey!

37:26 → 37:28

SPEAKER_04 Come here!

37:28 → 37:30

SPEAKER_04 Getting nice, Mr. Hoskins.

37:30 → 37:32

SPEAKER_04 His hat all messed up.

37:32 → 37:36

SPEAKER_04 ****, such a nice young girl.

37:36 → 37:41

SPEAKER_04 You know, Abby, Mortimer didn't seem to be quite himself today.

37:42 → 37:50

SPEAKER_04 Oh, well.

37:50 → 37:53

SPEAKER_04 Well, what were you saying about Mortimer?

37:53 → 37:56

SPEAKER_04 Oh, I think I understand why he seems so upset.

37:57 → 38:01

SPEAKER_04 He's just been married.

38:01 → 38:03

SPEAKER_04 I believe that always makes a man a little nervous.

38:04 → 38:07

SPEAKER_04 Oh, yes.

38:07 → 38:10

SPEAKER_04 Well, I'm still happy for Elaine.

38:11 → 38:16

SPEAKER_04 Oh, Abby, if Mortimer's coming back for the services for Mr. Hoskins, we'll need another hymnal.

38:16 → 38:21

SPEAKER_04 There's one up in my room.

38:21 → 38:23

SPEAKER_04 Oh, I'll go, dear.

38:23 → 38:24

SPEAKER_04 Abby!

38:24 → 38:32

SPEAKER_04 We promised Mortimer we wouldn't let anyone come in.

38:32 → 38:35

SPEAKER_04 Abby, it's two men, and I've never seen them before.

38:35 → 38:36

SPEAKER_04 Are you sure?

38:36 → 38:37

SPEAKER_04 Yes.

38:43 → 38:44

SPEAKER_04 Do you recognize them?

38:44 → 38:48

SPEAKER_04 No, they're strangers to me.

38:48 → 38:50

SPEAKER_04 Well, we'll just have to pretend we're not at home.

39:21 → 39:27

SPEAKER_02 Come in, Doctor.

39:27 → 39:30

SPEAKER_02 This is the home of my youth.

39:30 → 39:34

SPEAKER_02 As a boy, I couldn't wait to escape from this house.

39:34 → 39:38

SPEAKER_07 Now I'm glad to escape back into it.

39:38 → 39:42

SPEAKER_12 Yes, Johnny, it's a good hideout.

39:42 → 39:47

SPEAKER_02 The family must still live here.

39:47 → 39:50

SPEAKER_07 I hope there's a fatted calf awaiting the return of the prodigal.

39:52 → 39:55

SPEAKER_10 Oh, Johnny, I'm so hungry.

39:55 → 39:56

SPEAKER_10 Look, Johnny.

39:56 → 39:57

SPEAKER_07 Drink.

39:57 → 39:59

SPEAKER_07 As if we were expected.

39:59 → 40:00

SPEAKER_07 Yes.

40:00 → 40:01

SPEAKER_07 A good omen.

40:01 → 40:03

SPEAKER_04 Who are you?

40:03 → 40:05

SPEAKER_08 What are you doing here?

40:05 → 40:09

SPEAKER_07 Aunt Abby.

40:09 → 40:11

SPEAKER_07 Aunt Martha.

40:11 → 40:12

SPEAKER_07 It's Jonathan.

40:12 → 40:15

SPEAKER_04 You... You get out of here.

40:15 → 40:17

SPEAKER_07 I'm Jonathan, you know.

40:17 → 40:19

SPEAKER_07 Your nephew, Jonathan.

40:19 → 40:20

SPEAKER_08 Oh, no, you're not.

40:20 → 40:24

SPEAKER_08 You're nothing like Jonathan, so don't pretend you are.

40:24 → 40:26

SPEAKER_04 You just get out of here.

40:26 → 40:32

SPEAKER_02 I see you're still wearing the lovely garnet ring that Grandma Brewster bought in England.

40:32 → 40:39

SPEAKER_07 And you, Aunt Martha, still the high-collar to hide the scar where Grandfather's acid burned you.

40:39 → 40:43

SPEAKER_04 Why, his voice is like Jonathan's.

40:43 → 40:47

SPEAKER_04 Have... Have you been in an accident?

40:49 → 40:52

SPEAKER_02 Dr. Einstein is responsible for that.

40:52 → 40:54

SPEAKER_02 He's a plastic surgeon.

40:54 → 40:57

SPEAKER_04 But... but I've seen that face before.

40:57 → 41:04

SPEAKER_04 Abby, do you remember when we took the little Schultz boy to the movies and I was so frightened?

41:04 → 41:09

SPEAKER_10 It was that face.

41:09 → 41:10

SPEAKER_10 Take it easy, Johnny.

41:12 → 41:15

SPEAKER_10 The last five years, I give him three different faces.

41:15 → 41:16

SPEAKER_10 I give him another one right away.

41:17 → 41:23

SPEAKER_10 That last phase, I saw that picture, too, just before I operated.

41:23 → 41:25

SPEAKER_10 I was intoxicated.

41:25 → 41:35

SPEAKER_10 You see, Captain, what you've done to me, even my own family think I'm... Johnny, Johnny, you are home in this lovely house.

41:35 → 41:45

SPEAKER_10 You know... how many times he tells me about Brooklyn, about this house and about his aunts he loves so much.

41:46 → 41:47

SPEAKER_10 Did he know you, Johnny?

41:47 → 41:50

SPEAKER_10 Please tell him so.

41:50 → 41:55

SPEAKER_04 Well, Jonathan, it's been a long time.

41:56 → 42:01

SPEAKER_07 It's good to be home again.

42:01 → 42:07

SPEAKER_04 Well, Martha, we mustn't let what's on the stove boil over.

42:07 → 42:13

SPEAKER_04 If you'll excuse us for a moment, Jonathan, unless you're in a hurry to go somewhere.

42:31 → 42:36

SPEAKER_12 Well, Johnny, where do we go from here?

42:36 → 42:39

SPEAKER_12 You know, Johnny, we got to think fast.

42:39 → 42:41

SPEAKER_12 The police, they got pictures of that face.

42:41 → 42:44

SPEAKER_12 I got to operate on you right away.

42:44 → 42:45

SPEAKER_12 We got to find someplace.

42:47 → 42:50

SPEAKER_12 We got to find some place for Mr. Spinalzo, too.

42:53 → 42:56

SPEAKER_12 But we got a hot stiff on our hands.

42:56 → 42:58

SPEAKER_02 Forget Mr. Spinalzo.

42:58 → 43:02

SPEAKER_12 But, Johnny, we can't leave a dead body in the rumble seat.

43:02 → 43:04

SPEAKER_10 You shouldn't have killed him.

43:04 → 43:07

SPEAKER_10 Just because he knows something about us, what happens?

43:10 → 43:12

SPEAKER_02 We come to him for help and he tries to shake us down.

43:16 → 43:23

SPEAKER_02 Besides, he said I looked like Boris Karloff.

43:23 → 43:25

SPEAKER_02 That's your work, doctor.

43:25 → 43:26

SPEAKER_10 You did that to me.

43:26 → 43:28

SPEAKER_10 Now, please, Johnny, take it easy.

43:28 → 43:31

SPEAKER_10 We'll find someplace and I'll fix you up right away.

43:31 → 43:33

SPEAKER_10 Yes, tonight.

43:33 → 43:34

SPEAKER_10 But I have to eat first.

43:34 → 43:38

SPEAKER_07 This time I want the face of an absolute nonentity.

43:38 → 43:41

SPEAKER_12 Yes, Johnny, I know exactly what I'm going to do.

43:41 → 43:44

SPEAKER_10 You see, I'm going to take this piece here and lift it up.

43:47 → 43:50

SPEAKER_10 You leave that up to me, and I'll give you nice little ears this time.

43:50 → 43:51

SPEAKER_10 You were careless last time.

43:51 → 43:52

SPEAKER_10 You were careless.

43:52 → 43:55

SPEAKER_12 And on the eyes, I'll do a schmick.

43:55 → 43:56

SPEAKER_12 That's my specialty.

43:56 → 44:01

SPEAKER_12 You see, I take it together like this, and it'll be very smart.

44:01 → 44:03

SPEAKER_03 Poor Teddy.

44:03 → 44:07

SPEAKER_03 I imagined it's for the best.

44:07 → 44:10

SPEAKER_03 Well, ours not to reason why.

44:10 → 44:11

SPEAKER_03 Ours but to do it.

44:11 → 44:12

SPEAKER_03 Phone right here, please, John.

44:15 → 44:19

SPEAKER_03 Sometimes, I think, with the world in its present chaotic state.

44:20 → 44:22

SPEAKER_08 We'd all be better off at Happydale.

44:22 → 44:24

SPEAKER_08 I sign here as next of kin, don't I?

44:24 → 44:30

SPEAKER_03 Only last week, I created a mild sensation at the Bar Association.

44:30 → 44:32

SPEAKER_09 When I said... Goodbye and good luck, Judge.

44:32 → 44:35

SPEAKER_03 Tell Martha and Abby I'll be over this week.

44:35 → 44:36

SPEAKER_03 Been feeling rather lonely.

44:38 → 44:39

SPEAKER_09 Never tell them you've been lonely.

44:39 → 44:41

SPEAKER_09 Why, I... I don't... Judge.

44:41 → 44:43

SPEAKER_09 Judge.

44:44 → 44:46

SPEAKER_03 Why, no.

44:46 → 44:48

SPEAKER_03 I never indulge.

44:50 → 44:51

SPEAKER_09 A little wine now.

44:52 → 44:53

SPEAKER_09 For heaven's sakes, no wine!

44:54 → 44:59

SPEAKER_03 I may be committing the wrong booster.

44:59 → 45:05

SPEAKER_04 Well, I'm sure you both want to get to wherever you're going.

45:05 → 45:11

SPEAKER_02 My dear sweet aunties, I'm so full of your delicious dinner, I'm unable to move a muscle.

45:15 → 45:17

SPEAKER_00 I found it!

45:17 → 45:21

SPEAKER_00 Gentlemen, be seated.

45:21 → 45:22

SPEAKER_00 Here it is, gentlemen.

45:22 → 45:24

SPEAKER_00 The story of my life, my biography.

45:24 → 45:26

SPEAKER_00 Here's the picture I was telling you about, General.

45:26 → 45:28

SPEAKER_00 Here we are, both of us.

45:28 → 45:30

SPEAKER_00 President Roosevelt and General Goethals at Culebra Cut.

45:30 → 45:34

SPEAKER_00 That's me, General, and that's you.

45:34 → 45:36

SPEAKER_12 My heart have changed.

45:36 → 45:39

SPEAKER_00 Well, you see, that picture hasn't been taken yet.

45:39 → 45:41

SPEAKER_00 We haven't even started work on Culebra Cut.

45:41 → 45:42

SPEAKER_00 We're still digging locks.

45:42 → 45:46

SPEAKER_00 And now, General, we will both go to Panama and inspect the new lock.

45:47 → 45:48

SPEAKER_12 Not to Panama.

45:48 → 45:51

SPEAKER_12 Oh, maybe some other time, Mr. President.

45:51 → 45:52

SPEAKER_12 Panama is a long ways off.

45:53 → 45:54

SPEAKER_07 It's just down in the cellar.

45:54 → 45:55

SPEAKER_07 The cellar?

45:55 → 45:59

SPEAKER_04 Well, we let him dig the Panama Canal in the cellar.

45:59 → 46:01

SPEAKER_00 General Goethals?

46:01 → 46:02

SPEAKER_00 Yes, sir?

46:02 → 46:09

SPEAKER_00 As President of the United States, Commander-in-Chief of the Army and Navy, and the man who gave you this job, I demand that you accompany me on the inspection of the new lock.

46:09 → 46:11

SPEAKER_07 Teddy, I think it's time for you to go to bed.

46:13 → 46:15

SPEAKER_07 I beg your pardon.

46:15 → 46:16

SPEAKER_07 Who are you?

46:17 → 46:21

SPEAKER_07 Go to bed.

46:21 → 46:22

SPEAKER_00 No, you're not Wilson.

46:22 → 46:24

SPEAKER_00 But your face is familiar.

46:25 → 46:26

SPEAKER_00 You're not anyone I know now.

46:26 → 46:28

SPEAKER_00 Perhaps later, on my hunting trip to Africa.

46:28 → 46:32

SPEAKER_00 Yes, you look like someone I might meet in the jungle.

46:32 → 46:35

SPEAKER_04 I... I think perhaps you had better go to bed, Teddy.

46:35 → 46:39

SPEAKER_04 He and his friend want to get back to their hotel.

46:39 → 46:40

SPEAKER_07 General Gorthals, Inspector Canal.

46:41 → 46:44

SPEAKER_10 All right, Mr. President, we go to Panama.

46:45 → 46:50

SPEAKER_00 Follow me, General.

46:50 → 46:51

SPEAKER_00 It's down south, you know.

46:51 → 46:54

SPEAKER_00 Oh.

46:54 → 46:59

SPEAKER_10 Well, bon voyage.

46:59 → 47:05

SPEAKER_02 Aunt Abby, I must correct your misapprehension.

47:05 → 47:07

SPEAKER_02 You talked of our hotel.

47:07 → 47:09

SPEAKER_02 We have no hotel.

47:09 → 47:10

SPEAKER_02 We came here directly.

47:11 → 47:19

SPEAKER_04 This is not your home, and I'm afraid you can't stay here.

47:19 → 47:23

SPEAKER_02 Dr. Einstein and I need a place to sleep.

47:23 → 47:27

SPEAKER_02 You remember that as a boy, I could be disagreeable.

47:27 → 47:34

SPEAKER_07 It would not be pleasant for any of us if... I don't have to go into details, do I?

47:34 → 47:37

SPEAKER_04 Perhaps we'd better let them stay here tonight.

47:37 → 47:38

SPEAKER_12 Hey, Johnny.

47:38 → 47:39

SPEAKER_12 Johnny, come here quick.

47:40 → 47:41

SPEAKER_02 Oh, I forgot to tell you.

47:41 → 47:46

SPEAKER_02 Dr. Einstein and I are turning Grandfather's laboratory into an operating room.

47:46 → 47:50

SPEAKER_02 We expect to be very busy.

47:50 → 47:52

SPEAKER_12 Hey, Johnny.

47:52 → 47:53

SPEAKER_12 Tell me, what do you think I find?

47:53 → 47:57

SPEAKER_12 The Panama Canal.

47:57 → 47:59

SPEAKER_12 And it just fits Mr. Spinazzo.

47:59 → 48:01

SPEAKER_12 See the hole he's digging?

48:01 → 48:03

SPEAKER_12 Four feet wide, six feet long.

48:03 → 48:05

SPEAKER_12 It just fits.

48:05 → 48:07

SPEAKER_12 You'd think he knew we were bringing Mr. Spinazzo along.

48:10 → 48:12

SPEAKER_02 Rather a good joke on my aunts.

48:12 → 48:18

SPEAKER_02 They're living in a house with a body buried in the cellar.

48:18 → 48:20

SPEAKER_12 Hey, how do we get him in here?

48:20 → 48:24

SPEAKER_02 Yes, we can't just walk Mr. Spinalzo in through the door.

48:24 → 48:29

SPEAKER_02 We'll bring the car up between the cemetery and the house, and after they've gone to bed, we'll bring Mr. Spinalzo in through the window.

48:29 → 48:32

SPEAKER_12 Ben, Johnny.

48:32 → 48:34

SPEAKER_02 We're moving the car behind the house.

48:34 → 48:35

SPEAKER_02 You'd better get to bed.

48:35 → 48:38

SPEAKER_04 The car is all right where it is until morning.

48:38 → 48:40

SPEAKER_02 I don't want to leave it in the street.

48:40 → 48:47

SPEAKER_02 That might be against the law.

48:47 → 48:50

SPEAKER_04 Abby, what are we going to do?

48:50 → 48:54

SPEAKER_08 Well, we're not going to let them spend more than one night in this house, for one thing.

48:54 → 48:55

SPEAKER_04 What would the neighbors think?

48:55 → 48:58

SPEAKER_04 People coming in here with one face and going out with another.

49:00 → 49:03

SPEAKER_04 And what are we going to do about Mr. Hoskins?

49:03 → 49:05

SPEAKER_04 Oh, Mr. Hoskins.

49:05 → 49:08

SPEAKER_04 It can't be very comfortable for him in there.

49:08 → 49:12

SPEAKER_04 And he's been so patient, the poor dear.

49:12 → 49:18

SPEAKER_04 Well, I think Teddy had better take Mr. Hoskins downstairs right away.

49:18 → 49:19

SPEAKER_00 General Goethals was very pleased.

49:19 → 49:22

SPEAKER_00 He said the canal was just the right size.

49:22 → 49:23

SPEAKER_04 Teddy.

49:23 → 49:27

SPEAKER_04 Teddy, there's been another yellow fever victim.

49:29 → 49:31

SPEAKER_00 This will be a shock to the general.

49:32 → 49:34

SPEAKER_04 We must keep it a secret.

49:34 → 49:36

SPEAKER_12 Yes.

49:36 → 49:37

SPEAKER_12 A state secret?

49:37 → 49:39

SPEAKER_12 Yes, a state secret.

49:39 → 49:41

SPEAKER_12 Promise?

49:41 → 49:43

SPEAKER_00 You have the word of the President of the United States.

49:43 → 49:45

SPEAKER_00 Cross my heart and hope to die.

49:45 → 49:48

SPEAKER_00 Now, let's see.

49:48 → 49:50

SPEAKER_00 How are we going to keep it a secret?

49:50 → 49:54

SPEAKER_04 Well, Teddy, I think you'd better get back down into the cellar.

49:54 → 49:58

SPEAKER_04 And then, when I turn out the lights, when everything's dark here,

49:59 → 50:02

SPEAKER_04 You come up and take the poor man down to the canal.

50:02 → 50:03

SPEAKER_04 Now get along, Debbie.

50:03 → 50:07

SPEAKER_04 And we'll come down later and hold services.

50:07 → 50:08

SPEAKER_00 Where is the poor devil?

50:08 → 50:10

SPEAKER_04 In the window seat.

50:10 → 50:11

SPEAKER_00 Seems to be spreading.

50:11 → 50:13

SPEAKER_00 We've never had yellow fever there before.

50:13 → 50:18

SPEAKER_04 Abby.

50:18 → 50:21

SPEAKER_04 I've never even seen Mr. Hoskins.

50:21 → 50:22

SPEAKER_04 Oh, my goodness.

50:23 → 50:25

SPEAKER_04 You were out.

50:25 → 50:28

SPEAKER_04 Well, you just come right along and see him now.

50:29 → 50:50

SPEAKER_04 You know, he's really very nice looking, considering that he's a Methodist.

50:50 → 50:51

SPEAKER_07 We're bringing the luggage through here.

50:58 → 51:01

SPEAKER_04 Jonathan, your room is waiting for you.

51:01 → 51:02

SPEAKER_04 You can go right up.

51:02 → 51:06

SPEAKER_07 I'm afraid we don't keep Brooklyn ours.

51:06 → 51:07

SPEAKER_07 You two run along to bed.

51:07 → 51:10

SPEAKER_04 Oh, but you must be very tired, both of you.

51:10 → 51:12

SPEAKER_04 And we don't go to bed this early.

51:12 → 51:15

SPEAKER_07 It's time I came home to take care of you.

51:15 → 51:16

SPEAKER_07 Take the bags upstairs.

51:16 → 51:20

SPEAKER_12 Before the instruments come back late.

51:20 → 51:21

SPEAKER_12 Good night.

51:21 → 51:23

SPEAKER_07 Now, we'll all go to bed.

51:23 → 51:26

SPEAKER_04 I'll wait until you're up and then turn out the lights.

51:27 → 51:30

SPEAKER_07 Run along, Aunt Martha.

51:30 → 51:40

SPEAKER_07 Just off the laboratory, Doctor.

51:40 → 51:41

SPEAKER_07 All right, Aunt Abby.

51:41 → 51:43

SPEAKER_04 I'll be right up.

51:43 → 51:45

SPEAKER_07 Now, Aunt Abby, turn out the lights.

52:03 → 52:04

SPEAKER_01 And that's it.

53:18 → 53:19

SPEAKER_01 Hello!

53:51 → 53:55

SPEAKER_01 It's all right, Johnny.

54:27 → 54:29

SPEAKER_02 I'll open the window.

54:29 → 54:30

SPEAKER_02 You go around and hand him through.

54:30 → 54:34

SPEAKER_10 But he's too heavy for me.

54:34 → 54:38

SPEAKER_12 You go outside, Johnny, and push, and I stay here and pull.

54:38 → 54:40

SPEAKER_12 And then, together, we take him down to Panama, huh?

54:40 → 54:42

SPEAKER_12 All right.

54:42 → 54:43

SPEAKER_02 We must be quick.

54:43 → 54:46

SPEAKER_02 I'll take a look around outside the house when I tap on the glass.

54:46 → 54:48

SPEAKER_02 You open the window.

55:00 → 55:01

SPEAKER_10 Where am I?

55:01 → 55:03

SPEAKER_10 Oh, here I am.

55:04 → 55:06

SPEAKER_10 Wait a minute.

55:06 → 55:11

SPEAKER_10 Hand him over.

55:11 → 55:13

SPEAKER_10 Now I have him.

55:30 → 55:32

SPEAKER_12 Wait a minute, Johnny.

55:32 → 55:36

SPEAKER_12 You lost a leg somewhere.

55:37 → 55:38

SPEAKER_10 He's so heavy.

55:38 → 55:40

SPEAKER_10 Now I have him.

55:40 → 55:42

SPEAKER_10 Now I've got him.

55:42 → 55:43

SPEAKER_10 Be careful.

55:43 → 55:47

SPEAKER_10 Oh, but his shoe came off.

55:47 → 55:49

SPEAKER_12 He's so heavy.

55:49 → 55:53

SPEAKER_12 Now I've got him.

55:53 → 55:55

SPEAKER_12 Hey, Johnny, somebody's at the door.

55:55 → 55:57

SPEAKER_12 Go open quick.

55:57 → 55:58

SPEAKER_12 I'll manage, Penalzo.

56:13 → 56:19

SPEAKER_01 Aunt Abby?

56:19 → 56:27

SPEAKER_04 Aunt Martha?

56:28 → 56:29

SPEAKER_04 Is that you, Teddy?

56:29 → 56:31

SPEAKER_04 Who are you?

56:33 → 56:34

SPEAKER_07 What are you doing here?

56:35 → 56:38

SPEAKER_04 I came here to see my husband, Mortimer.

56:38 → 56:40

SPEAKER_02 Why did you say your name was Harper?

56:40 → 56:41

SPEAKER_04 Well, it is Harper.

56:41 → 56:42

SPEAKER_04 I mean, it's Brewster.

56:43 → 56:45

SPEAKER_04 I'm a brand-new Brewster.

56:45 → 56:47

SPEAKER_09 Doctor!

56:47 → 56:48

SPEAKER_12 It's all right, Johnny.

56:48 → 56:58

SPEAKER_12 It's okay.

56:58 → 57:01

SPEAKER_08 Maybe you'd better explain what you're doing here.

57:01 → 57:03

SPEAKER_07 We happen to live here.

57:04 → 57:07

SPEAKER_04 I'm in this house every day, and I've never seen you before.

57:07 → 57:08

SPEAKER_04 Where are Miss Martha and Miss Abby?

57:08 → 57:11

SPEAKER_04 What have you done to them?

57:11 → 57:14

SPEAKER_02 Perhaps we'd better introduce ourselves.

57:14 → 57:17

SPEAKER_02 May I present Dr. Einstein.

57:17 → 57:19

SPEAKER_04 Dr. Einstein?

57:19 → 57:24

SPEAKER_02 A surgeon of great distinction.

57:24 → 57:27

SPEAKER_04 And something of a magician.

57:27 → 57:31

SPEAKER_04 Now, I suppose you're going to tell me that you're Boris... I am Jonathan Brewster.

57:31 → 57:33

SPEAKER_04 Oh.

57:34 → 57:35

SPEAKER_07 Oh, you've heard of me.

57:35 → 57:36

SPEAKER_04 Yes, they talk about you.

57:36 → 57:38

SPEAKER_07 And what do they say about me?

57:38 → 57:40

SPEAKER_04 Well, just that there's another brother named Jonathan.

57:40 → 57:41

SPEAKER_04 That's all they say.

57:41 → 57:44

SPEAKER_04 Well, that explains everything.

57:44 → 58:01

SPEAKER_04 Now that I know who you are, I'll just be running along if you'll kindly unlock the door.

58:01 → 58:02

SPEAKER_02 That explains everything.

58:03 → 58:05

SPEAKER_02 Just what do you mean by that?

58:05 → 58:07

SPEAKER_02 Why do you come here at this time of night?

58:07 → 58:10

SPEAKER_04 Well, I just thought I saw Mortimer drive up.

58:10 → 58:11

SPEAKER_04 I suppose it was you.

58:11 → 58:17

SPEAKER_02 You thought you saw someone drive up?

58:20 → 58:21

SPEAKER_07 You saw someone at the car?

58:23 → 58:24

SPEAKER_01 Oh, just that.

58:24 → 58:26

SPEAKER_01 That's all.

58:26 → 58:28

SPEAKER_07 Is that why you came over here?

58:30 → 58:31

SPEAKER_04 But if he's not home, I'll run along.

58:31 → 58:32

SPEAKER_07 I'll give you two names.

58:34 → 58:36

SPEAKER_07 I think she's dangerous.

58:36 → 58:38

SPEAKER_00 It's going to be a private funeral.

58:38 → 58:42

SPEAKER_04 Teddy!

58:42 → 58:44

SPEAKER_04 Teddy, tell these men who I am!

58:44 → 58:46

SPEAKER_04 Well, that's my daughter, Alice.

58:46 → 58:47

SPEAKER_04 Oh, no, Teddy!

58:47 → 58:49

SPEAKER_00 Now, Alice, don't be a tomboy.

58:49 → 58:51

SPEAKER_00 Don't play rough with the gentleman.

58:51 → 58:54

SPEAKER_01 Charge!

59:00 → 59:03

SPEAKER_01 Dr. D'Souza.

59:03 → 59:08

SPEAKER_01 What's the matter?

59:08 → 59:11

SPEAKER_04 What's happening down there?

59:11 → 59:16

SPEAKER_04 What's the matter?

59:16 → 59:18

SPEAKER_04 What are you doing there?

59:18 → 59:20

SPEAKER_07 We caught a burglar, a sneak thief.

59:20 → 59:21

SPEAKER_07 Go back to your room.

59:21 → 59:22

SPEAKER_07 We'll call the police.

59:22 → 59:24

SPEAKER_07 I'll handle this.

59:24 → 59:26

SPEAKER_07 Do you hear me?

59:44 → 59:46

SPEAKER_09 Don't answer that.

59:52 → 59:53

SPEAKER_09 Don't answer that.

59:53 → 59:55

SPEAKER_09 Don't answer that.

59:58 → 59:59

SPEAKER_04 That thing that looks like a cigar store, darling.

1:00:00 → 1:00:01

SPEAKER_04 It's your brother, Jonathan.

1:00:01 → 1:00:03

SPEAKER_04 And this is Dr. Einstein.

1:00:03 → 1:00:05

SPEAKER_04 Look, dear, didn't I tell you not to let anybody in the house?

1:00:05 → 1:00:08

SPEAKER_04 It's your brother, Jonathan.

1:00:08 → 1:00:11

SPEAKER_04 They broke me down in the service for this dressy game.

1:00:11 → 1:00:13

SPEAKER_04 I have to pay my monthly operation.

1:00:13 → 1:00:15

SPEAKER_07 I've come back home, Mortimer.

1:00:16 → 1:00:17

SPEAKER_07 I've come back home, Mortimer.

1:00:17 → 1:00:20

SPEAKER_07 I've come back home, Mortimer.

1:00:20 → 1:00:21

SPEAKER_07 It talked!

1:00:21 → 1:00:23

SPEAKER_07 Yes, I talked.

1:00:24 → 1:00:29

SPEAKER_07 Mortimer, have you forgotten the things I used to do to you?

1:00:29 → 1:00:35

SPEAKER_07 When you were tied to the bedpost, the needles under your fingernails.

1:00:35 → 1:00:44

SPEAKER_04 Mortimer, he... Wait a minute.

1:00:44 → 1:00:46

SPEAKER_08 Holy mackerel!

1:00:46 → 1:00:47

SPEAKER_02 It is Jonathan!

1:00:47 → 1:00:51

SPEAKER_02 I'm glad you remember, Mortimer.

1:00:51 → 1:00:52

SPEAKER_05 Yeah, I remember.

1:00:54 → 1:00:56

SPEAKER_09 Where'd you get that face, Hollywood?

1:00:56 → 1:01:02

SPEAKER_04 Now, don't you two boys start quarreling again the minute you've seen each other.

1:01:02 → 1:01:05

SPEAKER_04 We invited Jonathan and Dr. Einstein to stay.

1:01:05 → 1:01:07

SPEAKER_04 What?

1:01:07 → 1:01:08

SPEAKER_08 Just for tonight.

1:01:09 → 1:01:12

SPEAKER_08 In fact, I'm staying here from now on.

1:01:12 → 1:01:14

SPEAKER_08 So there's no room for anybody else in the house.

1:01:14 → 1:01:16

SPEAKER_08 Please, John, just a moment.

1:01:16 → 1:01:17

SPEAKER_09 So take that little **** and beat it.

1:01:20 → 1:01:21

SPEAKER_10 Is he upstairs?

1:01:21 → 1:01:24

SPEAKER_10 Mr. Brewster, we don't take up much room.

1:01:24 → 1:01:27

SPEAKER_10 Johnny can sleep on a sofa, and I sleep on a window seat.

1:01:27 → 1:01:31

SPEAKER_08 Nothing to... Window seat?

1:01:31 → 1:01:32

SPEAKER_08 Certainly not on the window seat.

1:01:32 → 1:01:35

SPEAKER_08 I'm going to sleep on the window seat.

1:01:35 → 1:01:37

SPEAKER_09 I'm going to sleep on the window seat from now on.

1:01:37 → 1:01:39

SPEAKER_05 Mortimer!

1:01:40 → 1:01:41

SPEAKER_05 Now, look, Jonathan.

1:01:41 → 1:01:42

SPEAKER_05 I'll be a good fellow.

1:01:43 → 1:01:44

SPEAKER_08 Go out and haunt yourself a hotel.

1:01:48 → 1:01:51

SPEAKER_07 Mortimer, you know what I do to people who order me around.

1:01:51 → 1:01:54

SPEAKER_12 Hey, Johnny.

1:01:55 → 1:01:56

SPEAKER_12 Mr. Spinalzo.

1:01:56 → 1:01:57

SPEAKER_12 What?

1:01:57 → 1:02:02

SPEAKER_12 What's going to happen to Mr. Spinalzo?

1:02:02 → 1:02:05

SPEAKER_10 We can't leave him here in the window seat.

1:02:05 → 1:02:08

SPEAKER_10 Johnny.

1:02:08 → 1:02:10

SPEAKER_10 Doctor.

1:02:11 → 1:02:13

SPEAKER_02 I've completely lost track of Mr. Spinalzo.

1:02:14 → 1:02:15

SPEAKER_05 Who's this Mr. Spinalzo?

1:02:15 → 1:02:18

SPEAKER_10 A friend of ours Johnny was looking for.

1:02:18 → 1:02:20

SPEAKER_09 Don't you bring anyone else in here.

1:02:20 → 1:02:21

SPEAKER_12 Now come on, beat it, both of you.

1:02:21 → 1:02:22

SPEAKER_12 It's all right, Johnny.

1:02:22 → 1:02:31

SPEAKER_12 While we are packing, I'll tell you about him.

1:02:31 → 1:02:34

SPEAKER_07 I'll take care of you, Mortimer, in just a little while.

1:02:34 → 1:02:37

SPEAKER_05 How do you like that?

1:02:37 → 1:02:39

SPEAKER_01 The guy stays away for 20 years and picks the night out of all nights to come back.

1:02:41 → 1:02:42

SPEAKER_09 What are you doing here?

1:02:42 → 1:02:43

SPEAKER_04 Mortimer.

1:02:45 → 1:02:46

SPEAKER_04 I almost got killed.

1:02:46 → 1:02:48

SPEAKER_04 Killed?

1:02:50 → 1:02:52

SPEAKER_04 Oh, no.

1:02:52 → 1:02:53

SPEAKER_04 It was Jonathan.

1:02:53 → 1:02:55

SPEAKER_04 He mistook her for a thief.

1:02:56 → 1:02:57

SPEAKER_04 Oh, it was worse than that.

1:02:58 → 1:02:59

SPEAKER_04 He's some kind of a maniac.

1:02:59 → 1:03:01

SPEAKER_04 Mortimer, I'm afraid of him.

1:03:01 → 1:03:02

SPEAKER_05 Oh, well, darling, don't worry about it.

1:03:02 → 1:03:04

SPEAKER_05 I'm here now, and I'm together.

1:03:04 → 1:03:05

SPEAKER_04 We were married today.

1:03:05 → 1:03:07

SPEAKER_04 We were going over Niagara Falls in a barrel.

1:03:07 → 1:03:08

SPEAKER_04 Your brother tries to strangle me.

1:03:08 → 1:03:09

SPEAKER_04 A taxi is waiting.

1:03:09 → 1:03:12

SPEAKER_04 And now you want to sleep on a window seat.

1:03:13 → 1:03:14

SPEAKER_05 With a spoon.

1:03:14 → 1:03:16

SPEAKER_05 Darling, you'd better run along home.

1:03:16 → 1:03:18

SPEAKER_05 Yes, go on home like a good girl.

1:03:18 → 1:03:19

SPEAKER_05 I've got things to do.

1:03:22 → 1:03:24

SPEAKER_09 Get me Happydale 270, please.

1:03:24 → 1:03:26

SPEAKER_04 But Mortimer, didn't you hear what I was just saying?

1:03:26 → 1:03:29

SPEAKER_04 Your own brother, Jonathan, he was trying to strangle me.

1:03:29 → 1:03:31

SPEAKER_09 Please, this is important.

1:03:32 → 1:03:33

SPEAKER_09 Oh, hello, Mr. Witherspoon?

1:03:33 → 1:03:35

SPEAKER_09 This is Mortimer Brewster.

1:03:35 → 1:03:37

SPEAKER_06 Yes, Mr. Brewster, yes.

1:03:37 → 1:03:40

SPEAKER_06 Well, I don't understand you.

1:03:40 → 1:03:41

SPEAKER_09 He was going to kill me.

1:03:41 → 1:03:42

SPEAKER_09 Wait a minute, I can't hear the man.

1:03:42 → 1:03:45

SPEAKER_09 Look, I've got the papers all drawn up.

1:03:45 → 1:03:47

SPEAKER_09 I know it's late, but I want you to come down here and get my brother immediately.

1:03:49 → 1:03:50

SPEAKER_05 Please, darling, please.

1:03:50 → 1:03:54

SPEAKER_06 By the way, you've had the papers signed by your brother and the doctor, of course.

1:03:54 → 1:03:56

SPEAKER_09 Oh, the doctor?

1:03:56 → 1:03:58

SPEAKER_09 Oh, holy mackerel, I forgot the doctor.

1:03:58 → 1:04:00

SPEAKER_09 Mortimer!

1:04:00 → 1:04:02

SPEAKER_09 Please, be quiet!

1:04:02 → 1:04:03

SPEAKER_09 Can't you see I've got to get the doctor?

1:04:03 → 1:04:04

SPEAKER_09 Hello!

1:04:05 → 1:04:11

SPEAKER_09 You can take your honeymoon, your wedding ring, your taxi, your window seat and put them in a barrel and push them all over Niagara Falls.

1:04:11 → 1:04:13

SPEAKER_09 Yeah, well, thank you, darling, thank you.

1:04:14 → 1:04:16

SPEAKER_09 Well, look, why don't you come down here anyway?

1:04:16 → 1:04:20

SPEAKER_09 While you're getting here, I'll get Teddy's and the doctor's signatures, both.

1:04:21 → 1:04:22

SPEAKER_09 Yeah, I'll get both signatures.

1:04:23 → 1:04:25

SPEAKER_09 Elaine!

1:04:26 → 1:04:28

SPEAKER_09 Oh, dear.

1:04:29 → 1:04:32

SPEAKER_09 Elaine!

1:04:44 → 1:04:59

SPEAKER_02 Hoskies.

1:04:59 → 1:05:04

SPEAKER_09 He got you!

1:05:04 → 1:05:05

SPEAKER_09 There's another one!

1:05:05 → 1:05:08

SPEAKER_09 Aunt Abby!

1:05:08 → 1:05:10

SPEAKER_09 Come in here!

1:05:14 → 1:05:15

SPEAKER_04 Yes, dear, what is it?

1:05:17 → 1:05:19

SPEAKER_09 Didn't you promise me not to let anyone in the house while I was gone?

1:05:19 → 1:05:20

SPEAKER_04 Well, Jonathan just walked in.

1:05:21 → 1:05:23

SPEAKER_09 And Dr... And I don't mean Dr. Einstein.

1:05:23 → 1:05:24

SPEAKER_09 Who is that in the window seat?

1:05:24 → 1:05:26

SPEAKER_09 We told you, Mr. Hoskins.

1:05:26 → 1:05:29

SPEAKER_09 This is not Mr. Hoskins.

1:05:29 → 1:05:32

SPEAKER_09 There.

1:05:33 → 1:05:38

SPEAKER_09 Are you trying to tell me you've never seen that man before?

1:05:38 → 1:05:39

SPEAKER_04 I certainly am.

1:05:40 → 1:05:41

SPEAKER_04 Well, this is a fine how do you do.

1:05:41 → 1:05:44

SPEAKER_04 It's getting so anybody thinks he can walk in this house.

1:05:44 → 1:05:45

SPEAKER_09 Now, you look here, Aunt Abby.

1:05:46 → 1:05:48

SPEAKER_08 That's another one of your gentlemen, and you know it.

1:05:48 → 1:05:50

SPEAKER_08 Baltimore, how can you say such a thing?

1:05:50 → 1:05:53

SPEAKER_04 That man's an imposter.

1:05:53 → 1:05:59

SPEAKER_04 And if he came here to be buried in our cellar, he's mistaken.

1:05:59 → 1:06:01

SPEAKER_09 You admitted to me that you put Mr. Hoskins in the window seat.

1:06:01 → 1:06:02

SPEAKER_04 Yes, I did.

1:06:02 → 1:06:04

SPEAKER_04 Well, this man couldn't have just got the idea from Mr. Hoskins?

1:06:05 → 1:06:07

SPEAKER_04 By the way, where is Mr. Hoskins?

1:06:07 → 1:06:08

SPEAKER_04 He must have gone to Panama.

1:06:09 → 1:06:10

SPEAKER_04 No, no, not yet.

1:06:10 → 1:06:13

SPEAKER_04 He's just down there waiting for the services, poor dear.

1:06:13 → 1:06:17

SPEAKER_04 We haven't had a minute, what with Jonathan in the house.

1:06:18 → 1:06:23

SPEAKER_04 Why, dear, we've always wanted to hold a double funeral.

1:06:23 → 1:06:28

SPEAKER_08 But I will not read services over a total stranger.

1:06:29 → 1:06:30

SPEAKER_09 And, Abby, how can I believe you?

1:06:31 → 1:06:33

SPEAKER_08 There are 12 men down in the cellar, and you admit you poisoned them?

1:06:33 → 1:06:35

SPEAKER_08 Yes, I did.

1:06:35 → 1:06:38

SPEAKER_04 But you don't think I'd stoop to telling a fib?

1:06:38 → 1:06:39

SPEAKER_04 Martha!

1:06:39 → 1:06:45

SPEAKER_01 Martha, where are you?

1:06:45 → 1:06:56

SPEAKER_01 What's happening?

1:06:56 → 1:06:58

SPEAKER_02 A fib!

1:06:58 → 1:07:00

SPEAKER_07 This may interest you, Mortimer.

1:07:00 → 1:07:07

SPEAKER_07 I've decided that we're staying, and I've also decided that you're leaving, and I mean now.

1:07:07 → 1:07:10

SPEAKER_08 Listen, Hanson, I'm in no mood to debate the question.

1:07:10 → 1:07:13

SPEAKER_08 Are you getting out, or am I throwing you out on your ear?

1:07:13 → 1:07:16

SPEAKER_02 I've led a strange life, Mortimer.

1:07:16 → 1:07:18

SPEAKER_04 Martha, you come straight along here.

1:07:18 → 1:07:20

SPEAKER_04 You just look and see what's in that window seat.

1:07:20 → 1:07:23

SPEAKER_10 No!

1:07:23 → 1:07:24

SPEAKER_10 No, no, Aunt Abby, don't.

1:07:45 → 1:07:53

SPEAKER_05 Jonathan, let Aunt Martha see what's in the window seat.

1:07:53 → 1:07:56

SPEAKER_05 Aunt Abby, darling, I owe you an apology.

1:07:56 → 1:07:58

SPEAKER_05 I've got some very good news for you.

1:07:58 → 1:08:01

SPEAKER_05 Jonathan is leaving.

1:08:01 → 1:08:10

SPEAKER_05 And he's taking Dr. Einstein and their cold companion with him.

1:08:10 → 1:08:11

SPEAKER_05 Listen, Jonathan, you're my brother.

1:08:13 → 1:08:16

SPEAKER_05 So I'm giving you a chance to get away and take the evidence with you.

1:08:16 → 1:08:19

SPEAKER_05 You can't ask for more than that.

1:08:19 → 1:08:23

SPEAKER_05 Well?

1:08:23 → 1:08:28

SPEAKER_05 In that case, I'll have to call the police.

1:08:28 → 1:08:30

SPEAKER_07 Don't reach for the telephone.

1:08:30 → 1:08:34

SPEAKER_07 Remember, what happened to Mr. Spinalzo can happen to you, too.

1:08:34 → 1:08:35

SPEAKER_04 Spinalzo?

1:08:35 → 1:08:38

SPEAKER_04 I knew he was a foreigner.

1:08:38 → 1:08:41

SPEAKER_07 Put down that telephone, Mortimer.

1:08:43 → 1:08:49

SPEAKER_06 Hello.

1:08:49 → 1:08:50

SPEAKER_06 Oh, Officer O'Hara.

1:08:51 → 1:08:52

SPEAKER_06 I thought you might have sickness now.

1:08:53 → 1:08:54

SPEAKER_08 Well, you got company?

1:08:54 → 1:08:55

SPEAKER_08 I'm sorry I disturbed you.

1:08:55 → 1:08:56

SPEAKER_04 Oh, come in.

1:08:57 → 1:08:59

SPEAKER_04 How right you are, Officer O'Hara.

1:08:59 → 1:09:00

SPEAKER_04 This is our nephew, Mortimer.

1:09:01 → 1:09:02

SPEAKER_04 Glad to see you, fella.

1:09:02 → 1:09:04

SPEAKER_06 And this is another nephew, Jonathan.

1:09:04 → 1:09:06

SPEAKER_06 Pleased to make your acquaintance.

1:09:06 → 1:09:07

SPEAKER_06 Say, your face is familiar.

1:09:07 → 1:09:09

SPEAKER_06 Haven't I seen a picture of you somewhere before?

1:09:13 → 1:09:14

SPEAKER_08 Why don't you stick around until my brother leaves?

1:09:14 → 1:09:19

SPEAKER_06 I gotta ring in, Mr. Brew... Say, you're not THE Mortimer Brewster, the book writer and the dramatic critic, are you?

1:09:20 → 1:09:21

SPEAKER_06 Oh, what a break for me.

1:09:22 → 1:09:24

SPEAKER_06 I'm working on a play now.

1:09:25 → 1:09:27

SPEAKER_09 Well, well, well.

1:09:29 → 1:09:30

SPEAKER_08 Oh, what a break.

1:09:30 → 1:09:32

SPEAKER_08 I get wonderful ideas, but I can't spell them.

1:09:32 → 1:09:35

SPEAKER_08 You can't... Oh, I can spell like the dickies, all the big... Well, come on.

1:09:35 → 1:09:37

SPEAKER_09 Let's go into the kitchen and tell you all about it.

1:09:37 → 1:09:39

SPEAKER_09 Couldn't you whip up a sandwich for Officer O'Hara?

1:09:40 → 1:09:43

SPEAKER_04 I hope you don't mind eating in the kitchen, Officer O'Hara.

1:09:43 → 1:09:45

SPEAKER_06 And where else would you eat?

1:09:45 → 1:09:47

SPEAKER_06 See you in a moment.

1:09:47 → 1:09:51

SPEAKER_05 Now, listen, Jonathan, this is your last chance.

1:09:51 → 1:09:54

SPEAKER_08 I'll keep O'Hara busy in the kitchen and give you a chance to get out.

1:09:54 → 1:09:56

SPEAKER_08 You, Dr. Einstein, and Spinalzo.

1:09:56 → 1:10:01

SPEAKER_08 Because if you don't leave here in five minutes, I'll bring in Officer O'Hara and introduce him to Mr. Spinalzo.

1:10:01 → 1:10:02

SPEAKER_08 Mr. Brewster, my pleasure.

1:10:02 → 1:10:03

SPEAKER_08 Right with you, O'Hara.

1:10:03 → 1:10:05

SPEAKER_09 Right with you.

1:10:05 → 1:10:08

SPEAKER_09 Right with you.

1:10:08 → 1:10:09

SPEAKER_05 Now, get going, all three of you.

1:10:20 → 1:10:24

SPEAKER_02 Doctor, this affair between my brother and myself has got to be settled.

1:10:24 → 1:10:26

SPEAKER_12 But Johnny, we've got trouble enough as it is.

1:10:28 → 1:10:31

SPEAKER_07 We're going to sleep right here in this house.

1:10:31 → 1:10:35

SPEAKER_10 With a cup in the kitchen and Spinalzo in the window seat?

1:10:35 → 1:10:36

SPEAKER_07 That's all he's got on us.

1:10:36 → 1:10:38

SPEAKER_07 We'll take Spinalzo and dump him in the bay.

1:10:38 → 1:10:40

SPEAKER_07 After that, we're coming back here.

1:10:40 → 1:10:44

SPEAKER_10 Then, if he tries to interfere... Oh, no, Johnny, no, please.

1:10:44 → 1:10:45

SPEAKER_02 Doctor, we've got a wonderful set-up here.

1:10:45 → 1:10:47

SPEAKER_02 We can make a fortune.

1:10:47 → 1:10:48

SPEAKER_02 Two old ladies as a front.

1:10:49 → 1:10:52

SPEAKER_07 Only Mortimer stands in our way.

1:10:52 → 1:10:54

SPEAKER_07 I never did like Mortimer.

1:10:54 → 1:10:56

SPEAKER_07 Look, Johnny, please take it easy, please.

1:10:56 → 1:10:59

SPEAKER_07 Doctor, you know when I make up my mind... Yeah, I know.

1:10:59 → 1:11:01

SPEAKER_12 When you make up your mind, you lose your head.

1:11:01 → 1:11:04

SPEAKER_12 Look, Johnny, Broccoli need a good set-up for you.

1:11:04 → 1:11:05

SPEAKER_12 Help him.

1:11:06 → 1:11:09

SPEAKER_12 Oh, dear child.

1:11:09 → 1:11:11

SPEAKER_07 Take the instruments and hide them in the cellar.

1:11:11 → 1:11:13

SPEAKER_07 Move fast.

1:11:13 → 1:11:17

SPEAKER_11 But, Mr. Brewster, you don't know what goes on in Brooklyn.

1:11:18 → 1:11:20

SPEAKER_08 My mother was an actress.

1:11:20 → 1:11:21

SPEAKER_08 Oh, legitimate?

1:11:23 → 1:11:26

SPEAKER_08 Peaches Latour was her name.

1:11:26 → 1:11:28

SPEAKER_12 Hey, Johnny, Johnny, come quick.

1:11:28 → 1:11:30

SPEAKER_12 You know that hole in the cellar?

1:11:31 → 1:11:35

SPEAKER_12 Well, we got an ace in the hole.

1:11:35 → 1:11:36

SPEAKER_06 This is no fly-by-night idea.

1:11:36 → 1:11:38

SPEAKER_06 I've been working on this thing for 12 years.

1:11:51 → 1:11:56

SPEAKER_08 I thought I told you... Jonathan!

1:11:56 → 1:11:58

SPEAKER_00 Jonathan!

1:11:58 → 1:12:02

SPEAKER_07 Yes, Mortimer.

1:12:02 → 1:12:03

SPEAKER_05 What are you two doing still here?

1:12:03 → 1:12:04

SPEAKER_05 I thought I told you to beat it.

1:12:04 → 1:12:06

SPEAKER_08 We're not going.

1:12:07 → 1:12:09

SPEAKER_08 You stay out of it.

1:12:09 → 1:12:11

SPEAKER_05 All right, you asked for it.

1:12:11 → 1:12:12

SPEAKER_05 Officer O'Hara.

1:12:14 → 1:12:19

SPEAKER_02 If you tell O'Hara what's in the window seat, I'll tell him what's down in the cellar.

1:12:20 → 1:12:23

SPEAKER_07 There's an elderly gentleman down there who seems to be very dead.

1:12:25 → 1:12:26

SPEAKER_08 What were you doing down in the cellar?

1:12:26 → 1:12:27

SPEAKER_08 What is he doing in the cellar?

1:12:27 → 1:12:30

SPEAKER_07 Now what are you going to tell O'Hara?

1:12:30 → 1:12:31

SPEAKER_06 You're asking my opening as well.

1:12:34 → 1:12:35

SPEAKER_09 You can't do that now.

1:12:38 → 1:12:39

SPEAKER_08 I want to tell you the whole plot.

1:12:39 → 1:12:40

SPEAKER_08 You can't tell me in front of those two fellas.

1:12:40 → 1:12:42

SPEAKER_08 They wouldn't appreciate it.

1:12:43 → 1:12:44

SPEAKER_09 Let's go someplace where we can be alone.

1:12:45 → 1:12:48

SPEAKER_08 Say, how about the back room at Kelly's?

1:12:53 → 1:12:56

SPEAKER_07 Why don't you both go down in the cellar?

1:12:56 → 1:12:57

SPEAKER_08 Oh, that's all right with me.

1:12:58 → 1:13:00

SPEAKER_09 There's a much more literary atmosphere in Kelly's, I assure you.

1:13:00 → 1:13:02

SPEAKER_08 Take this opening, okay?

1:13:02 → 1:13:03

SPEAKER_08 I'm waiting to be born, see?

1:13:03 → 1:13:05

SPEAKER_08 The doctor comes in and starts... Oh, the doctor?

1:13:08 → 1:13:10

SPEAKER_06 You won't stand me up, will you, Mr. Brewster?

1:13:11 → 1:13:12

SPEAKER_06 I'll see you down there.

1:13:15 → 1:13:18

SPEAKER_09 Where are those papers?

1:13:18 → 1:13:20

SPEAKER_09 Oh, you're smug, aren't you?

1:13:20 → 1:13:21

SPEAKER_09 You think you've got it over me?

1:13:22 → 1:13:25

SPEAKER_09 You think I'm afraid to go to the police about Spinalzo because you'll blab about Hoskins.

1:13:25 → 1:13:26

SPEAKER_09 Well, I'm not!

1:13:26 → 1:13:30

SPEAKER_09 The moment I get Spinalzo... I mean, the moment the doctor signs this, I don't care who knows about him.

1:13:30 → 1:13:31

SPEAKER_09 Hoskins, I mean.

1:13:31 → 1:13:33

SPEAKER_09 And you better feel the same way about Spinalzo.

1:13:33 → 1:13:34

SPEAKER_09 I mean, yes, Spinalzo!

1:13:35 → 1:13:37

SPEAKER_09 The doctor's waiting at the... Oh!

1:13:37 → 1:13:39

SPEAKER_09 When I come back, I expect to find you gone.

1:13:39 → 1:13:41

SPEAKER_09 Wait for me!

1:13:41 → 1:13:44

SPEAKER_07 We'll wait for him.

1:13:44 → 1:13:46

SPEAKER_10 Did he look guilty?

1:13:46 → 1:13:49

SPEAKER_04 Well, Martha, I think we can start the services now.

1:13:51 → 1:13:52

SPEAKER_04 We thought we heard you leave.

1:13:52 → 1:13:54

SPEAKER_07 Perish the thought, dear aunties.

1:13:54 → 1:13:55

SPEAKER_07 That was just Mortimer.

1:13:55 → 1:14:01

SPEAKER_07 And speaking of services, Aunt Martha, will you make us some coffee while we take Mr. Spinalzo down to the cellar?

1:14:01 → 1:14:02

SPEAKER_04 Oh, no!

1:14:02 → 1:14:05

SPEAKER_04 No, Jonathan, you've got to take him with you.

1:14:05 → 1:14:08

SPEAKER_02 There's a friend of Mortimer's downstairs waiting for him.

1:14:08 → 1:14:10

SPEAKER_04 A friend of Mortimer's?

1:14:10 → 1:14:12

SPEAKER_02 Take his feet, Doctor.

1:14:12 → 1:14:15

SPEAKER_07 Mr. Spinalzo and he will get along fine together.

1:14:16 → 1:14:19

SPEAKER_04 He must mean Mr. Haskins.

1:14:25 → 1:14:27

SPEAKER_07 You know about what's down there?

1:14:27 → 1:14:29

SPEAKER_04 Of course we do.

1:14:29 → 1:14:31

SPEAKER_04 And he's no friend of Mortimer's.

1:14:31 → 1:14:32

SPEAKER_04 He's one of our gentlemen.

1:14:32 → 1:14:34

SPEAKER_04 Your gentlemen?

1:14:34 → 1:14:37

SPEAKER_04 And we won't have any strangers buried in our cellar.

1:14:37 → 1:14:41

SPEAKER_04 But Mr. Hoskins... Mr. Hoskins is no stranger.

1:14:41 → 1:14:43

SPEAKER_04 Besides, there's no room for Mr. Spinalzo.

1:14:43 → 1:14:45

SPEAKER_04 The cellar's crowded already.

1:14:45 → 1:14:46

SPEAKER_07 Crowded with what?

1:14:46 → 1:14:49

SPEAKER_04 There are 12 graves down there now.

1:14:56 → 1:14:57

SPEAKER_02 12 graves.

1:14:57 → 1:15:00

SPEAKER_04 That leaves very little room, and we're going to need it.

1:15:00 → 1:15:03

SPEAKER_07 You mean that you and Aunt Martha have murdered 12... Murdered?

1:15:03 → 1:15:05

SPEAKER_04 Certainly not.

1:15:05 → 1:15:06

SPEAKER_04 It's one of our charities.

1:15:06 → 1:15:09

SPEAKER_04 Why, what we've been doing is a mercy.

1:15:09 → 1:15:18

SPEAKER_04 So you just take your Mr. Spinalzo out of here.

1:15:18 → 1:15:24

SPEAKER_02 You've done all that right here in this house and buried them in the cellar.

1:15:25 → 1:15:28

SPEAKER_10 That's wonderful, Johnny.

1:15:28 → 1:15:31

SPEAKER_10 We've been chased all over the world.

1:15:31 → 1:15:35

SPEAKER_10 They stay right here in Brooklyn, and they do just as good as you do.

1:15:36 → 1:15:37

SPEAKER_10 Yeah.

1:15:38 → 1:15:40

SPEAKER_10 They got 12.

1:15:40 → 1:15:41

SPEAKER_07 I've got 13.

1:15:41 → 1:15:43

SPEAKER_10 No, Johnny.

1:15:44 → 1:15:47

SPEAKER_07 There's Mr. Spinalzo.

1:15:47 → 1:15:48

SPEAKER_07 And the first one in London.

1:15:48 → 1:15:49

SPEAKER_07 Two in Johannesburg.

1:15:51 → 1:15:52

SPEAKER_07 Two in San Francisco.

1:15:52 → 1:15:54

SPEAKER_07 One in Phoenix, Arizona.

1:15:55 → 1:15:56

SPEAKER_07 The filling station.

1:15:58 → 1:16:00

SPEAKER_07 Three in Chicago and one in South Bend.

1:16:00 → 1:16:02

SPEAKER_07 That makes 13.

1:16:02 → 1:16:04

SPEAKER_12 You cannot count the one in South Bend.

1:16:04 → 1:16:05

SPEAKER_12 He died of pneumonia.

1:16:05 → 1:16:08

SPEAKER_07 He wouldn't have died of pneumonia if I hadn't shot him.

1:16:08 → 1:16:11

SPEAKER_10 No, no, Johnny, you cannot count him.

1:16:11 → 1:16:13

SPEAKER_10 You got 12, they got 12.

1:16:13 → 1:16:16

SPEAKER_10 The old ladies is just as good as you are.

1:16:16 → 1:16:22

SPEAKER_05 Oh, they are, are they?

1:16:22 → 1:16:24

SPEAKER_07 Well, that's easily taken care of.

1:16:25 → 1:16:27

SPEAKER_07 All I need is one more.

1:16:28 → 1:16:31

SPEAKER_07 Just one more.

1:16:31 → 1:16:34

SPEAKER_07 And I've a pretty good idea who it is.

1:16:34 → 1:16:39

SPEAKER_08 I'm a very lucky man to have caught you at home, Dr. Gilchrist.

1:16:39 → 1:16:41

SPEAKER_08 This is most irregular, most irregular.

1:16:41 → 1:16:44

SPEAKER_08 Well, I'm sorry to have dragged you out of bed, but you see, you're the only one who can help me.

1:16:44 → 1:16:48

SPEAKER_08 I know Teddy blows bugles, but I can't commit a man to an institution just on that.

1:16:48 → 1:16:50

SPEAKER_09 Oh, well, if you'd only have another little talk with him, I'm sure you'd be convinced.

1:16:59 → 1:17:00

SPEAKER_09 Perfect.

1:17:00 → 1:17:01

SPEAKER_09 Now, you better wait.

1:17:02 → 1:17:03

SPEAKER_05 Yes, I'll bring Teddy out.

1:17:03 → 1:17:06

SPEAKER_05 Well, you see, I wouldn't want to alarm the old ladies, you know, seeing a doctor and everything.

1:17:06 → 1:17:07

SPEAKER_05 You wait here, huh?

1:17:09 → 1:17:11

SPEAKER_08 Well, if it's Halloween... Oh, don't worry about Halloween.

1:17:11 → 1:17:12

SPEAKER_09 The pictures won't be out until after midnight.

1:17:15 → 1:17:16

SPEAKER_09 I'll be right back, Doctor.

1:17:16 → 1:17:18

SPEAKER_08 Hey, 22.50.

1:17:18 → 1:17:21

SPEAKER_08 Oh, yes, looks good on you.

1:17:21 → 1:17:22

SPEAKER_08 Yeah.

1:17:22 → 1:17:23

SPEAKER_08 Not the suit, the meter.

1:17:25 → 1:17:27

SPEAKER_08 Looks good on you.

1:17:27 → 1:17:32

SPEAKER_08 $22.50.

1:17:32 → 1:17:33

SPEAKER_00 Did you give him a 21-gun salute?

1:17:33 → 1:17:35

SPEAKER_09 Yes, but a Maxim silencer.

1:17:35 → 1:17:37

SPEAKER_09 Hey, you, five more bucks and you'll own it.

1:17:38 → 1:17:41

SPEAKER_09 It wouldn't fit me.

1:17:41 → 1:17:44

SPEAKER_08 Oh, Mr. President, may I have the pleasure of... Dr. Livingston.

1:17:45 → 1:17:47

SPEAKER_05 Yeah, well, that's what he presumes.

1:17:47 → 1:17:50

SPEAKER_05 Mr. President, the doctor would like to have a few words with you in private.

1:17:51 → 1:17:52

SPEAKER_00 Welcome to Washington, doctor.

1:17:53 → 1:17:56

SPEAKER_00 Arlington is beautiful at this time of year, is it not, Doctor?

1:17:56 → 1:18:00

SPEAKER_01 Yes.

1:18:00 → 1:18:05

SPEAKER_05 Oh no, that's that now.

1:18:05 → 1:18:10

SPEAKER_08 Give me a chance to rest.

1:18:10 → 1:18:14

SPEAKER_05 Well, so far so good.

1:18:22 → 1:18:24

SPEAKER_04 Do you or do you not love me?

1:18:24 → 1:18:25

SPEAKER_05 Oh, Elaine.

1:18:25 → 1:18:27

SPEAKER_05 Elaine, how could you say such a thing?

1:18:27 → 1:18:29

SPEAKER_05 Darling, of course I love you.

1:18:29 → 1:18:31

SPEAKER_05 Yes, darling.

1:18:31 → 1:18:35

SPEAKER_04 Well, then why have you been treating me the way you have?

1:18:35 → 1:18:37

SPEAKER_05 Elaine, Elaine.

1:18:37 → 1:18:43

SPEAKER_05 Darling, I love you so much, I can't go through with our marriage.

1:18:43 → 1:18:45

SPEAKER_04 Have you suddenly gone crazy?

1:18:48 → 1:18:49

SPEAKER_05 Look, look, darling.

1:18:49 → 1:18:51

SPEAKER_05 You wouldn't want to have children with three heads, would you?

1:18:51 → 1:18:54

SPEAKER_05 I mean, you wouldn't want to set up housekeeping in a padded cell.

1:18:54 → 1:18:55

SPEAKER_05 Oh, it'd be bad.

1:18:56 → 1:18:59

SPEAKER_05 Well, I don't quite know, Elaine.

1:18:59 → 1:19:04

SPEAKER_05 Look, I probably should have told you this before, but you see... well, insanity runs in my family.

1:19:04 → 1:19:07

SPEAKER_04 They're practically gallops.

1:19:09 → 1:19:15

SPEAKER_04 Oh, darling, just because Teddy's a little strange, that doesn't mean... Oh, no, darling, no, no, it's way back before Teddy.

1:19:15 → 1:19:19

SPEAKER_05 No, this goes back to the first Brewster, the one who came over on the Mayflower.

1:19:19 → 1:19:22

SPEAKER_05 You know how in those days the Indians used to scalp the settlers?

1:19:22 → 1:19:26

SPEAKER_05 Well, he used to scalp the Indians.

1:19:26 → 1:19:28

SPEAKER_04 Oh, darling, that's ancient history.

1:19:28 → 1:19:32

SPEAKER_00 Yes, Doctor, I'll run for a third term, but I won't be elected.

1:19:32 → 1:19:35

SPEAKER_00 And that'll mean the last of the Roosevelt's in the White House.

1:19:36 → 1:19:38

SPEAKER_08 Of course, if the country insists.

1:19:38 → 1:19:40

SPEAKER_04 Oh, darling, all this doesn't prove a thing.

1:19:40 → 1:19:42

SPEAKER_04 Look at your aunts.

1:19:42 → 1:19:43

SPEAKER_04 They're Brewsters, aren't they?

1:19:43 → 1:19:46

SPEAKER_04 And the sweetest, sanest people I've ever known.

1:19:46 → 1:19:48

SPEAKER_05 Yeah.

1:19:48 → 1:19:51

SPEAKER_08 Well, even they have their peculiarities.

1:19:51 → 1:19:52

SPEAKER_04 Oh, what of it?

1:19:52 → 1:19:54

SPEAKER_04 So your family's crazy, so you're crazy.

1:19:55 → 1:19:57

SPEAKER_04 That's the way I love you.

1:19:57 → 1:19:59

SPEAKER_04 I'm crazy too, but kiss me.

1:20:00 → 1:20:02

SPEAKER_05 I... I... I... Oh.

1:20:04 → 1:20:06

SPEAKER_00 Goodbye, Ambassador.

1:20:06 → 1:20:08

SPEAKER_00 I've enjoyed this little talk very much.

1:20:08 → 1:20:17

SPEAKER_00 Anytime you're in Washington, drop in to see me at the White House.

1:20:19 → 1:20:22

SPEAKER_08 Yes, I'll commit him to any place.

1:20:22 → 1:20:25

SPEAKER_08 I've just been appointed Ambassador to Bolivia.

1:20:25 → 1:20:27

SPEAKER_09 Ah, you see, didn't I tell you?

1:20:27 → 1:20:28

SPEAKER_09 No, don't worry about that.

1:20:28 → 1:20:30

SPEAKER_09 Just go and sign the papers.

1:20:30 → 1:20:31

SPEAKER_09 Oh, dear.

1:20:34 → 1:20:36

SPEAKER_04 All right, all right.

1:20:36 → 1:20:38

SPEAKER_04 You'll find out whose house this is.

1:20:38 → 1:20:39

SPEAKER_04 I'm warning you.

1:20:39 → 1:20:41

SPEAKER_04 You'd better stop it.

1:20:41 → 1:20:44

SPEAKER_04 There's no use you doing what you're doing because it'll just have to be undone.

1:20:44 → 1:20:46

SPEAKER_04 That ain't gonna be it.

1:20:46 → 1:20:50

SPEAKER_04 It's a terrible thing to do, to bury a good Methodist with a foreigner.

1:20:50 → 1:20:51

SPEAKER_04 Mortimer, where have you been?

1:20:51 → 1:20:53

SPEAKER_09 Before I get us a paper signed, is Teddy in his room?

1:20:53 → 1:20:56

SPEAKER_04 Oh, Mortimer, what is the matter with you?

1:20:56 → 1:20:59

SPEAKER_04 Running around getting papers signed at a time like this.

1:20:59 → 1:21:01

SPEAKER_04 Martha and I are going for the police.

1:21:02 → 1:21:04

SPEAKER_04 Wait, wait, wait.

1:21:04 → 1:21:06

SPEAKER_09 You can't go for the police.

1:21:07 → 1:21:08

SPEAKER_04 Do you know what Jonathan is doing?

1:21:08 → 1:21:11

SPEAKER_04 He's putting Mr. Hoskins and Mr. Spinalzo in together.

1:21:11 → 1:21:13

SPEAKER_12 All right, darling, let him.

1:21:13 → 1:21:16

SPEAKER_12 This is all fixed up nice now.

1:21:16 → 1:21:18

SPEAKER_12 Nice and smooth like a leak.

1:21:18 → 1:21:23

SPEAKER_12 The president will be very proud of his Panama Canal.

1:21:23 → 1:21:26

SPEAKER_10 Oh, Johnny, that feels good already.

1:21:26 → 1:21:28

SPEAKER_10 You know, we didn't get any sleep for 48 hours.

1:21:30 → 1:21:31

SPEAKER_12 Forget him, Doctor.

1:21:31 → 1:21:37

SPEAKER_04 Now, Mortimer, if Jonathan and Mr. Spinalzo aren't out of this house before morning, we're going for the police.

1:21:40 → 1:21:41

SPEAKER_08 Oh, well, then you get the wedding suit.

1:21:42 → 1:21:43

SPEAKER_09 Now, remember, no police, no police.

1:21:44 → 1:21:46

SPEAKER_09 Now, look, go to bed, will you?

1:21:46 → 1:21:50

SPEAKER_09 Look, if I ever see you get out of those clothes, you two look like a double blackout.

1:21:50 → 1:21:51

SPEAKER_02 My brother, Mortimer.

1:21:53 → 1:21:54

SPEAKER_02 Just heard him upstairs.

1:21:54 → 1:21:56

SPEAKER_10 No, no, no.

1:21:56 → 1:21:57

SPEAKER_10 I'm tired.

1:21:57 → 1:22:02

SPEAKER_10 You forget I got to operate on your face tomorrow.

1:22:02 → 1:22:05

SPEAKER_02 You are going to operate tomorrow, Doctor.

1:22:05 → 1:22:08

SPEAKER_02 But tonight, we are taking care of Mortimer.

1:22:08 → 1:22:09

SPEAKER_10 But, Johnny, not tonight.

1:22:09 → 1:22:11

SPEAKER_10 I'm sleepy.

1:22:11 → 1:22:13

SPEAKER_10 We'll do it tomorrow, huh, or the next day.

1:22:13 → 1:22:16

SPEAKER_02 Look at me, Doctor.

1:22:16 → 1:22:20

SPEAKER_02 You can see that it's got to be done, can't you?

1:22:20 → 1:22:22

SPEAKER_10 Yeah.

1:22:24 → 1:22:27

SPEAKER_02 It's a little late to dissolve our partnership.

1:22:27 → 1:22:28

SPEAKER_10 Okay, okay, Johnny.

1:22:28 → 1:22:30

SPEAKER_10 Okay, we'll do it.

1:22:30 → 1:22:31

SPEAKER_12 But the quick way, huh?

1:22:31 → 1:22:33

SPEAKER_12 The quick twist, like in London.

1:22:33 → 1:22:34

SPEAKER_02 No, Doctor.

1:22:34 → 1:22:38

SPEAKER_02 I think this calls for something special.

1:22:38 → 1:22:42

SPEAKER_02 I think perhaps the Melbourne method.

1:22:42 → 1:22:44

SPEAKER_10 Not the Melbourne method, please.

1:22:44 → 1:22:46

SPEAKER_10 Two hours.

1:22:46 → 1:22:49

SPEAKER_12 And then, when it was all over, what?

1:22:49 → 1:22:51

SPEAKER_12 The fellow in London was just as dead as the fellow in Melbourne.

1:22:54 → 1:22:56

SPEAKER_00 No, no, no, don't do that, Mr. President.

1:22:56 → 1:22:59

SPEAKER_00 But I cannot sign any proclamation without consulting my cabinet.

1:22:59 → 1:23:00

SPEAKER_00 This must be secret.

1:23:00 → 1:23:02

SPEAKER_00 A secret proclamation?

1:23:02 → 1:23:03

SPEAKER_08 How unusual.

1:23:03 → 1:23:06

SPEAKER_08 Yes, it's the only way we can outsmart the other fellow.

1:23:06 → 1:23:07

SPEAKER_08 Who's the other fellow?

1:23:07 → 1:23:08

SPEAKER_00 That's the secret.

1:23:08 → 1:23:10

SPEAKER_00 Oh, I see.

1:23:10 → 1:23:12

SPEAKER_00 Very clever.

1:23:12 → 1:23:15

SPEAKER_00 Well, if it's a secret proclamation, it has to be signed in secret.

1:23:15 → 1:23:16

SPEAKER_00 Of course, Mr. President.

1:23:16 → 1:23:17

SPEAKER_00 I'll have to put on my signing clothes.

1:23:17 → 1:23:20

SPEAKER_08 Oh, you already have them on, Mr. President.

1:23:20 → 1:23:21

SPEAKER_08 So I have.

1:23:25 → 1:23:27

SPEAKER_08 Hey, Mr. Brewster.

1:23:27 → 1:23:29

SPEAKER_08 What is it, mice?

1:23:29 → 1:23:31

SPEAKER_05 Huh?

1:23:31 → 1:23:44

SPEAKER_10 Hey, Mr. Brewster, you get out of this house.

1:23:44 → 1:23:46

SPEAKER_08 Thank you, Mr. President.

1:23:46 → 1:23:47

SPEAKER_05 Oh, what a load off my mind.

1:23:47 → 1:23:48

SPEAKER_05 Boy, can I use that drink.

1:23:52 → 1:23:54

SPEAKER_12 Johnny is in a bad mood.

1:23:58 → 1:23:59

SPEAKER_09 What are you doing?

1:23:59 → 1:24:01

SPEAKER_09 Look, Doc, are you really a doctor?

1:24:02 → 1:24:04

SPEAKER_10 You come with me.

1:24:04 → 1:24:06

SPEAKER_10 How'd you come to hook up with Jonathan?

1:24:06 → 1:24:08

SPEAKER_10 I'll tell you later about that, but you go now.

1:24:09 → 1:24:11

SPEAKER_10 Now, just, just, just... Anyway, stop it, Doctor.

1:24:13 → 1:24:16

SPEAKER_12 Look, look, when Johnny is in that mood, he's a madman.

1:24:16 → 1:24:17

SPEAKER_10 He's a maniac.

1:24:17 → 1:24:18

SPEAKER_10 And then things happen.

1:24:19 → 1:24:21

SPEAKER_12 Horrible things.

1:24:21 → 1:24:22

SPEAKER_09 You get out of here!

1:24:22 → 1:24:24

SPEAKER_09 Now, look, stop telling me about Jonathan.

1:24:24 → 1:24:25

SPEAKER_08 I'll take care of Jonathan.

1:24:26 → 1:24:28

SPEAKER_09 Now, get going, little fella.

1:24:29 → 1:24:30

SPEAKER_08 Oh, no, Max.

1:24:31 → 1:24:33

SPEAKER_08 I could use that.

1:24:33 → 1:24:34

SPEAKER_08 Max, come on.

1:24:35 → 1:24:36

SPEAKER_08 Only for dramatic critics.

1:24:36 → 1:24:39

SPEAKER_08 Now, look, you'll beat it before things start popping around here.

1:24:39 → 1:24:41

SPEAKER_10 But, look, Mr. Brewster, please.

1:24:41 → 1:24:43

SPEAKER_10 You've just been married.

1:24:43 → 1:24:45

SPEAKER_10 You have a nice little wife waiting for you.

1:24:45 → 1:24:46

SPEAKER_10 Please go now.

1:24:52 → 1:24:54

SPEAKER_10 Tell me, don't those plays you see all the time teach you anything?

1:24:55 → 1:24:56

SPEAKER_05 Don't get me on the subject of plays.

1:24:57 → 1:24:58

SPEAKER_05 I've got to wait here for Mr. Witherspoon.

1:24:58 → 1:25:01

SPEAKER_05 At least people in plays act like they got sense.

1:25:01 → 1:25:04

SPEAKER_05 Did you ever see anybody in a play act like they got intelligence?

1:25:04 → 1:25:05

SPEAKER_05 How can somebody be so stupid?

1:25:05 → 1:25:06

SPEAKER_05 You ought to have my job for a few nights.

1:25:07 → 1:25:10

SPEAKER_05 When you get out of prison, you have yourself wheeled over to the Garrick Theater.

1:25:11 → 1:25:15

SPEAKER_05 There's a play there that's so bad it'll still be running when you get out.

1:25:15 → 1:25:16

SPEAKER_05 Now, in it, there's a man.

1:25:17 → 1:25:20

SPEAKER_05 Now, he knows he's in a house with murderers, so he ought to know he's in danger.

1:25:20 → 1:25:21

SPEAKER_08 He's even been warned to get out of the house.

1:25:25 → 1:25:28

SPEAKER_08 This fella doesn't even have sense enough to be scared or to be on his guard.

1:25:29 → 1:25:31

SPEAKER_05 The murderer even invites him to sit down.

1:25:31 → 1:25:32

SPEAKER_05 Why do you think he does?

1:25:32 → 1:25:33

SPEAKER_08 Oh, I don't know.

1:25:33 → 1:25:34

SPEAKER_08 He sits down.

1:25:35 → 1:25:38

SPEAKER_08 He deliberately pulls up a chair like that, and he sits down in it.

1:25:38 → 1:25:40

SPEAKER_08 Isn't that great?

1:25:40 → 1:25:45

SPEAKER_08 So there he is, all waiting to be trussed up and gagged.

1:25:45 → 1:25:47

SPEAKER_08 What do you think they used to truss him up with?

1:25:47 → 1:25:49

SPEAKER_08 The curtain cord.

1:25:49 → 1:25:51

SPEAKER_10 Curtain cord.

1:25:51 → 1:25:53

SPEAKER_10 Didn't he see him get it?

1:25:54 → 1:25:56

SPEAKER_08 The silly chump sits down with his back toward the murderer.

1:25:56 → 1:25:58

SPEAKER_05 All he has to do is look around, but does he?

1:26:00 → 1:26:04

SPEAKER_08 Look, don't you see Brother Heidelberg in a play or even in a movie, for that matter?

1:26:04 → 1:26:06

SPEAKER_08 A fella never sees or hears anything.

1:26:06 → 1:26:07

SPEAKER_08 No, neither does he.

1:26:08 → 1:26:09

SPEAKER_10 But what does he do?

1:26:10 → 1:26:11

SPEAKER_08 Well, the big chump sits there.

1:26:11 → 1:26:13

SPEAKER_08 This fella, who's supposed to be bright, he sits there.

1:26:14 → 1:26:17

SPEAKER_08 Look at the attitude.

1:26:17 → 1:26:19

SPEAKER_09 He sits there waiting to be tied up and ganged.

1:26:29 → 1:26:31

SPEAKER_10 Oh, no.

1:26:31 → 1:26:32

SPEAKER_10 You were right about that fellow.

1:26:32 → 1:26:36

SPEAKER_10 He wasn't very bright.

1:26:36 → 1:26:38

SPEAKER_02 Yes, Mortimer.

1:26:38 → 1:26:47

SPEAKER_02 I've been away for 20 years, but never, my dear brother, were you out of my mind.

1:26:47 → 1:26:49

SPEAKER_02 In Melbourne, one night, I dreamt of you.

1:27:12 → 1:27:18

SPEAKER_02 The more you struggle, Mortimer, the more you strangle yourself.

1:27:18 → 1:27:20

SPEAKER_02 Later on, you may consider that a blessing.

1:27:53 → 1:27:57

SPEAKER_12 Now, Doctor, we go to work.

1:27:58 → 1:28:00

SPEAKER_10 Johnny, for me, please, the quick way, please.

1:28:00 → 1:28:03

SPEAKER_02 Doctor, this must be an artistic achievement.

1:28:03 → 1:28:04

SPEAKER_02 Please.

1:28:04 → 1:28:08

SPEAKER_02 After all, we're performing before a very distinguished critic.

1:28:08 → 1:28:09

SPEAKER_02 Johnny, please.

1:28:09 → 1:28:10

SPEAKER_02 Doctor.

1:28:10 → 1:28:15

SPEAKER_10 All right, let's get it over with.

1:28:15 → 1:28:19

SPEAKER_10 But Johnny, I cannot see this without a drink.

1:28:19 → 1:28:20

SPEAKER_07 Pull yourself together, Doctor.

1:28:20 → 1:28:23

SPEAKER_10 But I can't pull myself together without a drink.

1:28:24 → 1:28:27

SPEAKER_10 Johnny, you remember when we came in here, there was some wine.

1:28:28 → 1:28:30

SPEAKER_10 Where did they put it?

1:28:30 → 1:28:32

SPEAKER_10 Johnny, I found some wine.

1:28:32 → 1:28:35

SPEAKER_10 I found some wine.

1:28:35 → 1:28:36

SPEAKER_10 Here, I split it with you.

1:28:36 → 1:28:39

SPEAKER_10 We both have a drink before we operate.

1:28:39 → 1:28:41

SPEAKER_10 Oh, I'm so happy.

1:28:41 → 1:28:49

SPEAKER_10 Now we don't have to operate without a drink.

1:28:49 → 1:28:53

SPEAKER_02 Doctor, one moment, please.

1:28:57 → 1:28:59

SPEAKER_02 Yes, Mortimer.

1:28:59 → 1:29:03

SPEAKER_02 I realize now that it was you who brought me back to Brooklyn.

1:29:03 → 1:29:05

SPEAKER_02 We drink to you.

1:29:05 → 1:29:12

SPEAKER_07 Doctor, to my dear dead brother.

1:29:26 → 1:29:27

SPEAKER_00 He goes next.

1:29:30 → 1:29:32

SPEAKER_00 No, Teddy, we won't get to him at all.

1:29:32 → 1:29:33

SPEAKER_10 No, we have to work fast.

1:29:36 → 1:29:39

SPEAKER_10 If it has to be the quick way, yes, I'll help you with that.

1:29:53 → 1:29:55

SPEAKER_07 Hey, the colonel will have to quit blowing that horn.

1:29:55 → 1:29:56

SPEAKER_07 It's all right, officer.

1:29:56 → 1:29:58

SPEAKER_07 We're taking the bugle away from him.

1:29:58 → 1:30:00

SPEAKER_07 I better talk to him myself.

1:30:00 → 1:30:06

SPEAKER_04 Where's the lights?

1:30:06 → 1:30:09

SPEAKER_06 You stood me up!

1:30:09 → 1:30:11

SPEAKER_06 I've been waiting for you for over an hour at Kelly's.

1:30:13 → 1:30:15

SPEAKER_06 What happened to him?

1:30:15 → 1:30:21

SPEAKER_10 He was explaining a play he saw the other night, and that's what happened to a man in the play.

1:30:21 → 1:30:23

SPEAKER_06 Oh, I see.

1:30:23 → 1:30:24

SPEAKER_06 Did that really happen at a play you saw?

1:30:24 → 1:30:26

SPEAKER_06 How do you like that?

1:30:26 → 1:30:28

SPEAKER_06 You can't trust nobody no more.

1:30:28 → 1:30:30

SPEAKER_06 They practically stole that from the second act of my play.

1:30:30 → 1:30:33

SPEAKER_06 You know, in the second act, just before... Well, maybe I better start at the beginning.

1:30:33 → 1:30:36

SPEAKER_03 Huh?

1:30:36 → 1:30:41

SPEAKER_06 Oh, yeah, sure.

1:30:43 → 1:30:49

SPEAKER_06 You've got to hear the plot.

1:30:49 → 1:30:50

SPEAKER_06 My mother's sitting there making up, see?

1:30:50 → 1:30:55

SPEAKER_06 And like a flash, all of a sudden, out of a clear sky, the door comes open and a man with a black mustache comes in.

1:30:55 → 1:30:59

SPEAKER_06 He turns to my mother and he says, Miss Peaches Latour, will you marry me?

1:30:59 → 1:31:01

SPEAKER_06 Well, that's the first scene.

1:31:01 → 1:31:02

SPEAKER_06 My mother doesn't tell him that they're married.

1:31:02 → 1:31:04

SPEAKER_06 That's the surprise.

1:31:04 → 1:31:06

SPEAKER_06 What a kick.

1:31:06 → 1:31:08

SPEAKER_06 All right, 25 years pass.

1:31:08 → 1:31:12

SPEAKER_06 Well, in the meantime, there's me, growing into a magnificent specimen.

1:31:12 → 1:31:13

SPEAKER_06 So what do I do?

1:31:13 → 1:31:16

SPEAKER_06 I join the police force and become one of New York's finest.

1:31:16 → 1:31:19

SPEAKER_06 Well, I'm cleaning out a crooked laundry, see?

1:31:19 → 1:31:23

SPEAKER_06 Little do I know it, but there's a dope fiend with a long knife trailing after me.

1:31:23 → 1:31:25

SPEAKER_06 I'm in great danger.

1:31:25 → 1:31:26

SPEAKER_06 It's getting you, ain't it?

1:31:26 → 1:31:30

SPEAKER_06 See it in your eyes.

1:31:30 → 1:31:32

SPEAKER_06 Well, you ain't heard nothing yet.

1:31:32 → 1:31:33

SPEAKER_06 All of a sudden, a fire breaks out.

1:31:33 → 1:31:34

SPEAKER_06 What an effect!

1:31:34 → 1:31:37

SPEAKER_06 The firemen rush in, and who do you think's leading them?

1:31:37 → 1:31:39

SPEAKER_07 Mayor Fiorella LaGuardia.

1:31:42 → 1:31:44

SPEAKER_10 What's the matter with him?

1:31:44 → 1:31:45

SPEAKER_10 Probably your play put him to sleep.

1:31:45 → 1:31:47

SPEAKER_10 What?

1:31:47 → 1:31:48

SPEAKER_10 Personally, I like it very much.

1:31:48 → 1:31:50

SPEAKER_08 It's probably over his head, huh?

1:31:51 → 1:31:52

SPEAKER_08 Where have I seen that face before?

1:31:52 → 1:31:54

SPEAKER_08 Oh, no, please.

1:31:54 → 1:31:57

SPEAKER_08 Well, the scene changes.

1:31:57 → 1:31:59

SPEAKER_08 It's an evolving stage.

1:31:59 → 1:32:04

SPEAKER_08 I'm walking along my beat one night, casual-like, when a guy that I'm following, it turns out he's really following me.

1:32:04 → 1:32:06

SPEAKER_06 Don't let nobody in.

1:32:07 → 1:32:08

SPEAKER_06 I figure I'll outsmart him.

1:32:08 → 1:32:09

SPEAKER_06 There's a vacant house in the corner.

1:32:09 → 1:32:10

SPEAKER_06 So I ducks in there.

1:32:10 → 1:32:12

SPEAKER_06 I stand there.

1:32:12 → 1:32:13

SPEAKER_06 I see the door handle turn.

1:32:13 → 1:32:17

SPEAKER_06 So I pulls out my gun, braces myself against the wall, and I says, come in.

1:32:17 → 1:32:22

SPEAKER_06 Oh, hello, boys.

1:32:23 → 1:32:25

SPEAKER_08 What the Sam Hill's going on here?

1:32:26 → 1:32:27

SPEAKER_06 This is Mortimer Brewster.

1:32:27 → 1:32:28

SPEAKER_08 He's gonna help me write my play.

1:32:28 → 1:32:30

SPEAKER_08 You have to tie him up to make him listen?

1:32:30 → 1:32:32

SPEAKER_08 Oh, Harry, you better report him to the station.

1:32:33 → 1:32:34

SPEAKER_11 You've got the whole force out looking for you.

1:32:34 → 1:32:36

SPEAKER_11 Right in the middle of the second act.

1:32:36 → 1:32:37

SPEAKER_06 Did they send you guys here looking for me?

1:32:38 → 1:32:40

SPEAKER_08 We came to warn the old ladies that there's the devil to pay.

1:32:40 → 1:32:42

SPEAKER_08 The colonel blew that bugle again.

1:32:42 → 1:32:44

SPEAKER_08 The neighbors are all phoning in.

1:32:44 → 1:32:45

SPEAKER_08 The lieutenant is on the warpath.

1:32:45 → 1:32:47

SPEAKER_02 He says we've got to put him away someplace.

1:32:48 → 1:32:49

SPEAKER_06 Now, who the heck is this?

1:32:49 → 1:32:50

SPEAKER_06 That's Mr. Brewster's brother.

1:32:50 → 1:32:52

SPEAKER_06 My plane put him to sleep.

1:32:52 → 1:32:55

SPEAKER_06 Oh, that's the one that ran away, so he came back.

1:32:55 → 1:32:57

SPEAKER_11 Brophy, get me Mac.

1:32:57 → 1:33:01

SPEAKER_06 And if you've got yourself in a mess, you're two hours overdue at the station.

1:33:01 → 1:33:02

SPEAKER_06 I better let him know that I found you.

1:33:02 → 1:33:04

SPEAKER_11 Hey, it wasn't that bad, was it?

1:33:04 → 1:33:08

SPEAKER_08 Mac, tell the lieutenant he can call off the big manhunt.

1:33:08 → 1:33:10

SPEAKER_08 We found him.

1:33:10 → 1:33:13

SPEAKER_06 At the Brewster house.

1:33:13 → 1:33:15

SPEAKER_06 Shall we bring him in?

1:33:19 → 1:33:22

SPEAKER_08 The lieutenant is on his way over.

1:33:22 → 1:33:25

SPEAKER_07 So I've been turned in, eh?

1:33:26 → 1:33:28

SPEAKER_07 You got me.

1:33:28 → 1:33:31

SPEAKER_07 I suppose you and my stool pigeon brother will split the reward.

1:33:32 → 1:33:33

SPEAKER_07 Yes, reward.

1:33:33 → 1:33:35

SPEAKER_07 Now I'll do some turning in.

1:33:35 → 1:33:37

SPEAKER_07 Wait a minute, Mr. Brewster.

1:33:37 → 1:33:40

SPEAKER_07 You think my aunts are sweet, charming old ladies, don't you?

1:33:40 → 1:33:43

SPEAKER_07 Well, there's 13 bodies buried in the cellar.

1:33:44 → 1:33:45

SPEAKER_07 Gas 13.

1:33:45 → 1:33:47

SPEAKER_00 Be careful what you say about your aunts.

1:33:47 → 1:33:48

SPEAKER_00 They happen to be friends of ours.

1:33:49 → 1:33:50

SPEAKER_00 Don't you make any trouble for them.

1:33:53 → 1:33:55

SPEAKER_08 You come down to the cellar.

1:33:55 → 1:33:56

SPEAKER_00 Wait a minute.

1:33:57 → 1:33:58

SPEAKER_00 I'll show you where they're buried.

1:33:59 → 1:34:01

SPEAKER_07 Go on down to the cellar with him, O'Hara.

1:34:02 → 1:34:03

SPEAKER_06 Do I have to?

1:34:03 → 1:34:04

SPEAKER_09 Look, Sarge.

1:34:04 → 1:34:07

SPEAKER_09 Maybe I don't want to go down to the cellar with him.

1:34:07 → 1:34:09

SPEAKER_08 Go on down to the cellar with him.

1:34:10 → 1:34:11

SPEAKER_08 I'll tell you the rest of my play later.

1:34:12 → 1:34:14

SPEAKER_06 Go on down to the cellar with him.

1:34:14 → 1:34:15

SPEAKER_06 Gee, do I have to, Sarge?

1:34:16 → 1:34:18

SPEAKER_08 He looks like Boris Karloff.

1:34:19 → 1:34:21

SPEAKER_08 You stupid!

1:34:45 → 1:34:48

SPEAKER_05 Everybody off.

1:34:51 → 1:34:58

SPEAKER_05 Amazing.

1:34:58 → 1:35:00

SPEAKER_05 Such a fine day, too.

1:35:00 → 1:35:02

SPEAKER_05 All I did was cross the bridge and I was in Brooklyn.

1:35:03 → 1:35:06

SPEAKER_05 Amazing.

1:35:06 → 1:35:09

SPEAKER_05 Don't bother me.

1:35:11 → 1:35:13

SPEAKER_08 Hey, buddy, you could use this in the third act.

1:35:13 → 1:35:15

SPEAKER_08 Oh, I got something better than this, let me tell you.

1:35:15 → 1:35:21

SPEAKER_06 I'll see you later.

1:35:21 → 1:35:22

SPEAKER_05 I got the papers signed.

1:35:24 → 1:35:28

SPEAKER_05 Go ahead, go ahead, fight, fight, fight, fight.

1:35:29 → 1:35:36

SPEAKER_05 I better call up, see if Witherspoon is left.

1:35:38 → 1:35:39

SPEAKER_00 I'll get every one of you.

1:35:40 → 1:35:42

SPEAKER_05 I'll bring the first one that comes near me.

1:35:42 → 1:35:44

SPEAKER_05 A little higher, please, buddy.

1:35:44 → 1:35:46

SPEAKER_05 This way.

1:35:46 → 1:35:49

SPEAKER_05 Don't do that, please.

1:35:49 → 1:35:51

SPEAKER_05 Oh, that won't have any effect.

1:35:51 → 1:35:52

SPEAKER_05 Oh, it did.

1:35:52 → 1:35:56

SPEAKER_05 Isn't that amazing?

1:35:56 → 1:35:57

SPEAKER_05 Oh, dear.

1:35:57 → 1:36:01

SPEAKER_05 Wish I could relax like that.

1:36:16 → 1:36:17

SPEAKER_05 What has occurred?

1:36:17 → 1:36:20

SPEAKER_08 Did I tell you I'd handle it myself?

1:36:20 → 1:36:23

SPEAKER_06 Lieutenant, we were just acting as self-defense.

1:36:24 → 1:36:25

SPEAKER_08 They put up a fight?

1:36:25 → 1:36:27

SPEAKER_08 This isn't the one that blows the bugle.

1:36:28 → 1:36:29

SPEAKER_08 He tried to kill O'Hara.

1:36:29 → 1:36:32

SPEAKER_06 All I said was that he looked like Boris Karloff.

1:36:32 → 1:36:33

SPEAKER_06 Boris?

1:36:33 → 1:36:40

SPEAKER_08 I kind of think he's wanted somewhere.

1:36:40 → 1:36:42

SPEAKER_08 Oh, you kind of think he's wanted somewhere.

1:36:43 → 1:36:49

SPEAKER_08 If you guys can't look at the circulus we put up on the station, you can at least read short detective stories.

1:36:49 → 1:36:50

SPEAKER_08 Certainly he's wanted somewhere.

1:36:50 → 1:36:51

SPEAKER_08 In Indiana.

1:36:51 → 1:36:52

SPEAKER_08 He escaped from the prison for criminal insane.

1:36:52 → 1:36:54

SPEAKER_08 He's a lifer.

1:36:54 → 1:36:55

SPEAKER_08 That's my brother.

1:36:55 → 1:36:57

SPEAKER_08 For Pete's sake, that's the way they described him.

1:36:57 → 1:37:00

SPEAKER_08 He looked like Karloff.

1:37:00 → 1:37:01

SPEAKER_08 Why'd you have to knock him out?

1:37:01 → 1:37:02

SPEAKER_08 He tried to get us to go down to the cellar.

1:37:02 → 1:37:05

SPEAKER_08 He says there's 13 bodies buried down there.

1:37:05 → 1:37:09

SPEAKER_08 13 bodies buried in the cellar, and that don't tip you off the guy comes out of a nuthouse.

1:37:10 → 1:37:14

SPEAKER_06 Say, Lieutenant, about my not ringing in... Where have you been all night?

1:37:14 → 1:37:15

SPEAKER_08 Don't bother to tell me.

1:37:15 → 1:37:17

SPEAKER_06 I was right here writing a play with Mortimer Brewster.

1:37:18 → 1:37:21

SPEAKER_08 Well, you're gonna have a long time on that play.

1:37:23 → 1:37:24

SPEAKER_08 Now go on, report in.

1:37:24 → 1:37:26

SPEAKER_08 Take this guy out in the kitchen and bring him too.

1:37:26 → 1:37:27

SPEAKER_06 I want to find out where his accomplice is.

1:37:27 → 1:37:28

SPEAKER_08 What is the meaning of this commotion?

1:37:28 → 1:37:29

SPEAKER_08 Here's the guy who helped him escape.

1:37:29 → 1:37:31

SPEAKER_08 He's wanted too.

1:37:31 → 1:37:33

SPEAKER_08 48 hours I've been after these guys.

1:37:33 → 1:37:34

SPEAKER_08 Nothing to eat, no sleep.

1:37:34 → 1:37:38

SPEAKER_08 No wonder Brookman's in the shape it's in, with flatheads like you on the force.

1:37:38 → 1:37:42

SPEAKER_08 Falling for a story like that, 13 bodies buried down in the cellar.

1:37:42 → 1:37:45

SPEAKER_08 But there are 13 bodies in the cellar.

1:37:45 → 1:37:46

SPEAKER_00 Who are you?

1:37:46 → 1:37:50

SPEAKER_00 I'm President Roosevelt.

1:37:51 → 1:37:53

SPEAKER_08 He's the guy that blows the bugle.

1:37:53 → 1:37:58

SPEAKER_09 Howdy, Colonel.

1:37:58 → 1:38:01

SPEAKER_08 Well, Colonel, you've blowed your last bugle.

1:38:01 → 1:38:02

SPEAKER_08 Come on, get this guy out of here.

1:38:02 → 1:38:04

SPEAKER_00 Dear me, another yellow fever victim?

1:38:05 → 1:38:07

SPEAKER_00 All the bodies in the cellar are yellow fever victims.

1:38:07 → 1:38:08

SPEAKER_00 No, no, no, Colonel.

1:38:08 → 1:38:09

SPEAKER_07 This is a spy.

1:38:09 → 1:38:11

SPEAKER_07 We caught him at the White House.

1:38:11 → 1:38:12

SPEAKER_08 Take him out and bring him too.

1:38:12 → 1:38:13

SPEAKER_08 I want to question him.

1:38:13 → 1:38:16

SPEAKER_00 If there's any questioning of spies, that's my department.

1:38:16 → 1:38:17

SPEAKER_00 Hey, you'll keep out of that.

1:38:17 → 1:38:20

SPEAKER_00 You're forgetting that as president, I am also head of the Secret Service.

1:38:31 → 1:38:33

SPEAKER_08 Who are you?

1:38:33 → 1:38:34

SPEAKER_08 What's your name?

1:38:34 → 1:38:36

SPEAKER_05 Usually, I'm Mortimer Brewster, but I'm not quite myself today.

1:38:36 → 1:38:37

SPEAKER_05 Oh, you're his brother.

1:38:42 → 1:38:43

SPEAKER_05 No arguments.

1:38:45 → 1:38:47

SPEAKER_08 Teddy's going to go to Happydale tonight.

1:38:47 → 1:38:49

SPEAKER_05 I'm just waiting here for Mr. Witherspoon, that's all.

1:38:49 → 1:38:50

SPEAKER_08 Well, as long as he's going someplace.

1:38:51 → 1:38:53

SPEAKER_08 What, with that bugle and all?

1:38:53 → 1:38:56

SPEAKER_08 And that cockeyed story about 13 bodies being bur...

1:39:04 → 1:39:07

SPEAKER_08 You know, I've been without sleep for 48 hours.

1:39:07 → 1:39:08

SPEAKER_08 I'm liable to think anything.

1:39:08 → 1:39:09

SPEAKER_08 Yeah, Captain, I know just how you feel.

1:39:09 → 1:39:12

SPEAKER_08 There's people dumb enough to believe a story like that.

1:39:12 → 1:39:15

SPEAKER_08 Yeah, but... Last year over in Greenpoint, there was a crazy guy started a murder rumor.

1:39:15 → 1:39:19

SPEAKER_08 I had to dig up a whole half-acre lot before I could prove... Oh, what's this?

1:39:20 → 1:39:21

SPEAKER_08 These papers ain't no good.

1:39:21 → 1:39:23

SPEAKER_08 He signed a Theodore Roosevelt.

1:39:29 → 1:39:30

SPEAKER_06 Our taxi cab engaged?

1:39:30 → 1:39:31

SPEAKER_06 Yeah, and losing dough every minute.

1:39:32 → 1:39:36

SPEAKER_06 I, Mr. Witherspoon, of the Happydale Sanitarium, I have come here to collect a rooster.

1:39:36 → 1:39:41

SPEAKER_06 I would like you to drive us back to the sanitarium.

1:39:41 → 1:39:45

SPEAKER_08 I knew this would end up in a nut house.

1:39:45 → 1:39:47

SPEAKER_06 We like to think of it as a rest home.

1:39:47 → 1:39:51

SPEAKER_06 No!

1:39:58 → 1:40:00

SPEAKER_06 Mr. Brewster?

1:40:00 → 1:40:02

SPEAKER_06 Mr. Brewster?

1:40:02 → 1:40:05

SPEAKER_06 Mr. Witherspoon is here.

1:40:05 → 1:40:12

SPEAKER_08 Supposing the spies should steal this document and find the name Theodore Roosevelt on it?

1:40:12 → 1:40:15

SPEAKER_08 Think what that would mean to the safety of the nation.

1:40:15 → 1:40:16

SPEAKER_08 No, it's chicanery.

1:40:21 → 1:40:22

SPEAKER_08 But let me explain.

1:40:22 → 1:40:24

SPEAKER_08 The name Brewster is code for Roosevelt.

1:40:27 → 1:40:29

SPEAKER_08 Take away the B, and what have you got?

1:40:30 → 1:40:32

SPEAKER_08 And what does a rooster do?

1:40:33 → 1:40:35

SPEAKER_08 And where do you hunt in Africa?

1:40:36 → 1:40:38

SPEAKER_00 There you are, Crowsveld.

1:40:38 → 1:40:39

SPEAKER_00 Ingenious.

1:40:39 → 1:40:41

SPEAKER_00 My compliments to the boys at the code department.

1:40:42 → 1:40:43

SPEAKER_08 Do that again for me, will you?

1:40:43 → 1:40:44

SPEAKER_00 Never mind.

1:40:44 → 1:40:46

SPEAKER_00 Give me that pen.

1:40:46 → 1:40:48

SPEAKER_05 This is fun.

1:40:48 → 1:40:50

SPEAKER_05 Oh, now, all I gotta get is Witherspoon whisper.

1:40:55 → 1:40:58

SPEAKER_05 Oh, Mr. Witherspoon, I can't tell you how glad I am to see you.

1:40:59 → 1:41:03

SPEAKER_08 Mr. Witherspoon, before... Look, you will take good care of Teddy at Happydale, won't you?

1:41:03 → 1:41:04

SPEAKER_08 Best of care of him, Mr. Bluestone.

1:41:05 → 1:41:07

SPEAKER_08 And no wagon when he leaves, I think.

1:41:09 → 1:41:10

SPEAKER_06 Taxicabs, we always have.

1:41:12 → 1:41:13

SPEAKER_08 Look, it means a great deal to me.

1:41:13 → 1:41:16

SPEAKER_08 You will personally see that Teddy's happy at Happydale, won't you?

1:41:16 → 1:41:17

SPEAKER_08 He'll be very happy at Happydale.

1:41:19 → 1:41:21

SPEAKER_06 You know, I sometimes envy some of our patients.

1:41:21 → 1:41:22

SPEAKER_08 Oh, you do?

1:41:23 → 1:41:25

SPEAKER_08 Of course, I've never been to Happydale.

1:41:25 → 1:41:27

SPEAKER_06 Well, you never can tell.

1:41:27 → 1:41:31

SPEAKER_06 Oh, this is a particularly happy moment for me tonight, Mr... Mr. Brewster, yes.

1:41:31 → 1:41:33

SPEAKER_06 I have never met a dramatic critic and I've been so anxious to.

1:41:34 → 1:41:38

SPEAKER_06 Yes, I have here a little something that I think will explain to you what we're trying to do out there at Happydale.

1:41:38 → 1:41:39

SPEAKER_06 Oh, pampered about Happydale.

1:41:39 → 1:41:41

SPEAKER_06 It's a play.

1:41:41 → 1:41:43

SPEAKER_06 Something I've been working on for some time now.

1:41:43 → 1:41:47

SPEAKER_06 It's a dramatization, really, of many of the little incidents that have happened there at Happydale.

1:41:49 → 1:41:54

SPEAKER_06 Now, Captain, I want you to read this very carefully, and I want you to be just as harsh as you like in your criticism.

1:41:54 → 1:41:55

SPEAKER_08 Oh, no, don't worry.

1:41:56 → 1:41:58

SPEAKER_05 Captain, this is Mr. Witherspoon.

1:41:58 → 1:42:00

SPEAKER_06 Oh, yes, yes.

1:42:00 → 1:42:02

SPEAKER_06 He'll be very happy at Happydale.

1:42:03 → 1:42:05

SPEAKER_08 What is this?

1:42:06 → 1:42:07

SPEAKER_08 No, no, Mr. Witherspoon, you've got it wrong.

1:42:07 → 1:42:09

SPEAKER_08 This is Captain Rooney, Mr. Witherspoon.

1:42:10 → 1:42:12

SPEAKER_05 Oh.

1:42:13 → 1:42:14

SPEAKER_08 Here are the papers, all signed.

1:42:14 → 1:42:16

SPEAKER_08 Now you can take them away, sober.

1:42:16 → 1:42:18

SPEAKER_00 I'll be in my office vetoing some bills.

1:42:18 → 1:42:21

SPEAKER_00 Mr. President, I have good news for you.

1:42:21 → 1:42:24

SPEAKER_08 Your term of office is over.

1:42:24 → 1:42:25

SPEAKER_00 Is this March the 4th?

1:42:27 → 1:42:30

SPEAKER_00 Oh.

1:42:30 → 1:42:32

SPEAKER_00 Now I go on my hunting trip to Africa.

1:42:32 → 1:42:41

SPEAKER_00 Well, I must get started immediately.

1:42:41 → 1:42:44

SPEAKER_08 Is he trying to move into the White House before I've moved out?

1:42:44 → 1:42:46

SPEAKER_08 Who, Mr. President?

1:42:52 → 1:42:53

SPEAKER_08 It's Mr. Witherspoon.

1:42:53 → 1:42:55

SPEAKER_08 He's going to be your guide to Africa.

1:42:57 → 1:42:59

SPEAKER_00 I'll bring down my equipment.

1:42:59 → 1:43:00

SPEAKER_00 Happy man.

1:43:00 → 1:43:01

SPEAKER_00 Goodbye, Aunt Abby.

1:43:01 → 1:43:02

SPEAKER_00 Goodbye, Aunt Martha.

1:43:02 → 1:43:04

SPEAKER_00 I'm on my way to Africa.

1:43:04 → 1:43:05

SPEAKER_00 Isn't it wonderful?

1:43:06 → 1:43:07

SPEAKER_00 Oh, dear.

1:43:07 → 1:43:10

SPEAKER_05 And Happydale is full of staircases.

1:43:21 → 1:43:24

SPEAKER_04 You've come to meet Teddy, haven't you?

1:43:24 → 1:43:25

SPEAKER_08 No, he's come to take him.

1:43:25 → 1:43:27

SPEAKER_08 Teddy's been blown his bugle again.

1:43:27 → 1:43:28

SPEAKER_04 Oh, no, no.

1:43:28 → 1:43:29

SPEAKER_04 No, he can't go now.

1:43:29 → 1:43:31

SPEAKER_04 We won't permit it.

1:43:31 → 1:43:33

SPEAKER_04 We promised to take his bugle away from him.

1:43:33 → 1:43:35

SPEAKER_04 We won't be separated from Teddy.

1:43:35 → 1:43:37

SPEAKER_08 I'm sorry.

1:43:37 → 1:43:39

SPEAKER_04 Mortimer, how can you allow this?

1:43:40 → 1:43:42

SPEAKER_08 Mr. Bruce has got nothing to do with this, lady.

1:43:42 → 1:43:43

SPEAKER_08 The law is the law.

1:43:43 → 1:43:46

SPEAKER_08 Teddy's committed himself and he's got to go.

1:43:47 → 1:43:49

SPEAKER_04 If he's going, we're going, too.

1:43:50 → 1:43:53

SPEAKER_04 You'll have to take us with him.

1:43:53 → 1:43:55

SPEAKER_06 Why not indeed?

1:43:55 → 1:43:58

SPEAKER_06 Oh, well, now, really, it's very sweet of them to want to go, but it's quite impossible.

1:43:58 → 1:44:01

SPEAKER_06 We never take sane people at Happydale.

1:44:01 → 1:44:04

SPEAKER_03 Oh, no, no, no.

1:44:04 → 1:44:08

SPEAKER_08 These two little sane people mixed up with all the others would get lost in the shuffle, wouldn't they?

1:44:18 → 1:44:20

SPEAKER_08 Now, let's be sensible, ladies.

1:44:20 → 1:44:21

SPEAKER_08 Sure, I am wasting my time.

1:44:21 → 1:44:23

SPEAKER_08 I could be doing some serious work.

1:44:23 → 1:44:25

SPEAKER_08 You know, ladies, there are still murders to be solved in Brooklyn.

1:44:25 → 1:44:29

SPEAKER_08 It ain't only is bugle blowing, the neighbors are afraid of them, but things are gonna get worse.

1:44:29 → 1:44:32

SPEAKER_08 We'll have to be put to the trouble of having to dig up your cellar.

1:44:32 → 1:44:33

SPEAKER_04 Our cellar?

1:44:34 → 1:44:37

SPEAKER_08 Kitty's been telling around, there's 13 bodies buried in the cellar.

1:44:37 → 1:44:40

SPEAKER_04 Well, there are 13 bodies in our cellar.

1:44:47 → 1:44:49

SPEAKER_04 You just ask our nephew Mortimer.

1:44:49 → 1:45:04

SPEAKER_04 Oh, isn't that amazing?

1:45:04 → 1:45:06

SPEAKER_04 Now, Mortimer, you behave yourself.

1:45:06 → 1:45:09

SPEAKER_04 You know very well there are 13 bodies down in our cellar.

1:45:09 → 1:45:14

SPEAKER_09 Certainly there are 13 bodies down in the cellar, and there are hundreds more up in the attic, Captain.

1:45:16 → 1:45:20

SPEAKER_05 Why, don't you... What is this?

1:45:20 → 1:45:22

SPEAKER_04 You mustn't mind, Mortimer.

1:45:22 → 1:45:24

SPEAKER_04 I'll be right there.

1:45:24 → 1:45:26

SPEAKER_04 He's been a little strange all day.

1:45:26 → 1:45:29

SPEAKER_08 Lady, right now, I wouldn't know what is and what ain't strange anymore.

1:45:29 → 1:45:31

SPEAKER_08 I'm gonna have a look in that cellar.

1:45:31 → 1:45:32

SPEAKER_09 I'll tell you what we do, Captain.

1:45:32 → 1:45:40

SPEAKER_09 I'll bring my bodies down from the attic, and you get yours up in the cellar, and we'll get them all together, and we'll send them to Happydale.

1:45:40 → 1:45:43

SPEAKER_04 No, no, no.

1:45:43 → 1:45:44

SPEAKER_04 You wouldn't have to dig.

1:45:44 → 1:45:46

SPEAKER_04 The graves are all marked.

1:45:47 → 1:45:49

SPEAKER_04 We put flowers on them every Sunday.

1:45:50 → 1:45:52

SPEAKER_09 Sure, I put neon lights on mine.

1:45:52 → 1:45:55

SPEAKER_09 Humor them.

1:45:55 → 1:45:58

SPEAKER_10 Humor them.

1:45:58 → 1:45:59

SPEAKER_04 What?

1:45:59 → 1:46:02

SPEAKER_04 There's one down there, a Mr. Spinozzo.

1:46:02 → 1:46:03

SPEAKER_04 Hasn't got it yet.

1:46:03 → 1:46:05

SPEAKER_04 Who doesn't belong here and who's going to have to leave.

1:46:05 → 1:46:08

SPEAKER_04 But the other 12 are our gentlemen.

1:46:09 → 1:46:11

SPEAKER_08 Oh, you'd like mine better.

1:46:11 → 1:46:12

SPEAKER_08 None of mine are gentlemen.

1:46:13 → 1:46:16

SPEAKER_04 He doesn't mind him at all.

1:46:16 → 1:46:19

SPEAKER_08 There is a happy deal far, far away.

1:46:19 → 1:46:26

SPEAKER_08 There is a happy... Yeah, yeah.

1:46:26 → 1:46:27

SPEAKER_05 He got it.

1:46:27 → 1:46:31

SPEAKER_08 Look, Super, don't you think you can find room for the ladies?

1:46:31 → 1:46:34

SPEAKER_08 Just the ladies?

1:46:34 → 1:46:35

SPEAKER_08 Just the ladies.

1:46:35 → 1:46:37

SPEAKER_06 How about it, Super?

1:46:37 → 1:46:38

SPEAKER_06 Well, of course, they'd have to be committed.

1:46:39 → 1:46:40

SPEAKER_09 Well, Teddy committed himself.

1:46:40 → 1:46:41

SPEAKER_09 Couldn't they commit themselves?

1:46:41 → 1:46:43

SPEAKER_09 All they have to do is sign the papers.

1:46:43 → 1:46:44

SPEAKER_04 Certainly.

1:46:44 → 1:46:47

SPEAKER_04 Well, if we can go with Teddy, we'll sign the papers.

1:46:47 → 1:46:49

SPEAKER_04 Yes, we're out.

1:46:50 → 1:46:52

SPEAKER_08 Sign them up, will you, super?

1:46:52 → 1:46:54

SPEAKER_08 I want to get this all cleaned up.

1:46:54 → 1:46:56

SPEAKER_08 I'm going out and talk to that spy.

1:46:56 → 1:46:58

SPEAKER_08 Maybe I can understand him.

1:46:58 → 1:47:00

SPEAKER_08 13 bodies in the cellar.

1:47:00 → 1:47:01

SPEAKER_06 Ladies, if you will sign right here.

1:47:13 → 1:47:18

SPEAKER_11 I'm really looking forward to going.

1:47:18 → 1:47:21

SPEAKER_04 The neighborhood here has changed so.

1:47:21 → 1:47:27

SPEAKER_04 Yes, especially since they won that old pennant thing.

1:47:27 → 1:47:28

SPEAKER_06 Oh, dear, I'm so sorry.

1:47:28 → 1:47:29

SPEAKER_06 We've overlooked something.

1:47:29 → 1:47:33

SPEAKER_06 It is absolutely compulsory that we have the signature of a physician.

1:47:36 → 1:47:37

SPEAKER_05 Come here and sign some papers, please.

1:47:38 → 1:47:39

SPEAKER_05 Come here, Dr. Einstein.

1:47:40 → 1:47:43

SPEAKER_05 Dr. Einstein almost operated on me earlier this evening.

1:47:44 → 1:47:46

SPEAKER_05 Here.

1:47:46 → 1:47:48

SPEAKER_05 Now, just sign right here, please, Doctor.

1:47:49 → 1:47:50

SPEAKER_04 Were you leaving, Doctor?

1:47:50 → 1:47:52

SPEAKER_10 Yes, please.

1:47:52 → 1:47:54

SPEAKER_04 Oh, aren't you going to wait for Jonathan?

1:47:54 → 1:47:57

SPEAKER_10 I don't think we go to the same place.

1:47:57 → 1:47:58

SPEAKER_08 Hello, Mike?

1:47:58 → 1:48:01

SPEAKER_08 We picked up that guy that's wanted in Indiana.

1:48:01 → 1:48:03

SPEAKER_01 His accomplice's description is right on the circular.

1:48:06 → 1:48:07

SPEAKER_08 Yeah.

1:48:07 → 1:48:09

SPEAKER_08 About 40.

1:48:09 → 1:48:11

SPEAKER_08 Five-foot tree.

1:48:11 → 1:48:13

SPEAKER_08 About 40 pounds.

1:48:13 → 1:48:16

SPEAKER_08 Popeyes.

1:48:16 → 1:48:18

SPEAKER_08 Talked with a German accent.

1:48:18 → 1:48:20

SPEAKER_08 Poses as a doctor.

1:48:20 → 1:48:21

SPEAKER_06 Okay, Mac, thanks.

1:48:21 → 1:48:23

SPEAKER_06 It's all right, Lieutenant Rooney.

1:48:23 → 1:48:25

SPEAKER_06 The doctor here has completed the signatures.

1:48:25 → 1:48:26

SPEAKER_06 Oh, that's great.

1:48:26 → 1:48:27

SPEAKER_08 Thanks, Doc.

1:48:27 → 1:48:29

SPEAKER_08 You've done Brooklyn a great service.

1:48:34 → 1:48:39

SPEAKER_04 But Dr. Einstein!

1:48:40 → 1:48:43

SPEAKER_05 No, no, you're Mr. Witherspoon, I'm Mr. Wooster.

1:48:43 → 1:48:44

SPEAKER_06 I mean, it's contagious, yes.

1:48:45 → 1:48:47

SPEAKER_06 Oh, now, don't play games.

1:48:48 → 1:48:50

SPEAKER_08 You sign as next of kin.

1:48:50 → 1:48:51

SPEAKER_08 Oh, why did you say so?

1:48:52 → 1:48:56

SPEAKER_05 Don't mind me.

1:48:56 → 1:48:57

SPEAKER_00 Mr. Witherspoon!

1:48:57 → 1:49:00

SPEAKER_00 Spoon!

1:49:00 → 1:49:01

SPEAKER_00 Come up and pack my duffel.

1:49:05 → 1:49:07

SPEAKER_00 He's the president, you know.

1:49:08 → 1:49:11

SPEAKER_00 And bring along my bugle.

1:49:11 → 1:49:21

SPEAKER_11 President.

1:49:21 → 1:49:32

SPEAKER_09 Don't charge.

1:49:34 → 1:49:39

SPEAKER_04 Mortimer, we're really very worried about something.

1:49:39 → 1:49:42

SPEAKER_05 Oh, now, darling, don't be worried.

1:49:42 → 1:49:44

SPEAKER_04 Me too, Mortimer.

1:49:44 → 1:49:46

SPEAKER_08 Well, of course not.

1:49:46 → 1:49:48

SPEAKER_08 You're both going to be very happy in Happydale, really.

1:49:48 → 1:49:49

SPEAKER_04 Oh, yes, dear.

1:49:49 → 1:49:53

SPEAKER_04 We're very happy about the whole thing, but that's just it.

1:49:53 → 1:49:55

SPEAKER_04 We don't want anything to go wrong.

1:49:55 → 1:49:59

SPEAKER_04 Mortimer, will they investigate those signatures?

1:50:00 → 1:50:02

SPEAKER_05 No, they won't look up Dr. Einstein.

1:50:02 → 1:50:04

SPEAKER_04 But it's not his signature, dear.

1:50:04 → 1:50:06

SPEAKER_04 It's yours.

1:50:06 → 1:50:10

SPEAKER_04 You see, you signed as next of kin.

1:50:10 → 1:50:11

SPEAKER_05 What's wrong about that, darling?

1:50:11 → 1:50:16

SPEAKER_04 Well... Father, you tell him.

1:50:16 → 1:50:18

SPEAKER_04 Well, dear... What, dear?

1:50:18 → 1:50:20

SPEAKER_04 You're not really a Brewster.

1:50:23 → 1:50:27

SPEAKER_04 Your mother came to us as a cook, and you were born about three months afterwards.

1:50:27 → 1:50:30

SPEAKER_04 And she was such a sweet woman and such a good cook.

1:50:30 → 1:50:34

SPEAKER_04 We didn't want to lose her, so Brother married her.

1:50:34 → 1:50:36

SPEAKER_04 Your real father was a cook, too.

1:50:36 → 1:50:41

SPEAKER_04 He was a chef on a **** steamer.

1:50:41 → 1:50:45

SPEAKER_08 You mean... You mean I'm not really a... Brewster?

1:50:46 → 1:50:48

SPEAKER_04 Oh, darling.

1:50:48 → 1:50:50

SPEAKER_04 Now, don't feel so badly about it.

1:50:50 → 1:50:52

SPEAKER_04 And I'm sure it won't make any difference to Elaine.

1:50:52 → 1:50:54

SPEAKER_04 No, no.

1:50:54 → 1:51:00

SPEAKER_01 Of course it won't, darling.

1:51:00 → 1:51:01

SPEAKER_09 Elaine!

1:51:02 → 1:51:04

SPEAKER_09 I'm not really a Brewster.

1:51:04 → 1:51:06

SPEAKER_09 I'm a son of a sea ****!

1:51:10 → 1:51:11

SPEAKER_01 Murderer!

1:51:15 → 1:51:18

SPEAKER_04 I just... There are 13 bodies down there!

1:51:18 → 1:51:21

SPEAKER_04 But I saw them in the film!

1:51:21 → 1:51:22

SPEAKER_08 What's all the screaming about?

1:51:22 → 1:51:23

SPEAKER_09 But I saw them in the film!

1:51:23 → 1:51:24

SPEAKER_09 It's way past her bedtime!

1:51:25 → 1:51:27

SPEAKER_09 Bye, Murderer!

1:51:27 → 1:51:28

SPEAKER_09 Goodbye!

1:51:28 → 1:51:30

SPEAKER_01 Goodbye!

1:51:38 → 1:51:39

SPEAKER_08 What is all this?

1:51:39 → 1:51:41

SPEAKER_04 They're going on their honeymoon.

1:51:41 → 1:51:44

SPEAKER_08 Well, they're off to a flying start.

1:51:44 → 1:51:48

SPEAKER_08 Where's my gun?

1:51:48 → 1:51:50

SPEAKER_08 Hey, uh... Mortimer!

1:51:50 → 1:51:53

SPEAKER_10 You'll own two cabs.

1:51:53 → 1:51:54

SPEAKER_10 Mortimer!

1:51:54 → 1:51:56

SPEAKER_10 I mean the meter.

1:51:56 → 1:52:05

SPEAKER_04 Oh, Mortimer.

1:52:05 → 1:52:07

SPEAKER_05 Oh, Mortimer.

1:52:09 → 1:52:10

SPEAKER_05 Oh, we're going to Niagara Falls.

1:52:10 → 1:52:11

SPEAKER_05 Call me a cab, dear.

1:52:11 → 1:52:13

SPEAKER_05 Yes, love.

1:52:13 → 1:52:15

SPEAKER_08 But, Mr. Brewster.

1:52:15 → 1:52:17

SPEAKER_08 No, no, I'm not a Brewster.

1:52:17 → 1:52:19

SPEAKER_08 I'm a son of a seagull.

1:52:19 → 1:52:22

SPEAKER_09 Turk!

1:52:22 → 1:52:24

SPEAKER_08 I'm not a cab driver.